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DISCID=e2125d10
DTITLE=Robert Plant / Fate Of Nations (Remastered + Expanded)
DYEAR=1993
DGENRE=Trance
TTITLE0=Calling To You
TTITLE1=Down To The Sea
TTITLE2=Come Into My Life
TTITLE3=I Believe
TTITLE4=29 Palms
TTITLE5=Memory Song (Hello Hello)
TTITLE6=If I Were A Carpenter
TTITLE7=Promised Land
TTITLE8=The Greatest Gift
TTITLE9=Great Spirit
TTITLE10=Network News
TTITLE11=Colours Of A Shade (Previously Unissued)
TTITLE12=Great Spirit (Acoustic Mix UK Single '93)
TTITLE13=Rollercoaster (Previously Unissued Demo)
TTITLE14=8:05 (UK Single Aug '93)
TTITLE15=Dark Moon (Acoustic Single '93)
EXTD=Fate Of Nations (Remastered + Expanded)\n2007 Es Paranza/Rhino\n\n
EXTD=Originally Released May 1, 1993\nNine Lives Boxed Set Released Se
EXTD=ptember 12, 2006\nRemastered + Expanded CD Edition Released March
EXTD= 20, 2007\n\nAMG EXPERT REVIEW:  \n\nAMG EXPERT REVIEW:  At first
EXTD=, Fate of Nations seems so light and airy that it slips away thro
EXTD=ugh the layers of acoustic guitars, violins, and keyboards. Upon 
EXTD=further listenings, more textures appear, and the album gains a c
EXTD=alm sense of tension and reflectiveness. It's also Robert Plant's
EXTD= most personal record ever; he addresses the death of his son in 
EXTD=the beautiful "I Believe." Simultaneously, Fate of Nations is a p
EXTD=olitical album -- "Great Spirit" and "Network News" are two of th
EXTD=e most socially conscious songs Plant has ever written. Yet, the 
EXTD=album is never heavy-handed and doesn't fall into sermonizing or 
EXTD=sentimentality. Plant has always had a folkie heart; on Fate of N
EXTD=ations, he wears it on his sleeve. \n\n[The 2007 edition features
EXTD= five bonus tracks highlighted by acoustic versions of "Great Spi
EXTD=rit" and Dark Moon," along with a demo version of "Rollercoaster"
EXTD=.]  -- Stephen Thomas Erlewine\n\n\nQ Magazine (1/94, p.87) - Inc
EXTD=luded in Q's list of 'The 50 Best Albums Of 1993' - "...there's a
EXTD= surprising delicacy about his performance and a new lightness in
EXTD= his step throughout...." \n\nRolling Stone (6/8/93, p.114) - 3.5
EXTD= Stars - Very Good - "...almost ceremoniously attempts to shake t
EXTD=he Led out....Plant's technical achievements alone attest that so
EXTD=me of rock's greatest performers are, like any legendary vintage,
EXTD= only improving with time..." \n\nMusician (7/93, p.90) - "...Hav
EXTD=ing tired of the post-modernism that pervaded NOW AND ZEN, Plant 
EXTD=shifts gears and turns to...hippie music? Well, sorta. Although t
EXTD=he thrumming acoustics and Celtic modality hearken to LED ZEP III
EXTD=, Plant's approach has less to do with nostalgia than emotional i
EXTD=ntensity..." \n\nQ Magazine (6/93, p.105) - 4 Stars - Excellent -
EXTD= "...this generously proportioned magic carpet ride over some var
EXTD=ied, though well signposted terrain should be regarded as another
EXTD= notable notch on the belt...the venerable vocalist's most ambiti
EXTD=ously constructed album to date..." \n\nEntertainment Weekly (6/1
EXTD=1/93, p.58) - "...[a] wonderfully textured and mature solo album,
EXTD= his best ever..." - Rating: A- \n\n\nAMAZON.COM CUSTOMER REVIEW\n
EXTD=Mediocre Plant lite - Actually 2.5 stars, September 1, 2003 \nRev
EXTD=iewer: A music fan\nI don't get why many people are saying this i
EXTD=s Percy's best release. Does it have a certain warmth to it as we
EXTD=ll as a decent vibe? Yes.\nVibe aside what else does it bring to 
EXTD=the table? Not a lot. Plant drops his banshee wailing for a more 
EXTD=subdued personal style. In some cases it works alright (29 Palms)
EXTD= but in others its really bland. This album doesn't make you get 
EXTD=up and move, nor does it inspire you. It just drones on. \n\nI'm 
EXTD=not really a fan of his backing band (1988 - 1991). I think they 
EXTD=are somewhat hokey. They try to mix a "big" rock sound but end up
EXTD= sounding almost amateurish. Thats been one of the big problems w
EXTD=ith some of Plant's solo work. The borderline amateur feel to it.
EXTD= \n\nThe verdict on this album? Marginal, this "deep and envirome
EXTD=ntal conscious" album really isn't the holy grail some claim it t
EXTD=o be. If anything it was the first shot across the bow of Plant's
EXTD= new whiney, husky, subdued style. Worthy of a buck or two used. 
EXTD=For more artistically ambitious works pick up "Pictures at 11" or
EXTD= even "Principle of Moments." \n\n\nAMAZON.COM CUSTOMER REVIEW\nP
EXTD=robably the high point of '90s for Plant., July 15, 2003 \nBy  "f
EXTD=anboyfromva" (VA USA)\n\nYeah "No Quarter" with Plant reteamed wi
EXTD=th Page was more epic in scale the fact is that "Fate of the Nati
EXTD=ons" maybe the most sincerest post-zepp record from any of Mr.Pla
EXTD=nt's former bandmates. The only possible blemish was the cover of
EXTD= "If I were a Carpenter..." on this album. I don't understand why
EXTD= this was chosen when undoubtably better songs were covered by Pl
EXTD=ant. Not only that, but Plant's originals are at the just-right p
EXTD=oint between him trying to acknowledge his Zeppelin past AND movi
EXTD=ng on IN A SINCERE DIRECTION. I personally don't find most of Pla
EXTD=nt's solo work to be trully sincere, he always appeared to be cha
EXTD=sing whatever the current fashion was after Zeppelin broke up. I 
EXTD=find Plant's solo stuff seems to have tried to cash in on that sy
EXTD=nth-band '80s pop sound then regressed into pale hair-band zep-im
EXTD=mitation. I like the first two albums b/c they are the half-way p
EXTD=oint between Zepp and moving on. This is the reason I like this a
EXTD=lbum. Plant was one-fourth zeppelin, he needs to acknowledge this
EXTD=, yet not appear to pander to zep fans nor current tastes among t
EXTD=he mainstream as in the '80s, to maintain dignity. I like this al
EXTD=bum because he demonstrates the aforementioned qualities brillian
EXTD=tly. This is the one album where he eschews the empty-headed love
EXTD=man lyrics for something more socially redeeming. Plant turned so
EXTD=cial activist and it actually makes for a far more entertaining R
EXTD=obert. \n\n\nAMAZON.COM CUSTOMER REVIEW\nPlant's best solo disc!,
EXTD= June 28, 2003 \nBy  Joseph E. Royland (Gorham, ME USA)\nI rememb
EXTD=er the first time I heard this album, when it came out back in 19
EXTD=93, I wasn't very immpressed by it. Perhaps, it was because I was
EXTD= listening to it on a cassette tape, on not the best of sound sys
EXTD=tems. Luckliy, through the urging of a friend, I gave it a second
EXTD= chance by borrowing his CD copy, and checking it out on my home 
EXTD=system. Was I ever glad I did, as it turned out to be not only my
EXTD= favorite Robert Plant solo album - but one of my favorite albums
EXTD=, period! I went out and bought my own copy the next day.\n\nUp u
EXTD=ntil this point, I considered MANIC NIRVANA to be Plant's most co
EXTD=nsistent work, but on FATE OF NATIONS, he clearly rasied the bar.
EXTD= While still creating a fresh and current sound, this is also the
EXTD= closest in style to what Zeppelin brought to the musical table (
EXTD=driving rock, blues, acoustic & even some middle-eastern flavorin
EXTD=gs). Past Plant solo efforts tended to be hit or miss, and some s
EXTD=ounded horribly of the times (SHAKEN 'N STIRRED is just waaaaay t
EXTD=o 80's) - but this one has a timeless quailty.\n\nWhile Plant hun
EXTD=g on to some of the core members of his prior band for this relea
EXTD=se - guitarist Doug Boyle, bassist & son-in law Charlie Jones, an
EXTD=d keyboardist Phil Johnstone - he would also bring in some inspir
EXTD=ed choices for the musicians/writing. Joining him on this outing 
EXTD=were drummers Chris Hughes, Pete Thompson, and Michael Lee; guita
EXTD=rist Kevin Scott Machmichael (previoisly in Cutting Crew, who wou
EXTD=ld play the majority of guitar here), Francis Dunnery (prior of I
EXTD=t Bites) and Oliver J. Woods; and also Clannad vocalist Maire Bre
EXTD=nnan, and the band Star Club on some backing vocals ("Come into M
EXTD=y Life" and "I Believe", respectively). The results produced by t
EXTD=his band speak for themselves.\n\nThere's really not a bad song o
EXTD=n this disc, and stand out tracks are "Calling To You", "I Believ
EXTD=e", "29 Palms", "The Greatest Gift", "Come Into My Life" and "Mem
EXTD=ory Song (Hello Hello)". About the only song I ever skip over, is
EXTD= the cover of Tim Hardin's "If I Were A Carpenter" - which is sti
EXTD=ll quite good, nonetheless. And while others here have put down "
EXTD=Network News", I like it - although I will admit that it sounds l
EXTD=ike a MANIC NIRVANA leftover. \n\nSo, if you're looking to check 
EXTD=out some Robert Plant solo stuff, I would start here, with FATE O
EXTD=F NATIONS. I'd then go with either MANIC NIRVANA or PRINCIPLE OF 
EXTD=MOMENTS - but aviod SAHKEN 'N STIRRED, unless you're really into 
EXTD=that whole '80s, very processed, heavy on the synths sound. \n\n\n
EXTD=AMAZON.COM CUSTOMER REVIEW\nBest solo album, January 16, 2003 \nB
EXTD=y  LUKE G MACQUEEN (Melbourne, Victoria Australia)\n\nWhen I purc
EXTD=hased this CD back in 1993 just a few months after Coverdale/Page
EXTD= I was so impressed with what Robert had produced. The vocals are
EXTD= perfect for his voice. The earthy lyrics of 'I Believe, Come int
EXTD=o my Life & The Greatest Gift' are fantastic. Has Robert sung a b
EXTD=etter song than the latter with more sprit ever in no Zep albums?
EXTD= I doubt it. Unledded was a great suprise, but this CD is unbelie
EXTD=vable. The music is so timeless. Yes, it may not be the Plant of 
EXTD=1975 in Physical Graffitti, but please, he was almost 45 years ol
EXTD=d when this come out. This is a man not wishing he re-hash the pa
EXTD=st. Compare this to any solo album & this will stand up STILL in 
EXTD=20 years time. There is no 80'S sound or the wanna-be hair hard r
EXTD=ock of the 'still good' Manic Nirvana. Listen to Dreamland & see 
EXTD=Robert going back to the roots. Come back to Melbourne!!!\n\n\nAM
EXTD=AZON.COM CUSTOMER REVIEW\nThis time it's magic, November 19, 2002
EXTD= \nBy  Matthias Kremer (Mnchen Deutschland) \nHis masterpiece, a
EXTD= timeless, beautiful album, full of highlights and enlighted song
EXTD=s. Listening to this album it sounds like Plant has finally found
EXTD= himself and the direction of his work. Sad that it was not the s
EXTD=hape of things to come, as a few years later he started his proje
EXTD=ct with Jimmy Page. Anyway, I am glad that this album came out. A
EXTD=nother must have! \n\n\nAMAZON.COM CUSTOMER REVIEW\nPlant's Best 
EXTD=Overall CD, September 24, 2002 \nReviewer: A music fan\nThis albu
EXTD=m has it all - soft ballads and hard rockers, passion, joy, trage
EXTD=dy, love, despair, and hope - conveyed beautifully by Robert's vo
EXTD=ice and the music. There may not have been any big hits off this 
EXTD=CD, but most of the songs are gems. \nMy only complaint is the in
EXTD=clusion of the song "Network News." It's not a terrible song, but
EXTD= its loud, grungy opening and sarcastic lyrics stick out like a w
EXTD=eed on this CD. Oh well. It is the last song on the disc (fortuna
EXTD=tley), so I can still listen to all the others straight through. 
EXTD=\n\n\nAMAZON.COM CUSTOMER REVIEW\nA more personal, textured effor
EXTD=t, March 12, 2002 \nBy  Quinn Miller "millerq72" (Columbus, OH Un
EXTD=ited States)\nFate of Nations signifies Robert Plant's most perso
EXTD=nal effort of his chequered solo career. With the songs "I Believ
EXTD=e" and "29 Palms," Plant is not afraid to wear is heart on his sl
EXTD=eeve. He has backed away from the eclecticity of albums such as T
EXTD=he Principles of Moments and Shaken n' Stirred in favor of a more
EXTD= acoustic based, closer sounding release. Not everything on Fate 
EXTD=of Nations works, as the cover of "If I Were a Carpenter" and "Ne
EXTD=twork News" sound a little out of place when compared to the cont
EXTD=ent ("If I Were...") or sonic texture ("Network News") of the res
EXTD=t of the album. But Plant's voice is in fine form, especially sho
EXTD=wing dexterity in songs like "29 Palms" and "The Greatest Gift." 
EXTD=Many times throughout Fate, the band replicates the feel of a gri
EXTD=tty unplugged session, but Plant has maintained the core of the "
EXTD=Manic Nirvana" backing band. But you would never know these are t
EXTD=he same players, as the sound on Fate is nothing like Manic. In r
EXTD=etrospect, Fate of Nations holds up better than most of Plant's e
EXTD=arlier solo material, as it seems he is no longer content to serv
EXTD=e up a "Tall Cool One." \n\n\nAMAZON.COM CUSTOMER REVIEW\nPlant's
EXTD= finest solo moments., June 26, 2001 \nBy  Warren Loveridge (Chri
EXTD=stchurch, New Zealand)\n\nThere would be very few Plant fans who 
EXTD=would deny this is Robert's best solo record. I have them all, an
EXTD=d the only one that gets nearly as much air time in my house is T
EXTD=he Principle of Moments. On Fate Of Nations Robert tames his voca
EXTD=ls. No more superfluous wailing of words like "c'mon" and "babeee
EXTD=ee" as he is prone to do. His singing is restrained and rich, unl
EXTD=eashings of his patented wail restricted to where they fit seamle
EXTD=ssly into the surrounding tapestry of sound. The music is strong,
EXTD= well written, and melodic (strip away all the trappings, leave R
EXTD=obert and an acoustic guitar, and they'd nearly all still stand u
EXTD=p well). The production is rich and atmospheric without being too
EXTD= polished. My only criticism is that the momentum built up at the
EXTD= start seems to tail off towards the end. Perhaps a revised track
EXTD= order would have done the job. A challenge maybe to Plant fans w
EXTD=ith CD burners who agree with me. If you like Robert's other effo
EXTD=rts, you'll love this one. \n\n\nAMAZON.COM CUSTOMER REVIEW\nRobe
EXTD=rt Plant sans blues & shouting, but isn't that the point, October
EXTD= 10, 2000 \nBy  26-year old wallflower "Eric N Andrews" (West Laf
EXTD=ayette, IN)\nLed Zeppelin, even though they had accomplished a wh
EXTD=ole bunch in their decade together, was a band that somehow ended
EXTD= too soon. With their last album showing they could carry on into
EXTD= the eighties, it would have been great to see what they would ha
EXTD=ve done had John Bonham stayed alive. But it was only respectful 
EXTD=that Zeppelin call it a day, and the survivors pursue their own c
EXTD=areers. No doubt about it, Robert Plant had the most promise as a
EXTD= solo artist. In fact, even before he joined Led Zeppelin he made
EXTD= a failed bid at a solo career. While I haven't heard much of tha
EXTD=t (and maybe neither has the rest of the world), I'll bet they're
EXTD= light years away from the solo material Plant did record in the 
EXTD=years after Zeppelin's breakup. The fact that each solo album wou
EXTD=ld be compared to his work with Zeppelin was both expected and un
EXTD=fair. The critical carps about being too commercial and polished 
EXTD=were meaningless because that was the whole point. Had Plant made
EXTD= music in the Zeppelin vein, his solo career would never have got
EXTD=ten off the ground. An album like FATE OF NATIONS could not have 
EXTD=possibly been attempted by the old band. The rockers are less blu
EXTD=esy and more like the hair metal sound of the eighties. "Network 
EXTD=News", "Calling To You", "Promised Land" and "Memory Song" sound 
EXTD=more generic than any Zeppelin classic, and despite their relativ
EXTD=ely dated sound (alternative had just arrived on the scene), are 
EXTD=classics in Robert Plant's careers more than Zeppelin's. NATIONS 
EXTD=is also the folkiest of Plant's albums, containing songs that may
EXTD= have felt at home on LED ZEPPELIN III. "The Greatest Gift", "I B
EXTD=elieve" (his heartfelt tribute to his long-dead son), and Tim Har
EXTD=din's folk standard "If I Were A Carpenter" are some of Plant's m
EXTD=ost beautiful songs, and for someone to still be mourning the dea
EXTD=th of his young child after 20 years, it's even more heartbreakin
EXTD=g. The few missteps on here come when Plant tries a little too ha
EXTD=rd to experiment. The pseudo-'70s sound of "Great Spirit" and the
EXTD= country-ish "29 Palms" are more like intermissions in the action
EXTD= of a play, making these prime times to go grab a drink. After FA
EXTD=TE OF NATIONS, Robert Plant would suddenly become comfortable wit
EXTD=h his legendary status as a member of Led Zeppelin and would rete
EXTD=am with Jimmy Page to create new music together. While it was gre
EXTD=at to see this near-reunion of Zeppelin, it would still be wonder
EXTD=ful to hear what Plant can come up with now that he's entered his
EXTD= 50s, and the way he looks at his life. Maybe an album like that 
EXTD=is on the horizon with Page doing his thing with the Black Crowes
EXTD= currently. Until then, we have FATE OF NATIONS with which to det
EXTD=ermine the outlook of Robert Plant's solo career, which seemed to
EXTD= finally find its purpose at this time. \n\n\nAMAZON.COM CUSTOMER
EXTD= REVIEW\nBash!...That could have been the way, February 13, 2000 
EXTD=\nBy  Dr. C. Rietschel (Frankfurt, Germany)\nGreatest of all Plan
EXTD=t Solos. Though the 90s Page/Plant projects brought up some great
EXTD= moments in rock music, especially live, FATE OF NATIONS points t
EXTD=he way to what could have been Robert Plants development into his
EXTD= very own style. Outstanding mixture of rock with folk elements, 
EXTD=emotionally intense, passionate, with a variety of moods. Plant h
EXTD=as integrated great musicians into this project, working together
EXTD= harmonically and creating a unique warm sound. Incredible percus
EXTD=sion on DOWN TO THE SEA, listen to the outstanding folky COME INT
EXTD=O MY LIFE with Richard Thompson and Maire Brennan and the tragic 
EXTD=I BELIEVE. 29 PALMS is the only chart ambitious song, don't miss 
EXTD=the beautiful acoustic Tim Hardin piece IF I WERE A CARPENTER. TH
EXTD=E GREATEST GIFT is probably one of Plants most wonderful ballads.
EXTD= The record ends with two powerful masterpieces, GREAT SPIRIT and
EXTD= NETWORK NEWS. This record is indeed a masterpiece. \n\n\nAMAZON.
EXTD=COM CUSTOMER REVIEW\nOne of the best rock albums ever!, May 26, 1
EXTD=999 \nReviewer: A music fan\nFate of Nations is the kind of album
EXTD= any rockloving person in the world must include in his/her CD co
EXTD=llection. It contains some of the richest guitar sounds, with ele
EXTD=ctric, electro-accoustic and accoustic guitars blending wonderful
EXTD=ly especially in 'Come Into My Life' and 'Greatest Gift'. Plant's
EXTD= vocals in most of the songs are inspired and inspiring. There is
EXTD= definetely no 'How Many More Times' - like screaming, neither hi
EXTD=gh pitched tones like in 'Communication Breakdown'. But there is 
EXTD=a romantic touch to many of the songs and a lot of fantasy especi
EXTD=ally with the slower ones. '29 Palms' might as well become the an
EXTD=them of all infatuated lovers. Listen to the lyrics of 'Network N
EXTD=ews' and you'll find some very powerful messages for anyone, anyw
EXTD=here, anytime. I keep listening to this album at any time and pla
EXTD=ce and still enjoy it. I just wish there were more albums like th
EXTD=is and that Plant & Page would quit exploring all kinds of Easter
EXTD=n/Morocan/African sounds, and give us more products in the style 
EXTD=of 'Fate of Nations'. A fool in love with this album. \n\n\nHalf.
EXTD=com Details \nContributing artists: Francis Dunnery, Maire Brenna
EXTD=n, Nigel Kennedy, Richard Thompson \nProducer: Chris Hughes, Robe
EXTD=rt Plant \n\nAlbum Notes\nPersonnel: Robert Plant (vocals, guitar
EXTD=); Kevin Scott MacMichael (guitar, background vocals); Francis Du
EXTD=nnery, Richard Thompson, Oliver J. Woods, Doug Boyle (guitar); Ma
EXTD=rtin Allcock (mandolin); Nigel Kennedy, Navazish Ali Khan (violin
EXTD=); Phil Johnstone (piano, keyboards, organ, harmonium, background
EXTD= vocals); Phillip Andrews (keyboards); Nigel Eaton (hurdy gurdy);
EXTD= Charlie Jones (bass, percussion); Pete Thompson, Michael Lee, Ch
EXTD=ris Hughes, Chris Blackwell (drums); Gurdev Singh (dilruba, sarod
EXTD=); Sursit Singh (sarangi); Maire Brennan, Julian Taylor, Steve Fr
EXTD=ench, John Flynn (background vocals).\n\nRobert Plant's performan
EXTD=ce of "Calling To You" was nominated for a 1994 Grammy Award as "
EXTD=Best Hard Rock Performance With Vocal."\n\nAudio Remasterers: Dan
EXTD= Hersch; Bill Inglot; Raj Das.\nRecording information: 1993.\n\nA
EXTD=fter a planned reunion with his ex-Led Zeppelin bandmates Jimmy P
EXTD=age and John Paul Jones fell through in the early 1990s, Robert P
EXTD=lant unsurprisingly returned to his solo career, while Page unite
EXTD=d with Plant soundalike David Coverdale. With its focused sound a
EXTD=nd songwriting, most longtime Zep/Plant fans point to his sixth s
EXTD=olo release, 1993's FATE OF NATIONS, as one of his finest.  Plant
EXTD= and his backing band continue to explore the harder rock sounds 
EXTD=of his previous two solo albums, as evidenced by "Calling to You"
EXTD= and "Promised Land," while turning down the bombast and letting 
EXTD=the mood get more reflective on "I Believe" and "The Greatest Gif
EXTD=t." A few years after FATE OF NATIONS appeared, Plant and Page fi
EXTD=nally reunited.\n\n\nROLLING STONE REVIEW\nRobert Plant, who scor
EXTD=ed most of his major points in Led Zeppelin by unbuttoning his sh
EXTD=irt and squealing ooooh at appropriate junctures, sounds on his s
EXTD=ixth solo album, Fate of Nations, as if he's searching for more v
EXTD=iable and eloquent means of expression. In fact, "Calling to You,
EXTD=" the opening cut, which crosses "Kashmir" with "Dancing Days," a
EXTD=lmost ceremoniously attempts to shake the Led out. But rather tha
EXTD=n trying to cash in on past career peaks, Plant may be evoking th
EXTD=e most excruciatingly painful moment of his personal life, the tr
EXTD=agic 1977 death of his young son Karac while the singer was in th
EXTD=e thick of one of Zep's notoriously hell-raising tours.\n\nNever 
EXTD=previously alluded to so obviously on record, the child's very ta
EXTD=ngible spirit, invoked in the devastating "I Believe," hovers ove
EXTD=r most of the other songs on Fate. Sensitively accompanied by bas
EXTD=sist Charlie Jones (who is Plant's son-in-law), the chimingly inv
EXTD=entive guitar of Kevin Scott MacMichael and the plaintive violin 
EXTD=of Nigel Kennedy (studio guests also include Richard Thompson and
EXTD= Clannad's Maire Brennan), Plant's always incredible voice finds 
EXTD=a new temperature for sex ("29 Palms" -- have mercy!) and plumbs 
EXTD=new dimensions of strength and of sorrow.\n\nPlant's technical ac
EXTD=hievements alone attest that some of rock's greatest performers a
EXTD=re, like any legendary vintage, only improving with time. But his
EXTD= brave efforts to confront the unfathomable demonstrate in more i
EXTD=mportant ways how even the hardest rock can occasionally yield ne
EXTD=w meaning. (RS 660/661 -- Jul 8, 1993)  -- DEBORAH FROST
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