# xmcd CD database file
#
# Track frame offsets:
#	150
#	21334
#	40978
#	58752
#	74833
#	87505
#	102074
#	122187
#	140024
#	160105
#	181753
#
# Disc length: 2706 seconds
#
# Revision: 4
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: CDex 1.70beta2
#
DISCID=9e0a900b
DTITLE=Lindsey Buckingham / Under the Skin
DYEAR=2006
DGENRE=Pop/Rock
TTITLE0=Not Too Late
TTITLE1=Show You How
TTITLE2=Under the Skin
TTITLE3=I Am Waiting
TTITLE4=It Was You
TTITLE5=To Try for the Sun
TTITLE6=Cast Away Dreams
TTITLE7=Shut Us Down
TTITLE8=Down on Rodeo
TTITLE9=Someone's Gotta Change Your Mind
TTITLE10=Flying Down Juniper
EXTD=Originally Released October 3, 2006\n\nAMG EXPERT REVIEW: Lindsey Buckingham has released only four albums as a solo artist in 25 years. While he remains active as a producer and session musician, this is his first offering in 14 years. Those who sa
EXTD=w Cameron Crowe's film Elisabethtown got a sneak peak: Buckingham's "Shut Us Down" was featured in the film. Under the Skin is perhaps the most nakedly visible and tender recording he's ever dropped. He wrote much of the set while on tour with Fleet
EXTD=wood Mac in 2003. While it's true his albums are deceptively simple in terms of their production values, there are always many layers whispering beneath the surface. This is the sound of that underside. Buckingham employs largely acoustic guitars on
EXTD= this set, and with the exception of the Fleetwood Mac rhythm section helping out on "Down on Rodeo" and some orchestration by David Campbell on "Someone's Gonna Change Your Mind," he mostly allows the acoustic guitar to carry his impeccable sense o
EXTD=f rhythm and time. There are a few covers on the set as well, a completely re-invented version of the Rolling Stones "I Am Waiting," and Buckingham's own unique reading of Donovan's "To Try for the Sun." The themes of these tunes underscore a loose 
EXTD=thread that seemingly runs throughout the album; that of anticipation, holding out despite evidence that you shouldn't, and the disillusionment that comes with having ambitions and dreams thwarted. Almost all of these songs feel autobiographical. Ta
EXTD=ke the opener "Not Too Late," where he plays plectrum style to the point where his guitar is almost completely glissando. Its beautiful cascading notes stand in stark contrast to the melancholy lyrics that discuss his frustration at his solo career 
EXTD=despite what's written about him, and he wonders whether or not he's fooling himself. It's a striking beginning, one that looks at dreams as perhaps just that, except for the childlike character in his own heart that speaks to the other side of that
EXTD= argument. On "Show You How," a shimmering little rocker, a man is speeding through life grabbing what he can and disappearing in the process; while a loved one exhorts him to slow down in order to see what his life is like. The words are simple, th
EXTD=e images come from everyday life, but the razor is fine and sharp. \n\nThe title track is a gorgeous love song that speaks not to restlessness but to providing comfort for the Beloved's hurt and frustration. Multi-layered acoustic guitars play in ha
EXTD=rmony, strumming and creating a different kind of glissando effect. Other cuts that stand out are the covers, and "It Was You," that features one of those melodies that came pouring out of his songs with Fleetwood Mac. It's a multivalent pop song wh
EXTD=ose melody is instantly memorable yet quirky. That it's a song of gratitude for found love is something rooted in reality, not the illusion of dreams. It's also about the benefit of waiting for that which is most fulfilling. "Cast Away Dreams" is an
EXTD=other one of those Buckingham moments where acoustic guitars and a voice coming from the ether relate a tale of travel from disappointment and the dissolution of falsehood. It celebrates what's real no matter the price that needs to be paid. Bucking
EXTD=ham's voice emerging from a warm palace of reverb underscores the faraway feeling, one of transit and emergence into another space. And, of course, there is the acoustically drenched "Shut Us Down," that is so profound lyrically, it needs to be hear
EXTD=d. For whatever reason, Buckingham has stood on the margins despite the legend that is Fleetwood Mac. Anyone who gives his own recordings a chance will find in spades that it is his songs, his sounds, and his arrangements that brought them to the pi
EXTD=nnacle of popularity. Buckingham is a rare kind of songwriter: he can appeal to cognoscenti like critics, other musicians, and astute listeners alike, but he also has that mercurial ability to translate to those who look to music for both sentiment 
EXTD=and emotional fulfillment rather than study technique and method. Under the Skin, like his other recordings, can provide both satisfaction and perhaps even wonder to any listener willing enough to give it a chance. It is, thus far, his masterpiece, 
EXTD=and as beautiful a pop record as can be made these days. -- Thom Jurek\n\nAmazon.com Editorial Review\nSince his solo flight from Fleetwood Mac, Lindsay Buckingham has earned the kind of artistic acclaim for his sparse solo work that many peers have
EXTD= tried to achieve over the course of a lifetime. Under the Skin, stripped down to a mostly acoustic base with ethereal vocals and subtle affects, surfaces as if from a deeper soulful realm that is both magically fleeting and somehow permanent. It's 
EXTD=a deceptively simple album with its acoustic guitars zinging South American flourishes here, semi-classical guitar figures there, and country-like riffs. Both "Show You How " and "Down on Rodeo"  beg to be adapted to the full rock-pop sound he and h
EXTD=is former bandmates created. Buckingham's tempered vocals sound mysterious throughout, given the ambient production scrim he drops over the record's 11 tracks, including a remake of the Stones' "I'm Waiting" and "It Was You," with its suggestive Car
EXTD=ibbean flavor and soft, industrial-percussive edge. Strange, alluring, and disarming, it's as if Buckingham can offer only passing personal glimpses into his own life and psyche as a father, husband, lover, iconic pop star, and California songwriter
EXTD= dabbling in but never anchoring himself in one place for too long. This pleasing shadowplay at times borders slightly on the self-conscious, but generally, with the quality of such lovely self-confessional songs like "Cast Away Dreams," Buckingham 
EXTD=leaves us willing to follow him any place, wanting more. --Martin Keller \n\nAmazon.com Product Description\nBuckingham's first album in 14 years, Under The Skin, is a pop masterpiece worth the wait! All tracks were performed and produced by Bucking
EXTD=ham, and all but two were written by him. \n\nAMAZON.COM CUSTOMER REVIEW\nWe waited 10 yearsfor NINE new songs??? (two are written by others), 11/9/2006\nReviewer: Derek Jager (NYC)\n"Sounds like" OUT OF THE CRADLE is the best that Mr. B will give u
EXTD=s. THAT is truly a 5 star experience. \n\nLAW AND ORDER is a great "Tusk" album and "Go Insane" shows the wonderful craziness with Lindsey. \n\nAnd CRADLE? Well, that's a real "masterpiece." \n\nThis? Never really takes off. It's all about the guita
EXTD=r, the "sound" but overall, it isn't really much when taken as a whole. And it IS sad that he only releases nine new songs after 10 years--the two remakes my express what he is feeling, but I would like an original Lindsey song. \n\nAnd where are th
EXTD=e magnificient guitar solos??? Listen to "Running Through The Garden" from the Mac's SAY YOU WILL -- that is the sound of Lindsey endlessly rocking! \n\nTwo me, 3 stars is "Just Okay" and he is capable of so much more.\n\nAMAZON.COM CUSTOMER REVIEW\
EXTD=nThat's been a problem, feeling unheard., November 3, 2006\nReviewer: Jason Stein (Chula Vista, CA United States)\nI've always liked Lindsey Buckingham's approach to popular music whether he was with Fleetwood Mac or whether he was solo. "Under The 
EXTD=Skin" is no exception, except this time Buckingham goes for a more organic and acoustic approach, something he hasn't really tried before for an entire album. \n\nWhile "Under The Skin" has no true duds in terms of songwriting, songcraft and cover s
EXTD=ongs, it is not my favorite--that's still reserved for his 1992 effort "Out Of The Cradle". "Under The Skin" isn't really like "Out Of The Cradle", nor is it similar to 1984's "Go Insane" or 1981's "Law And Order". \n\nSonically, Buckingham paints a
EXTD= more dreamy portrait with more personal songs like "Not Too Late", which I interpreted as his statement about the lack of interest by the public in his solo music and his desire, at age 58, to still produce meaningful music. Or what about "To Try F
EXTD=or The Sun", written by Donovan but which Buckingham might be reminiscing about his early days with Stevie Nicks before joining Fleetwood Mac. Then there's "It Was You" which recounts his marriage and the birth of his three children. "Flying Down Ju
EXTD=niper" seems to reflect upon the loss of family and burden children shoulder from their parents' expectations. I also liked his version of the Rolling Stones' "I Am Waiting". \n\nOverall, "Under The Skin" is an unexpected brilliant pop surprise for 
EXTD=2006. This album isn't like anything else I've bought this year, and it's refreshing in its simplicity. Buckingham proves that he still has it, but then I've always liked everything he's done. He's simply genius when it comes to making pop music wit
EXTD=h a twist, and his production wizardry adds to the experience. If you are a Buckingham fan, or a Mac fan, "Under The Skin" comes highly recommended.\n\nAMAZON.COM CUSTOMER REVIEW\nCold album, October 26, 2006\nReviewer: Ananiah J. Mccarrell "Ananiah
EXTD= McCarrell" (Seattle, WA)\nI listened to this album prepared to fall in love with it, but there was way the heck too much reverb and the low end was almost non-existent. I feel physically cold when listening to this album because of the lack of warm
EXTD=th. It sounds like it was recorded on an old tape recorder because of all the hissiness of the music itself. A lot of the musical texture is lost because the reverb and off-key layered vocals drown out most of the charm of the songs. I can't say it'
EXTD=s terrible, but I probably will only listen to it a few times. The overall quality is a step up from Law & Order, but that isn't saying much. I am tempted to run it into my own studio to make it half-way enjoyable. There are a few good tracks on the
EXTD= album, but the breathy vocals that are so in style at the moment are oppressive even from someone who can pull it off, but the performance was so off-key on this album that I cringe when I hear it. \n\nAMAZON.COM CUSTOMER REVIEW\nImagine my surpris
EXTD=e..., October 18, 2006\nReviewer: X "book snob, music geek"\nI hate Fleetwood Mac. A lot. I have heard handfuls of songs and the odd full album and I just don't like them, especially when Stevie Nicks is added to the equation. I don't expect people 
EXTD=to be happy about this, but it's the case. \n\nImagine my surprise, then, hearing this CD and finding out it's good. Great, even. I didn't know anything about Buckingham as a solo artist before this CD. I'm pretty happy about this, though, as it sav
EXTD=es me from whining about how it's not his other CDs. Listened to for what it is, and not what it wasn't, it's an excellent offering. \n\nWhy is it excellent? It's naked, for one. A lot of people use this to describe honest lyrics, but it's hard to p
EXTD=in honesty when someone's been at the game as long as Buckingham. What I mean is its sparse nature. A lot of people are clearly upset about the use of overdubs on the album, and are blinded by them. In reality there are only two things here for most
EXTD= of the album: Lindsey's voice, and an acoustic guitar. The latter is impressive, with monster fingerpicking sessions such as the opening track Not Too Late, or used to fill in the blanks, as it's simple, percussive use on Show You How. It's clear i
EXTD=t's not a pure tone... he's probably running it through something... but it's tasteful. The former, his voice, is weak, and therein lies its beauty. You can hear the faint cracks as well as the faint glimmers of the power he must have once had at hi
EXTD=s disposal. Sure, the lyrics throughout the album are introspective, if at times bordering on banal (see Not Too Late again, which is brilliant musically but a tad navel-gazing with the words), but the true intimacy is there no matter what he says..
EXTD=. its the voice of a man who's getting older, and trying to find his place in the world with that knowledge. He does get a bit overdub happy in the vocal department, but never fixes those flaws. Remember, outside of Down on Rodeo, this is very much 
EXTD=a solo album... his overdubs flesh out the compositions as opposed to detracting from them. \n\nThe other positives of this album are simpler but no less important. The musicianship and songwriting is top-notch, and proves that even if I can't see i
EXTD=t in Fleetwood Mac, the man still has impressive chops. The disc flows well, to me... the songs all have a similar mood, though all have a slightly different flavour. Even the covers feel like they were written for the album, which brings up yet ano
EXTD=ther point. I feel covers are a cop-out, a cheap ploy to draw in buyers. Buckingham's choices not only feel like they belong on his album, I was even inclined to believe they were his. Perhaps my relatively young age hides their recognizability, but
EXTD= it's much easier to respect a cover that feels comfortable and respectfully done than one which is sticking out in the middle of the album waving at you to notice it. Buckingham's choices are done with respect, and his rendition of Donovan's "To Tr
EXTD=y For the Sun" is quite possibly my favorite on the album. \n\nGranted, it's not an album without flaws. The arrangements are not immediately accessable, providing a huge payoff, but requiring more effort than some would be willing to give. Integral
EXTD= as his voice is to the recording, the whisper and strain takes some getting used to. Lyrics seem to be secondary animals to the music itself, and as such they suffer in places, as have the lyrics of many an aging ex-hippie before him. The track "Sh
EXTD=ut Us Down," while not being bad, is rather forgettable. Still, for a man I'd written off years ago simply for his musical associations, this is a CD that is completely worth the investment.\n\nAMAZON.COM CUSTOMER REVIEW\nOutstanding Work, October 1
EXTD=7, 2006\nReviewer: KHE (Connecticut)\nThe first time you listen to this record, you will think it's not bad. The second time, you'll think it's pretty good. The third time, you'll think it's brilliant. It takes 3 listens to appreciate the "complex s
EXTD=implicity" of this record and when its contrasted to the other solo works, and the Fleetwood Mac era material, it really leaves you shaking your head and wondering if Mr. Buckingham made some sort of deal with the devil for his seemingly unending ta
EXTD=lent. The only criticism is the overprocesed vocal arrangements.\n\nAMAZON.COM CUSTOMER REVIEW\nIndentity crisis or a an expensive practical joke?, October 16, 2006\nReviewer: Alan Cofer (Georgetown, TN United States)\nReading these reviews below ar
EXTD=e laughable at times because people tend to get a little star-gazed and not true to themselves in reviewing a CD. Now, I do realize that everyones taste are different and there may actually be someone who thinks this CD is the end all be all from Mr
EXTD= Buckingham....just not me. \nI have been a fan since 1975 and even though that does not rank me as the consumate authority on FM and it's members, I feel I do have a pretty good vision inside thier work. \n\nLindsey is an undisputed genious and I t
EXTD=hink we will all agree often overlooked in the passed for his brilliance. Unlike his past efforts ( only 3 solo albums in a career thats lasted nearly 40 years )he has ensembled a hodge podge of work (much of it shelved for the better part of a deca
EXTD=de ) that sounds more like a B sides and rarities collection. \n\nBut not all seems wasted, there are some gems nestled along side the tired and reworked TRY FOR THE SUN. Songs like NOT TOO LATE gather up all his anguish and gently purges them ever 
EXTD=so softly. SHOW YOU HOW came on wicked but falls flat before it leaves the runway...over produced vocals and lack of in the chorus. By the time I reached the title track I was tired of the vocoders but I find it growing on me with each listen. Anoth
EXTD=er bright spot is the beautiful I AM WAITING...this fits him like a glove and has become a favorite all time Lindsey song of mine. IT WAS YOU has all the makings of a great track but sounds like it was a demo thrown on at the last minute. Again the 
EXTD=reverb and vocoders make it almost annoying for me. \nHowever; on CAST AWAY DREAMS it seems fitting with the songs beautiful melody. I find this one lingering long after in my head! \nThe album picks up alittle on a couple tracks I have been familia
EXTD=r with a few years from bootleg CDs. DOWN ON RODEO is a very nice song and I love the harmonies but my favorite is the wonderful SOMEONES GOTTA CHANGE YOUR MIND. It is almost intoxicating at night with the fall breeze blowing thru my car windows. JU
EXTD=NIPER is a pleasant closer but nothing that will get a second listen back to back. \n\nI'm not sure where he was going....because this really doesnt classify as an acoustic CD and if he was attempting to be inovative ....he missed somehow .....and i
EXTD=t pains me to say that because I love the man! I think he is far greater than what he gave us this time around. But all faith is not lost....I still anticipate his next release! Although I could be pushing up daisies before I see it anytime soon! \n
EXTD=\nAMAZON.COM CUSTOMER REVIEW\nOverproduced!, October 15, 2006\nReviewer: A. Reader (Northwest Arkansas)\nLindsey Buckingham is a great guitar player and as the architect of the Fleetwood Mac sound during the band's heyday he proved that he can also 
EXTD=be an excellent producer. However, he's apparently fallen too much in love with the bells and whistles of the studio, because his heavy-handed, monotonous production of this album renders it tedious, self-indulgent and more than a little difficult t
EXTD=o listen to. \n\nBuckingham is an emotional vocalist with a so-so voice. On this CD, the vocals (and the lyrics, and the guitar playing) are blurred by layers of production. The idea is probably to create a "mood" for the album, but that loses its c
EXTD=harm very quickly, almost as quickly as Buckingham's overly stylized, breathy singing. \n\nSo, why three stars? Because with a lighter touch in the studio, this could have been a very good album. Buckingham's exceptional guitar playing shows through
EXTD= and there is some good songwriting here. Unfortunately, for me, the production really calls too much attention to itself and detracts from the music.\n\nAMAZON.COM CUSTOMER REVIEW\nDisappointing work from a great Pop Music maker...., October 11, 20
EXTD=06\nReviewer: Kerouac's Ghost (The Void)\nI anxiously opened Lindsey Buckingham's latest work, "Under The Skin" and put it in my CD player. As a general rule, it is probably a red flag when the first few lines of the first song refer to the artist h
EXTD=aving read a review of his own work which described him as a visionary. That was the case here. One gets the feeling with this album (do we still call them that?) that LB is trying to live up to some kind of genius label. In the simplest terms, this
EXTD= work would have been much more important (and enjoyable) had LB simply decided to sing instead of whisper/moan most of the songs. Obviously, he was aiming for some kind of ethereal feel, but one gets the feeling, on most of the tracks, that a psych
EXTD=otic Enya has been employed, having ingested a serious dose of acid while suffering from throat problems to boot. That is not to say there is nothing to recommend the work: "Down On Rodeo" is a great tune. The old Stones tune "I Am Waiting" (or is t
EXTD=he title just "Waiting"? - will have to check the label) is a great cover and fits LB down to the ground. Obviously, the "bonus" track with Stevie Nicks will be a crowd pleaser, but it only underscores the lack of vocal aptitude applied to the rest 
EXTD=of the record. The production is OK (even when somewhat drowning out the lackluster vocals), the lyrics are great and the musicianship (almost all LB) is fine. The problem here is the singing (amazing since LB is such a great vocalist). It is clear 
EXTD=the odd vocalizing is intentional. Done, I feel sure, to communicate some underlying artistic theme (which escapes me). That said, there is much to be said for just having a great tune and belting it out; Lindsey Buckingham, being such a great pop a
EXTD=rtist, should know that. Because that is not the case on this work, as a whole, it fails...and disappoints.\n\nAMAZON.COM CUSTOMER REVIEW\nastonishingly spare , fractured and gorgeous, October 11, 2006\nReviewer: music dude (Venice, CA)\nIf Lindsey 
EXTD=Buckingham went out of his way to try every production trick in the book for his previous three records (and the last three Fleetwood Mac studio albums), Under The Skin offers a refreshing breather with nothing more then an old delay pedal to dirty 
EXTD=up the vocals. The result is an often astonishingly raw cycle of songs that dig a little deeper than normal into the tug of war between making art and keeping family relationships intact. \nWith the vocals pushed slightly back into the mix and acous
EXTD=tic guitar brought up front with little or almost no percussion, at times John Lennon's Plastic Ono era comes to mind; but melodies not far removed from Joni Mitchell's "Blue" pop up here and there. Buckingham has always been a unique singular talen
EXTD=t, but he's also never been afraid to pay homage to such obvious influences as Brian Wilson and Elvis Presley. Those same influences are still with him, but they're presented in such a way that Thom Yorke of Radiohead could easily find a kindered sp
EXTD=irit in the overall sound. Under The Skin isn't music that will conjure up your mother's Fleetwood Mac. But it is one of the most challenging and engaging and cohesive records we've heard in quite some time. If continuing to inspire some thirty odd 
EXTD=years after producing your first work defines a true artist, then Lindsey Buckingham need not worry about his legacy. Fans of Tusk take notice, this is not something you want to miss out on.\n\nAMAZON.COM CUSTOMER REVIEW\nBeautiful and haunting, Oct
EXTD=ober 10, 2006\nReviewer: G. Skala "Gene" (Chicago, Illinois USA)\nUnder The Skin, strangely enough, left me feel both refreshed and sad at the same time. And I admit, the record takes a few listens to get use to. \n\nI find the record beautiful and 
EXTD=lovely, but haunting in a way that reminds me a lot of Tusk. In fact, "Cast Away Dreams" sounds like a lost great Tusk track. "Someone's Gotta Change Your Mind" is amazing. I think "Shut Us Down" and "Under the Skin" are quiet masterpieces. I find "
EXTD=Down On Rodeo" as satisfying a pop song as anything Fleetwood Mac has done. \n\nUnder The Skin is not as introverted as "Law and Order", not as wild as "Go Insane", and not as radio-friendly as "Out of the Cradle", but seems to be the most articulat
EXTD=ed of all his solo records. I could see this becoming my favorite Lindsey record. If not, there are definitely tracks here that easily makes it one of the best records I've heard all year.\n\nAMAZON.COM CUSTOMER REVIEW\nHey Lindsey, The Reverb is St
EXTD=uck in the On Position..., October 10, 2006\nReviewer: Mark Moyer (New York, NY United States)\nHmmm, where do I start? OK, the good news...I am a huge LB fan, as he is genuinely an incredible guitarist, vocalist, and songwriter. "Out of the Cradle"
EXTD= was a fantastic piece of work, and I continue to play it to this day. Clearly all the Fleetwood Mac material is deservedly legendary. The guitarwork on "Under the Skin" is splendid, and the songwriting is typically superb. I simply did not like the
EXTD= overly enhanced vocals, as Lindsey and/or his producers decided that applying layers upon layers of reverb would enhance the dreamlike quality of each song. As a music fan and a musician, I lost interest in reverb at that level back when Capitol Re
EXTD=cords decided to ruin much of the Beatles catalog with it. As I listened to the CD in my car the other night, I was praying that the vocals would change as each new song began. What a letdown! I am going to see Lindsey in concert tonight here in NYC
EXTD=, and I hope that one of his roadies forgets to pack the reverb and effects pedals and he decides to stick to his very capable voice on its own merits. Lindsey, kudos for being able to release an album of music you want out there just for you. \n\n*
EXTD=** UPDATE**** OK, I'm adding to this after seeing his show last night. Amazing concert, LB showing great energy and enthusiasm, not only for a few of his standards, but also for the 7 or 8 songs performed from Under The Skin, and thankfully, my advi
EXTD=ce was heard, as the roadies did indeed forget the reverb and effects (for the most part)! His supporting band was fantastic, and it truly was a blast. Especially fascinating was how fired up Lindsey was that the audience really enjoyed his music...
EXTD=.fists pumping, screaming "YEEAHHHH!!!!"....OK, I'm done whining about the echos etc....this CD is different, and I'm stuck in my ways, so I didn't enjoy it as much as others have reviewed it here. Either way, I hope to be buying a new release from 
EXTD=you, Lindsey, before 2020, ok?\n\nHalf.com Details \nContributing artists: John McVie, Mick Fleetwood \nProducer: Lindsey Buckingham \nDistributor: WEA \nRecording Type: Studio \nRecording Mode: Stereo \nSPAR Code: n/a \n\nAlbum Notes\nPersonnel inc
EXTD=lude: Lindsey Buckingham (vocals, various instruments); John McVie (bass guitar); Mick Fleetwood (percussion).\nDespite being the principal songwriter and sound architect for Fleetwood Mac, one of the biggest selling pop/rock bands in music history,
EXTD= Lindsey Buckingham's standing as "pop genius" has always been a topic of debate amongst rock musos. UNDER THE SKIN (2006), Buckingham's first solo album in nearly 15 years, contains all of the hallmarks of the artist's singular approach and present
EXTD=s a solid illustration of his musical brilliance. A studio scientist if there ever was one, Buckingham surrounds his acoustic-based songs (many of which hint at the aforementioned discussion over his legacy) with the same pristine, near-compulsively
EXTD= textured production that made "Second Hand News" and "Monday Morning" such revelations. And while UNDER THE SKIN is considerably more subtle and impressionistic than Fleetwood Mac's smashes, it doesn't lack for the band's sonic majesty. This album 
EXTD=isn't going to be Buckingham's personal RUMORS, but it will certainly remind listeners why that album specifically and his talent in general need not be debated. YEAR: 2006
EXTT0=
EXTT1=
EXTT2=
EXTT3=
EXTT4=
EXTT5=
EXTT6=
EXTT7=
EXTT8=
EXTT9=
EXTT10=
PLAYORDER=
