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DISCID=d710c70e
DTITLE=Indigo Girls / 1200 Curfews - Disc 1 of 2
DYEAR=1995
DGENRE=Folk/Rock
TTITLE0=Joking
TTITLE1=Least Complicated
TTITLE2=Thin Line
TTITLE3=River
TTITLE4=Strange Fire
TTITLE5=Power Of Two
TTITLE6=Pushing The Needle Too Far
TTITLE7=Virginia Woolf
TTITLE8=Jonas And Ezekial
TTITLE9=Tangled Up In Blue
TTITLE10=World Falls
TTITLE11=Bury My Heart At Wounded Knee
TTITLE12=Ghost
TTITLE13=Dead Man's Hill
EXTD=1200 Curfews - Disc 1 of 2\n1995 Epic Records, Inc.\n\nOriginally
EXTD= Released October 10, 1995 \n\nAMG EXPERT REVIEW: 1200 Curfews is
EXTD= a double live album recorded on the Swamp Ophelia tour from 1994
EXTD= to 1995, covering the duo's best loved songs as well as some ins
EXTD=pired covers of classics from Bob Dylan, Neil Young, and Joni Mit
EXTD=chell. And while this is obviously directed at the Indigo Girls' 
EXTD=insatiable cult following, even casual fans will find the album e
EXTD=ngaging since the live performances are often more spirited and d
EXTD=irect than the studio versions.  -- Chris Woodstra\n\nAmazon.com 
EXTD=essential recording\nWhile many of these live tracks were culled 
EXTD=from the Swamp Ophelia tour, the entire collection on this two-di
EXTD=sc set covers a lot of territory in the Indigo Girls oeuvre. From
EXTD= the charming "Back Together Again" (recorded in Amy's basement i
EXTD=n 1982) to the reverent cover of Joni Mitchell 's "River" (record
EXTD=ed live in Atlanta), these songs capture the energy and spirit of
EXTD= one of the most successful folk-rock duos in the history of cont
EXTD=emporary music. Live renditions of favorites like "Closer to Fine
EXTD=," "Power of Two," "Strange Fire," "Land of Canaan," and "Galileo
EXTD=" bristle with passion, and the mandolin, cello, and percussion p
EXTD=arts sparkle in concert. While they're right on with their rave-u
EXTD=p of Bob Dylan's "Tangled Up in Blue," the one misstep is the lac
EXTD=kluster performance on the 10-minute "Down by the River" by Neil 
EXTD=Young. --Lorry Fleming \n\nAmazon.com Product Description\nAmy an
EXTD=d Emily take a page from the Jackson Browne'sRunning on Empty not
EXTD=ebook in compiling a fascinating melange of live tracks pulled fr
EXTD=om 12 different stages, dressing rooms, radio broadcasts, and a H
EXTD=opi Indian reservation. For fans this is a gift, pure and simple,
EXTD= and even skeptics will be sucker-punched by the emotional power 
EXTD=of the songs and performances. --Jeff Bateman \n\n\nAMAZON.COM CU
EXTD=STOMER REVIEW\nGreat compilation for both fans and newcomers, Sep
EXTD=tember 2, 2002 \nBy  burghtenor (Washington, DC)\nEmily Saliers a
EXTD=nd Amy Ray, the Southern guitar duo better known as "The Indigo G
EXTD=irls," have been an international sensation for over a decade. 12
EXTD=00 CURFEWS captures a number of their best songs in a format that
EXTD= enhances the emotional impact.\nThe original concept for 1200 CU
EXTD=RFEWS was to record the songs from the Indigo Girls' last CD, SWA
EXTD=MP OPHELIA, live in concert, but the concept expanded to include 
EXTD=live recordings of other pieces by Saliers and Ray as well as the
EXTD=ir covers of songs by other artists. Bob Dylan's "Tangled Up in B
EXTD=lue" and James D. Wheatherly's "Midnight Train to Georgia" are my
EXTD= favorite covers on this set. There are also some unusual recordi
EXTD=ng locations: a radio studio, a dressing room, and, most surprisi
EXTD=ngly, Amy's basement in 1982.\n\nWhile a few of the songs do not 
EXTD=fare as well recorded live as they did recorded in a studio (incl
EXTD=uding their most famous pieces, "Closer to Fine," "Ghost," and "G
EXTD=alileo"), I found myself completely drawn into other pieces I did
EXTD=n't appreciate before. This is due to a number of factors: Salier
EXTD=s and Ray feed off the energy of their fans (as can be heard in "
EXTD=Joking"), they have found deeper meaning to their pieces upon rep
EXTD=eated performances (such as in "Power of Two" and "Language or th
EXTD=e Kiss"), their easy-going personas shine in their interactions w
EXTD=ith the audience (exemplified in "Jonas and Ezekiel" and the intr
EXTD=oduction to "Mystery"), and/or different instrumentation has adde
EXTD=d new dimensions (most especially the plaintive saxophone in "Lov
EXTD=e's Recovery"). \n\nI'm not a huge fan of contemporary "pop" musi
EXTD=c, but this 2-CD set is a favorite album of mine. The Indigo Girl
EXTD=s always bring an unusual variety to their albums through the com
EXTD=bination of Ray's raw emotional outbursts and Salier's introspect
EXTD=ive observations, but these recordings capture their individual p
EXTD=ersonalities and their combined philosophies (exemplified in the 
EXTD=gender change of the Dylan song) in a way that is rare. This is a
EXTD= great (albeit [pricey]) way to introduce newcomers to the Indigo
EXTD= Girls. \n\n\nAMAZON.COM CUSTOMER REVIEW\nBeautiful, June 11, 200
EXTD=2 \nBy  jlmcg (PA)\nI have been a fan of the Indigo Girls for 10 
EXTD=years. If you have never had the privilege to see them in concert
EXTD=, this album is the next best thing. My favorite songs off this a
EXTD=lbum are "Ghost", "Power of Two", "Virginia Woolf", and "World Fa
EXTD=lls." A piece that struck a chord with me though was Emily Sailer
EXTD=s' remake of Joni Mitchell's "River." The beautiful, complicated 
EXTD=guitar arrangement and Sailers' haunting, almost angelic voice co
EXTD=uld bring a stone statue to tears. If you are first starting your
EXTD= Indigo Girls collection I highly recommend this album. \n\n\nAMA
EXTD=ZON.COM CUSTOMER REVIEW\nA wonderful album that is as good as hea
EXTD=ring them in concert, January 3, 2001 \nBy  Lawrance M. Bernabo (
EXTD=The Zenith City, Duluth, Minnesota)\n"1200 Curfews" is one of the
EXTD= best live albums available, a retrospective examination of the I
EXTD=ndigo Girls in the style of the definitive collection produced by
EXTD= Bruce Springsteen. Originally the idea was to record two shows o
EXTD=n their "Swamp Ophelia" tour, but instead the duo decided to go w
EXTD=ith recordings from earlier concerts as well as radio broadcasts 
EXTD=and summer shed tours, along with impromptu backstage and home pe
EXTD=rformances. The songs are recorded on everything from 48 track di
EXTD=gital machines to cheap 2 track recorders. Consequently, with "12
EXTD=00 Curfews" the most memorable songs are not the ones you are goi
EXTD=ng to find on the Indigo Girls' other albums. \nOn first listenin
EXTD=g the songs that stand out are probably the cover songs performed
EXTD= by the Indigo Girls. The one that stands out heads and shoulders
EXTD= above the rest is their cover of Dylan's "Tangled Up in Blue," y
EXTD=et another reminder that the man's ear for harmony was always vas
EXTD=tly superior to his voice, as Peter, Paul and Mary and many other
EXTD=s have already proven. Gerard McHugh's "Thin Line" is the song yo
EXTD=u will not recognize but instantly love, taped in a dressing room
EXTD= before a concert. Personally, I like their cover of Neil Young's
EXTD= "Down by the River," especially the guitar solo, although I reco
EXTD=gnize this is an acquired taste. "Midnight Train to Georgia," nev
EXTD=er did anything for me, but it is a nice turn of pace and one of 
EXTD=the key things about this album is that they do include a lot of 
EXTD=different things. There are studio and live versions of Buffy Sai
EXTD=nte-Marie's "Bury My Heart at Wounded Knee," which has an awesome
EXTD= bass line and is certainly one of the more political efforts by 
EXTD=the duo. Emily Saliers does a solo performance of Joni Mitchell's
EXTD= "River," which always reminds me of the "I'll Be Home for Christ
EXTD=mas" episode of "thirtysomething" (if you have seen that one, you
EXTD= will remember it too). \n\nThis is not to say that there are not
EXTD= some fine moments on some of their better-known songs. "Least Co
EXTD=mplicated" ends with the crowd in Philadelphia continuing the "na
EXTD= na na na na na na" long after the song has ended. A gentle perfo
EXTD=rmance of "Power of Two" done for a radio show. I like the live v
EXTD=ersions of "Pushing the Needle Too Far" and "Chickenman," which c
EXTD=onvinces me that Amy Ray's singing just goes to another level in 
EXTD=live performance. But my favorite is clearly "Strange Fire," beca
EXTD=use instead of a simple guitar duet the entire band joins in and 
EXTD=I love the cello and violin (Jane Scarpantoni and Scarlet Rivera 
EXTD=respectively). A very powerful version of one of their oldest son
EXTD=gs. \n\nThe liner notes include handwritten comments on the songs
EXTD= by Emily and Amy that add a nice personal touch. If you have eve
EXTD=r seen the Indigo Girls in concert you already know that they are
EXTD= one of the better shows you can ever hope to see. They are as co
EXTD=mmitted to their music as they are to their causes and so it is n
EXTD=o surprise that their live able is so special. For my money, this
EXTD= is the Indigo Girls album to have. It is certainly the one I lis
EXTD=ten to the most. \n\n\nAMAZON.COM CUSTOMER REVIEW\nSUBLIME COVERS
EXTD= AND POWERFUL PERFORMANCES, July 25, 2000 \nBy  Michael D. Zungol
EXTD=o (Philadelphia, PA USA)\nYou've got to hand it to a band that ca
EXTD=n take songs by Bob Dylan, Joni Mitchell, Neil Young and Buffy Sa
EXTD=inte Marie, and make them their own. The Indigo Girls are one of 
EXTD=the finest live acts on the summer circuit, and their performance
EXTD=s on these familiar classics (they do a helluva job on Jim Weathe
EXTD=rly's "Midnight Train to Georgia" as well) prove their originalit
EXTD=y. The fact that the best of Amy's and Emily's own songs hold the
EXTD=ir own beside them are further testament to the immense talent of
EXTD= these two old and very special friends. May they play for a hund
EXTD=red years. \n\n\nAMAZON.COM CUSTOMER REVIEW\nThe quintessential I
EXTD=ndigo, June 16, 2000 \nBy  Jeffrey Anbinder "Beeeej" (New York, N
EXTD=Y)\nBefore this album, my recommendation to someone for their fir
EXTD=st Indigo Girls album would've been the 1989 self-titled "Indigo 
EXTD=Girls" - it ran the gamut from rage to sweetness, and had some of
EXTD= their best work, despite four other strong studio albums.\n\nNow
EXTD=, there's no question - "1200 Curfews" gives you a strong, powerf
EXTD=ul sense of who Amy & Emily really are, from the crudely recorded
EXTD= early 80s demo "Back Together Again" all the way up to the studi
EXTD=o cover of Buffie St. Marie's heart-rending "Bury My Heart at Wou
EXTD=nded knee."\n\n\nLive albums don't impress me easily. Other than 
EXTD=Billy Joel's "Songs in the Attic," I hadn't found any that really
EXTD= brought new life to the songs. I mean, c'mon - I like Rush, but 
EXTD=add a crowd-noise track to their studio recordings, and you've pr
EXTD=etty much got their live sound. But "1200 Curfews" lets Amy & Emi
EXTD=ly shine - they tell stories, they're funny, they don't stick to 
EXTD=the same-old same-old. Perhaps the best example is "Pushing the N
EXTD=eedle Too Far," which is a wonderful, powerful realization of a s
EXTD=ong I'd thought to be only okay.\n\n\nBut this also isn't only fo
EXTD=r IG newbies - even if you already own everything else they've do
EXTD=ne, including "Back on the Bus Y'all," this is valuable to own. T
EXTD=he Neil Young cover alone is worth the purchase price - but you a
EXTD=lso get two versions of the St. Marie song, and "Midnight Train t
EXTD=o Georgia" as well.\n\n\nWorth every penny. \n\n\nAMAZON.COM CUST
EXTD=OMER REVIEW\nIndigo Girls At Their Finest Hour, May 2, 2000 \nBy 
EXTD= Miss P "Reviews for the People" (Dirty Jerz)\nThere is no questi
EXTD=on that the Indigo Girls put on an incredible live show. If you t
EXTD=ake all the best songs from every live performance they have done
EXTD= and make a 2-disc compilation, you would have 1200 Curfews. This
EXTD= album followed the release of Swamp Ophelia and includes tours f
EXTD=rom that time period, so fans of Swamp Ophelia are in for quite a
EXTD= treat. The beauty of this album is that just when you think you 
EXTD=know the songs inside and out, you listen to them live and it's a
EXTD=s if you're hearing them for the first time. There are quite a fe
EXTD=w Swamp songs included, 2 notables being "Least Complicated" and 
EXTD="Mystery." But the two discs cover the entire spectrum of IG song
EXTD=s, from a dive bar, rock out version of "I Don't Wanna Know" to a
EXTD= tender "Ghost," to a crowd-pleasing "Galileo." They also include
EXTD= an unreleased song by Gerard McHugh, called "Thin Line," which i
EXTD=s probably one of my favorite songs on the cds.\nThere are also s
EXTD=ome amazing covers on this album. When Emily sings the 'Montague 
EXTD=Street' verse of Dylan's "Tangled Up in Blue," it takes your brea
EXTD=th away. She also shows her dynamic range on Joni Mitchell's "Riv
EXTD=er." (I actually prefer her version to Joni's.) But the gem of th
EXTD=is album has got to be "Midnight Train to Georgia." It still blow
EXTD=s me away and I've heard it a million times.\n\nAlthough I don't 
EXTD=think it was necessary to include "Bury My Heart at Wounded Knee"
EXTD= not once, but twice, I can overlook it and still give the album 
EXTD=5 stars. It's that good. I think it's safe to say that almost eve
EXTD=ry Indigo Girls fan already owns this double-cd, but if you're ju
EXTD=st starting to listen to their music and want a great mix of song
EXTD=s from all the albums, this is the one to buy.\n\n\nAMAZON.COM CU
EXTD=STOMER REVIEW\nA nice representation, November 12, 1998 \nBy  Joh
EXTD=n J. Wood (jwood_jw@yahoo.com) (Plainville, MA)\n1200 Curfews is 
EXTD=a nice representation of the Indigos, but the chosen covers are h
EXTD=it and miss. While Emily Saliers gives a heart-filled reading of 
EXTD=Joni Mitchell's great "River", she and Amy Ray misfire on their b
EXTD=loated take of Dylan's "Tangled Up In Blue." "Midnight Train To G
EXTD=eorgia" also feels unnatural as well, and I also agree that one "
EXTD=Bury My Heart At Wounded Knee" is enough.\nThe original material 
EXTD=sparkles, particularly the stripped-down version of "Ghost", the 
EXTD=FM radio broadcast of "Power Of Two" and the anthemic "Strange Fi
EXTD=re." Nonetheless, this could have been stripped down to a 78-minu
EXTD=te, 5-star CD. \n\n\nHalf.com Details \nContributing artists: Ger
EXTD=ard McHugh, Michelle Malone \n\nAlbum Notes\nIndigo Girls: Emily 
EXTD=Saliers (vocals, acoustic & electric guitars, dobro); Amy Ray (vo
EXTD=cals, acoustic & electric guitars, mandolin, melodica).\n\nAdditi
EXTD=onal personnel: Gail Ann Dorsey (vocals); Jerry Marotta (vocals, 
EXTD=saxophone, drums); Jimmy Descant (electric guitar, background voc
EXTD=als); Michelle Malone (mandolin, background vocals); Scarlet Rive
EXTD=ra, Sheila Doyle (violin); Jane Scarpantoni (cello, pennywhistle)
EXTD=; Sara Lee (pennywhistle, bass, background vocals); Sandy Garfink
EXTD=el (harmonica); Michael Lorant (tambourine, background vocals); G
EXTD=erard McHugh, Dede Vogt, Russell Carter (background vocals).\n\nP
EXTD=roducers: Indigo Girls, Russell Carter, Jerry Marotta, Richard Wi
EXTD=nn, David Kehrer.\nEngineers include: Don McCollister, Fred Derby
EXTD=, Tchad Blake.\n\nRecorded between 1982 and 1995. Includes liner 
EXTD=notes by Indigo Girls, Steve Morse and Russell Carter.\n\nThe ide
EXTD=a started off simple enough--record a couple of the Indigo Girls'
EXTD= better shows, and release a live album. Well, 1200 CURFEWS later
EXTD=, this celebrated acoustic duo has released a double album, chock
EXTD= full of exceptional live performances from a wide variety of set
EXTD=tings. And they're not all from the stage either. "Thin Line," a 
EXTD=modest little gem of a song, was recorded in the dressing room of
EXTD= the Santa Monica Civic Center. The majority of tunes on this for
EXTD=midable set were, however, recorded on stage, and the Girls deliv
EXTD=er on all fronts. We get raw emotion, shimmering acoustic hooks a
EXTD=nd plenty of straight-up, honest music.\nThe Indigo Girls rarely 
EXTD=use any percussion, and are happy to present their songs with bar
EXTD=e-bones arrangements. The aforementioned "Thin Line" is a perfect
EXTD= example. As Amy Ray starts off with her powerful, deep voice and
EXTD= deliberate phrasing, Emily Saliers joins in with her trademark h
EXTD=armonies. She expertly rides a few notes above, or sometimes righ
EXTD=t alongside, her partner. The effect is mesmerizing. The band als
EXTD=o gives Buffy Saint Marie's "Bury My Heart At Wounded Knee" a go,
EXTD= and they achieve a haunting rendition of a timeless protest song
EXTD=.\n\nAnother highlight is "Jonas And Ezekial," a bluesy, tightly-
EXTD=wound exploration of heaven and hell. "Every devil I meet is an a
EXTD=ngel in disguise," sings Ray. As they often do, these two fine mu
EXTD=sicians build to a harrowing climax, where they are wailing in a 
EXTD=mesh of layered harmony and perfect vocal counterpoint. This is a
EXTD= great live act that has recorded an immaculately-mixed two-disc 
EXTD=set. Loyal fans as well as newcomers should be more than satisfie
EXTD=d.\n\nIndustry Reviews\n4 Stars - Excellent - ...1200 CURFEWS pul
EXTD=sates with a slow-building yet nevertheless lively power...\nQ Ma
EXTD=gazine (01/01/1996)\n\n...Gliding quite easily from softly strumm
EXTD=ed whispers to arena-rock bellowing, the Indigos are most inspire
EXTD=d when there's an audience to fuel the fire. - Rating: A-\nEntert
EXTD=ainment Weekly (10/13/1995)
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