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DISCID=a810330c
DTITLE=Lisa Marie Presley / To Whom It May Concern
DYEAR=2003
DGENRE=Rock
TTITLE0=Son Of A Bitch
TTITLE1=The Road Between
TTITLE2=Lights Out
TTITLE3=Better Beware
TTITLE4=Nobody Noticed It
TTITLE5=Sinking In
TTITLE6=Important
TTITLE7=So Lovely
TTITLE8=Indifferent
TTITLE9=Gone
TTITLE10=To Whom It May Concern
TTITLE11=Data
EXTD=2003 Capitol Records, Inc.\n\nOriginally Released April 8, 2003\n\nAMG EXPERT REVIEW: None available.\n\nAmazon.com Editorial Review\nBlessed--or is it cursed?--with a visage that's a distinctly haunting echo of her father's, Lisa Marie Presley has e
EXTD=ither spent most of her adult life assiduously avoiding a music career or engaged in Machiavellian schemes to secure one, depending on your spin source. But here it is, informed by no small amount of tabloid-ready living (three failed marriages, incl
EXTD=uding two bizarre years the King's daughter spent playing Princess of Pop to Michael Jackson) and a slate of modern record-biz heavy hitters. The album's first single, "Lights Out," is a countryfied pop collaboration with Glen Ballard in which the si
EXTD=nger's tough, bittersweet lyrics obliquely confront the daunting legacy of her father and the Memphis where her "family's buried and gone." Her husky alto isn't the only thing that recalls Sheryl Crow; the bristling textures of Andy Slater (Wallflowe
EXTD=rs) and Eric Rosse (Tori Amos) are a veritable textbook of modern-rock techniques, wed to some smart cover choices that bolster her music's moody, introspective bent. But that gloss sometimes makes Presley seem like a guest artist on her own album, m
EXTD=aking one curious to hear her in the setting where her father was so often riveting: Alone in the spotlight. They don't call it the gene pool lottery for nothing. -- Jerry McCulley YEAR: 2003
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