# xmcd
#
# Track frame offsets: 
#        150
#        9100
#        18622
#        29180
#        38542
#        47480
#        56012
#        64495
#        73690
#        83147
#        92440
#        101487
#        113097
#        124595
#        134680
#        144795
#        154187
#        163227
#        172202
#        180772
#        190220
#        199712
#        209942
#        219902
#        230332
#        238457
#        250907
#        261300
#        272542
#        282570
#        291355
#
# Disc length: 4015 seconds
#
# Revision: 4
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: ExactAudioCopy v0.95b2
#
DISCID=d30fad1f
DTITLE=Rick Nelson / Legacy Disc 1 
DYEAR=2000
DGENRE=Rock & Roll
TTITLE0=I'm Walkin'
TTITLE1=You're My One And Only Love
TTITLE2=Teenager's Romance
TTITLE3=Be Bop Baby (Single Version)
TTITLE4=Have I Told You Lately That I Love You (Single Version)
TTITLE5=If You Can't Rock Me
TTITLE6=Stood Up
TTITLE7=Waitin' In School
TTITLE8=Believe What You Say (Single Version)
TTITLE9=My Bucket's Got A Hole In It
TTITLE10=Shirley Lee
TTITLE11=My Babe
TTITLE12=Poor Little Fool
TTITLE13=There Goes My Baby
TTITLE14=Lonesome Town
TTITLE15=I Got A Feeling
TTITLE16=Cindy (Alternate Version - Previously Unreleased)
TTITLE17=It's Late
TTITLE18=One Of These Mornings
TTITLE19=Gloomy Sunday (Previously Unreleased)
TTITLE20=Brand New Girl (Previously Unreleased)
TTITLE21=Never Be Anyone Else But You
TTITLE22=Just A Little Too Much
TTITLE23=Sweeter Than You
TTITLE24=I've Been Thinkin' (Alternate Version - Previously Unreleased
TTITLE24=)
TTITLE25=I Wanna Be Loved
TTITLE26=Mighty Good
TTITLE27=Hey Pretty Baby
TTITLE28=Lonesome Town (Alternate Version - Previously Unreleased)
TTITLE29=Just A Little Bit Too Much (Alternate Version - Previously Un
TTITLE29=released)
TTITLE30=My Rifle, My Pony & Me [with Dean Martin] (Previously Unrelea
TTITLE30=sed)
EXTD=Released November 21, 2000 \n\nAMG EXPERT REVIEW: As a four-CD se
EXTD=t spanning Rick Nelson's entire career, this will likely stand as
EXTD= the most thorough overview of the singer's music ever issued. Th
EXTD=is doesn't mean, though, that it's the best anthology of his work
EXTD=, unless you subscribe to the viewpoint that his post-mid-'60s re
EXTD=cords were about as good as his pre-mid-'60s ones, since a full t
EXTD=wo discs (or half) of this package is devoted to that post-mid-'6
EXTD=0s output. Basically, it illustrates his trajectory in phases: di
EXTD=sc one, as a good-to-great pop-rockabilly singer; disc two, as a 
EXTD=still-good but not quite as vital teen idol in the late '50s and 
EXTD=early '60s; disc three, as a fair but not great country-rocker; a
EXTD=nd disc four, as a has-been playing out the string with uninspire
EXTD=d adult contemporary and revival tracks during his final years. T
EXTD=he album is an impressive feat of cross-licensing, though, starti
EXTD=ng with three songs from his first singles (for Verve, and never 
EXTD=easy to find on reissues), drawing a lot from his creative peak a
EXTD=t Imperial, and then from his spottier efforts for Decca and othe
EXTD=r labels. All of his Top Forty hits are here, along with a dozen 
EXTD=or so previously unreleased tracks, none too remarkable, as well 
EXTD=as the 45-single versions of a few early hits. The song selection
EXTD= is very good, but not infallible: The absence of the moody "Mean
EXTD= Old World," which was about the best thing he did in the mid-'60
EXTD=s, is inexplicable. If you are a big fan and do like Nelson's cou
EXTD=ntry-rock phase, this is a reasonable investment, but if you don'
EXTD=t, you should stick to those collections that focus on his 1957-1
EXTD=965 recordings.  --  Richie Unterberger\n\nAmazon.com Editorial R
EXTD=eview\nRick Nelson's lengthy career spanned 30 years, with record
EXTD=s on the charts from the late '50s to the early '80s, yet most re
EXTD=member him only as "Little Ricky." This comprehensive, 100-song r
EXTD=etrospective rectifies that, giving full scope to his remarkable 
EXTD=and surprisingly robust career. Additionally, the photo-heavy boo
EXTD=klet gives insight into the era when rock & roll, television, and
EXTD= culture first merged. Ricky Nelson was the first teen idol who g
EXTD=rew up on television. His parents' Ozzie and Harriet Show afforde
EXTD=d him the opportunity to sing, and he was groomed to be early TV'
EXTD=s middle ground between Elvis and Pat Boone. Disc 1 captures this
EXTD= period, featuring his earliest hits such as "I'm Walkin'" and "P
EXTD=oor Little Fool," though others like Little Walter's "My Babe" an
EXTD=d "There Goes My Baby", with sizzling guitar leads by James Burto
EXTD=n, reveal a genuine rockabilly edginess, suggesting Ricky's truer
EXTD= leanings.\nDisc 2 has the majority of Ricky's largest hits, pop 
EXTD=pieces from '59 to '65, where the addition of strings and the Jor
EXTD=danaires' backing vocals led to smash hits like "Mary Lou," "Trav
EXTD=elin' Man," and "Young World."\n\nDisc 3 documents Rick's (he had
EXTD= dropped the y) mid-'60s evolution into a country sound heavily i
EXTD=nfluenced by Bob Dylan's Nashville Skyline. Rick's version of Dyl
EXTD=an's "Love Minus Zero/No Limit" was well received, but the big hi
EXTD=t on this disc is "Garden Party," a wry, autobiographical take on
EXTD= his rejection by a '72 oldies-oriented crowd at Madison Square G
EXTD=arden.\n\nDisc 4 features material with his Stone Canyon Band, co
EXTD=vering the period from 1972 to 1985, the year of his unfortunate 
EXTD=plane crash. By now, his rich, yearning voice blends perfectly wi
EXTD=th the pedal-steel-led band, and the music sounds remarkably cont
EXTD=emporary.\n\nRick Nelson's teenage celebrity typecast him for lif
EXTD=e, but Legacy reveals a solid musician who matured and grew over 
EXTD=time. This anthology does him and his fans a great service. --Wal
EXTD=ly Shoup \n\nEntertainment Weekly (1/12/01, p.83) - "...The most 
EXTD=significant boxed set of the year....LEGACY should secure Nelson'
EXTD=s place in the pantheon of great '50s rockers..." - Rating: A \n\n
EXTD=CD Connection.com Review\nPersonnel includes: Rick Nelson (vocals
EXTD=, guitar): Dean Martin, Don Everly, The Jordanaires, Sweet Inspir
EXTD=ations (vocals); James Burton, Glenn Campbell, Dennis Budimir (gu
EXTD=itar); Tom Brumley (steel guitar); Ray Caton (trumpet); Chuck Lop
EXTD=er (trombone); Gene Garf, Mike Melvoin, Don Randi (piano); James 
EXTD=Kirkland, Joe Osborn (bass); Pat Shanahan, Richie Frost (drums). 
EXTD=\n\nProducers include: Rick Nelson, Ozzie Nelson, Jimmie Haskell,
EXTD= Barney Kessel, John Boylan. \n\nCompilation producer: Bob Hyde. 
EXTD=\n\nRecorded between 1957 & 1985. Includes a 48 page book with li
EXTD=ner notes by Colin Escott, James Ritz, Sam Nelson, Gunnar Nelson,
EXTD= Matthew Nelson, Tracy Nelson, and Bob Hyde. \n\nDigitally remast
EXTD=ered by Bob Fisher (2000, Pacific Multimedia). 
EXTT0=
EXTT1=
EXTT2=
EXTT3=
EXTT4=
EXTT5=
EXTT6=
EXTT7=
EXTT8=
EXTT9=
EXTT10=
EXTT11=
EXTT12=
EXTT13=
EXTT14=
EXTT15=
EXTT16=
EXTT17=
EXTT18=
EXTT19=
EXTT20=
EXTT21=
EXTT22=
EXTT23=
EXTT24=
EXTT25=
EXTT26=
EXTT27=
EXTT28=
EXTT29=
EXTT30=
PLAYORDER=
