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DISCID=410a5406
DTITLE=Eric Clapton / Just One Night - Disc 2 of 2
DYEAR=1980
DGENRE=Rock
TTITLE0=Double Trouble
TTITLE1=Setting Me Up
TTITLE2=Blues Power
TTITLE3=Rambling On My Mind
TTITLE4=Cocaine
TTITLE5=Further On Up The Road
EXTD=Just One Night - Disc 2 of 2\n1987 Polydor Records, Inc.\n\nOrigi
EXTD=nally Released April 1980\nCD Edition Released 1987 ??\nMFSL Gold
EXTD= CD Edition Released August 2, 1994\nRemastered CD Edition Releas
EXTD=ed September 10, 1996\n\nAMG EXPERT REVIEW:  Although Eric Clapto
EXTD=n has released a bevy of live albums, none of them have ever quit
EXTD=e captured the guitarist's raw energy and dazzling virtuosity. Th
EXTD=e double live album Just One Night may have gotten closer to that
EXTD= elusive goal than most of its predecessors, but it is still lack
EXTD=ing in many ways. The most notable difference between Just One Ni
EXTD=ght and Clapton's other live albums is his backing band. Led by g
EXTD=uitarist Albert Lee, the group is a collective of accomplished pr
EXTD=ofessionals who have managed to keep some grit in their playing. 
EXTD=They help push Clapton along, forcing him to spit out crackling s
EXTD=olos throughout the album. However, the performances aren't consi
EXTD=stent on Just One Night -- there are plenty of dynamic moments li
EXTD=ke "Double Trouble" and "Rambling on My Mind," but they are weigh
EXTD=ed down by pedestrian renditions of songs like "All Our Past Time
EXTD=s." Nevertheless, more than any other Clapton live album, Just On
EXTD=e Night suggests the guitarist's in-concert potential. It's just 
EXTD=too bad that the recording didn't occur on a night when he did fu
EXTD=lfill all of that potential.  -- Stephen Thomas Erlewine\n\n\nAMA
EXTD=ZON.COM CUSTOMER REVIEW\nNight Moves, July 27, 2001 \nBy  Thomas 
EXTD=Magnum (NJ, USA)\nThis review is from: Just One Night (Audio CD) 
EXTD=\nEric Clapton periodically releases live albums and they show th
EXTD=e reason why there are few guitarists that walk with him. Sometim
EXTD=es on his studio albums, one loses sight of his extraordinary ski
EXTD=lls, but he continues to amaze in concert. The passages he reels 
EXTD=off in songs like "After Midnight", "Cocaine", "Double Trouble", 
EXTD="Setting Me Up", "Blues Power" and "Rambling On My Mind" are thic
EXTD=k, meaty and full of passion and power. Mr. Clapton scored a mino
EXTD=r hit with the rollicking live version of Tulsa Time and the albu
EXTD=m peaked at number two for six weeks. \n\n\nAMAZON.COM CUSTOMER R
EXTD=EVIEW\nClapton's best!, October 13, 1999 \nBy  jekyllnhyde "jekyl
EXTD=lnhyde" (NJ)\nThis review is from: Just One Night (Audio CD) \nCl
EXTD=apton stays true to his reputation as a "bluesman" here, avoiding
EXTD= the pop and straight rock that dominate a lot of his other album
EXTD=s. All of the songs are strong, as he mixes slow blues like "Worr
EXTD=ied Life Blues" and "Double Trouble" with lively, up-tempo tunes 
EXTD=such as "Lay Down Sally" and "Setting Me Up" (with help from Albe
EXTD=rt Lee). The performance is also highlighted by Chris Stainton on
EXTD= keyboards. If you're looking for Clapton at his blues-rocking be
EXTD=st, this is the one. A very underrated album, especially consider
EXTD=ing his reputation for blues. \n\n\nAMAZON.COM CUSTOMER REVIEW\n*
EXTD=**1/2 - a showcase for "70s Clapton", July 25, 2005 \nBy  Docendo
EXTD= Discimus (Vita scholae)\nThere must be something special about t
EXTD=he Budokan arena in Tokyo. Numerous live albums have been cut the
EXTD=re, and while Clapton didn't go with the flow and call his "Eric 
EXTD=Clapton live at the Budokan", he did go to Japan in late 1979 and
EXTD= recorded this live album at the Budokan in December of that year
EXTD=. \n\n"Just One Night" includes a couple of songs from "Backless"
EXTD=, the album Clapton was touring behind at the time, and a few son
EXTD=gs from his guitar hero-period as well. Fans who prefer Clapton's
EXTD= laid-back pop-rock albums should enjoy this album, but those who
EXTD= like him better when he is playing the blues may be disappointed
EXTD=. He does venture in to the blues idiom on several occations, tho
EXTD=ugh, and while a dull and lethargic "Early In The Morning" is wor
EXTD=se than no "Early In The Morning" at all, Clapton's renditions of
EXTD= songs like "Worried Life Blues" and "Double Trouble" feature a l
EXTD=ot of great guitar playing. "Ramblin' On My Mind", too, retains t
EXTD=he smouldering fire of his earliest recordings, and it is almost 
EXTD=impossible to screw up "Blues Power" and "Cocaine". \n\nIt's a sh
EXTD=ame that Clapton usually sang the blues in such a subdued and alm
EXTD=ost detached fashion at this point in his career; later releases 
EXTD=prove that he could do much better. But fans of "70s Clapton" sho
EXTD=uld be thrilled by these fine live versions of "Lay Down Sally", 
EXTD=the pop ballad "Wonderful Tonight", and Danny Flowers' country-bo
EXTD=ogie "Tulsa Time". \n\nIn general, though, "Just One Night" is ne
EXTD=ither as bluesy nor as rocking as one might have hoped for. A bit
EXTD= more groove and a few more crunchy riffs would have been a welco
EXTD=me addition, but it's still a good live album, good enough for so
EXTD=me 3 1/2 stars. \n\n\nAMAZON.COM CUSTOMER REVIEW\nA Decent Album,
EXTD= January 12, 2005 \nBy  Stephen Maher (Boston, MA)\nI have yet to
EXTD= write any reviews for Amazon although I am an avid shopper here.
EXTD= However, after seeing the earlier two reviews, I felt compelled 
EXTD=to part with precedent. Although this album is not bad, it CERTAI
EXTD=NLY is not "Clapton's best live album." I am a HUGE Clapton fan, 
EXTD=and I own every recording he has ever released with every band he
EXTD= has been with, live and otherwise. Clapton's orginal songs sound
EXTD= weak here, with often weak vocals and shaky improvisation on the
EXTD= guitar. The blues covers he plays sound manufactured and "pop," 
EXTD=a clear indication of the unfortunate turn his music would take t
EXTD=hrougout the eighties. However, this album is not without its hig
EXTD=h points, those mostly being the Disc 1 closer "After Midnight," 
EXTD=which is an interesting blend of Clapton's infamous cover of the 
EXTD=song, with his energetic vocals, and JJ Cale's original with the 
EXTD=soft beat and gentle guitar. The other high point of the album is
EXTD= the unique and novel medley of Ramblin' on My Mind and Have You 
EXTD=Every Loved a Woman. Taken on their own, neither of these songs a
EXTD=re outstanding, with Clapton's (at times) annoying eighties pop r
EXTD=hytum section pounding away in the background, but the unique mix
EXTD=ture of the songs, from Ramblin' into Have You Ever than back int
EXTD=o Ramblin', makes it at least a worthwhile listen. However, if yo
EXTD=u are looking for a great live Clapton album, I reccomend "Derek 
EXTD=and the Dominoes Live at the Fillmore," as that is his best, or "
EXTD=Goodbye Cream" which is also up there, although an earlier record
EXTD=ing. \n\n\nHalf.com Details \nContributing artists: Albert Lee \n
EXTD=Producer: Jon Astley \n\nAlbum Notes\nPersonnel: Eric Clapton (vo
EXTD=cals, guitar); Albert Lee (vocals, guitar, keyboards); Dave Marke
EXTD=e (bass); Henry Spinetti (drums).\n\nRecorded live at The Budokan
EXTD= Theatre, Tokyo, Japan in December 1979.\nAll tracks are digitall
EXTD=y remastered.\n\nIn December 1979, Eric Clapton toured Japan, mak
EXTD=ing a stop at Tokyo's Budokan, where the results were taped and r
EXTD=eleased as the double-album JUST ONE NIGHT. For this tour, Clapto
EXTD=n's back-up band included regular Joe Cocker keyboardist Chris St
EXTD=ainton and famed English country picker Albert Lee. The set list 
EXTD=ignored any history of the legendary guitarist's work as a band m
EXTD=ember, instead focusing on either solo material or blues favorite
EXTD=s. Going beyond familiar numbers such as "Tulsa Time" and "Wonder
EXTD=ful Tonight," EC dug deep for lesser-known nuggets like "If I Don
EXTD='t Be There By Morning" and "All Our Past Times," off THERE'S ONE
EXTD= IN EVERY CROWD.\nClapton's first love remained the blues and its
EXTD= derivatives, so he made sure to pay tribute by covering a number
EXTD= of artists including Maceo Merriweather ("Worried Life Blues"), 
EXTD=Otis Rush ("Double Trouble"), J.J. Cale ("After Midnight," "Cocai
EXTD=ne") and Robert Johnson ("Rambling On My Mind.") Most importantly
EXTD=, Clapton introduced a seven minute-plus reading of "Further On U
EXTD=p The Road," a song that became one of his live staples.
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