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DISCID=1b0df612
DTITLE=The Cranberries / Everybody Else Is Doing It So Why Can't We? (
DTITLE=The Complete Sessions 1991-1993)
DYEAR=1993
DGENRE=Pop
TTITLE0=I Still Do
TTITLE1=Dreams
TTITLE2=Sunday
TTITLE3=Pretty
TTITLE4=Waltzing Back
TTITLE5=Not Sorry
TTITLE6=Linger
TTITLE7=Wanted
TTITLE8=Still Can't
TTITLE9=I Will Always
TTITLE10=How
TTITLE11=Put Me Down
TTITLE12=Reason (Bonus Track)
TTITLE13=Them (Bonus Track)
TTITLE14=What You Were (Bonus Track)
TTITLE15=Liar (Bonus Track)
TTITLE16=Pretty (Pret A Porter Movie Remix)
TTITLE17=How (Radical Mix)
EXTD=Everybody Else Is Doing It So Why Can't We? (The Complete Session
EXTD=s 1991-1993)\n2002 Island/Def Jam Music Group\n\nOriginally Relea
EXTD=sed April 20, 1993\nComplete Sessions CD Edition Released July 30
EXTD=, 2002\n\nAMG EXPERT REVIEW: Title aside, what the Cranberries we
EXTD=re doing wasn't that common at the time, at least in mainstream p
EXTD=op terms; grunge and G-funk had done their respective big splashe
EXTD=s via Nirvana and Dr. Dre when Everybody came out first in the U.
EXTD=K. and then in America some months later. Lead guitarist Noel Hog
EXTD=an is in many ways the true center of the band at this point, co-
EXTD=writing all but three songs with O'Riordan and showing an amazing
EXTD= economy in his playing, and having longtime Smiths/Morrissey pro
EXTD=ducer Stephen Street behind the boards meant that the right blend
EXTD= of projection and delicacy still held sway. One can tell he like
EXTD=s Johnny Marr and his ability to do the job just right: check out
EXTD= the quick strums and blasts on "Pretty" or the concluding part o
EXTD=f the lovely "Waltzing Back." O'Riordan herself offers up a numbe
EXTD=r of romantic ponderings and considerations lyrically (as well as
EXTD= playing perfectly fine acoustic guitar), and her undisputed voca
EXTD=l ability suits the material perfectly. The two best cuts were th
EXTD=e deserved smashes: "Dreams," a brisk, charging number combining 
EXTD=low-key tension and full-on rock, and the melancholic, string-swe
EXTD=pt break-up song "Linger." If Everybody is in the end a derivativ
EXTD=e pleasure -- and O'Riordan's vocal acrobatics would never again 
EXTD=be so relatively calm in comparison -- a pleasure it remains none
EXTD=theless, the work of a young band creating a fine little synthesi
EXTD=s.  -- Ned Raggett\n\nAMAZON.COM CUSTOMER REVIEW\n"Everybody Else
EXTD=" not quite the caliber as everything else, March 12, 2004 \nRevi
EXTD=ewer: A music fan\nThis is a great album of the Cranberries' but 
EXTD=it's definitely not quite the same caliber as say, No Need to Arg
EXTD=ue or To the Faithful Departed. In some ways this album seems a l
EXTD=ot more shallow, a lot less variety and experimentation, but if t
EXTD=hat's more your style of the Cranberries' songs, you will enjoy t
EXTD=his one. The songs are a lot less political and a more limited su
EXTD=bject matter is in this CD. Her voice doesn't really have the sam
EXTD=e fluctuating quality from song to song as does in the other two 
EXTD=albums I own, and neither is the music better in comparison. I wo
EXTD=uld recommend the other two aforementioned in place of this one, 
EXTD=but there are some very good ones, such as "Sunday" (slow beginni
EXTD=ng, spontaneously upbeat, awesome instrumental of strings). I don
EXTD='t think the Cranberries really let themselves go until their nex
EXTD=t albums. (In the midst of all these love-elation-and-despair son
EXTD=gs you almost can't distinguish the Irish accent until the "linge
EXTD=r" in Linger is a jarring realization of their heritage, though t
EXTD=hat's beside the point. )Great, but could be better. \n\n\nAMAZON
EXTD=.COM CUSTOMER REVIEW\nOverexposed, February 22, 2006 \nBy  Jessic
EXTD=a Winney (Houston, TX USA)\nI originally purchased this album ove
EXTD=r nine years ago and, although I liked the songs and Dolores O'Ri
EXTD=ordan's voice, I find myself rarely listening to it now. For me, 
EXTD=the excessive radio airplay of the songs "Dreams" and "Linger" ki
EXTD=lled the longevity of the album as a whole. It seemed as though t
EXTD=hroughout most of the nineties a person couldn't listen to the ra
EXTD=dio, walk around in a shopping mall, or watch TV without hearing 
EXTD="Dreams" or "Linger" at least once, if not more than once. I must
EXTD= have heard those songs a hundred times at least. Now I groan int
EXTD=ernally whenever I hear them. To me, this album will always sound
EXTD= like the nineties, and, unfortunately, the nineties haven't been
EXTD= gone long enough to make me want to reminisce. The Cranberries w
EXTD=ere a great band and it is a shame that much of their subsequent 
EXTD=output wasn't as good. This is not a terrible album by any means,
EXTD= it has just been, to use a photographic term, overexposed. \n\n\n
EXTD=AMAZON.COM CUSTOMER REVIEW\nBeautiful melancholy..., December 11,
EXTD= 2005 \nBy  A. Ort "aorto" (Youngstown, Ohio)\nThis album, along 
EXTD=with Counting Crows 'August and Everything After', came out aroun
EXTD=d the same period of time and both have this gripping, haunting s
EXTD=ound to them. Perhaps it is because during a certain period of tr
EXTD=ansition in my life, this album and the Counting Crows album neve
EXTD=r left my CD players and the song "Linger" always take me back to
EXTD= that period of time and causes a bittersweetness to arise in my 
EXTD=soul. So too was I transported back when I revisited this album a
EXTD=fter a number of years. \n\nThis album is gorgeous on so many lev
EXTD=els. I forgot just how powerful it is. The music, the singing, th
EXTD=e lyrics and the overall tone are melancholy but not depressing, 
EXTD=haunting but not sorrowful and gorgeous in a way few albums achie
EXTD=ve. "Linger" is one of my all time favorite songs and it never ge
EXTD=ts old but this is a treasure trove of other songs that never mad
EXTD=e the radar. \n\nIt plays well as an organic whole; there is not 
EXTD=a bad song on here. If you're ever looking for an album to help y
EXTD=ou chill, to cause you to reflect or to just set a certain mood, 
EXTD=this is one to play. \n\n\nAMAZON.COM CUSTOMER REVIEW\nsonic anti
EXTD=thesis of grunge, May 9, 2005 \nBy  Donovan G. Rinker "donoglen" 
EXTD=(Cambridge, MA)\nBeautiful and inspired, the Cranberries' sound u
EXTD=ltimately managed to merge the ambrosial ambience of Enya with th
EXTD=e jaggedness of Seattle Grunge to produce a unique poignance owin
EXTD=g little to either influence. \n\nStandouts "Dreams" and "Linger"
EXTD= reached the pinnacle of lushness, with the latter suggesting eme
EXTD=rald landscapes and adventures to advertisers inviting Americans 
EXTD=to see Ireland. \n\nThis album favored softer mixtures, draping c
EXTD=omplex aural textures across O'Riordan's lush voice, complete wit
EXTD=h yodels. Later releases favored the harsher combinations (hinted
EXTD= at here in "Still Can't" and "How", and later reaching full pote
EXTD=ncy in "Zombie"), following influences elsewhere in pop, but the 
EXTD=debut remains the Cranberries' unsurpassed achievement. \n\n\nAMA
EXTD=ZON.COM CUSTOMER REVIEW\nLovely..., October 6, 2000 \nBy  Eik Nyl
EXTD= "E"\nThis, by far, is my favourite Cranberries album. There is n
EXTD=othing inherently wrong with subsequent releases, and the Cranber
EXTD=ries have grown lyrically and musically and explored new sounds i
EXTD=n the years since this album was released. However, there was a c
EXTD=ertain style and charm here that has not been duplicated. O'Riord
EXTD=an's soaring vocals, sometimes floating above all the other music
EXTD=, and sometimes barely whispering; touching and often quite melan
EXTD=choly lyrics (usually lyrics to which any person who has been in 
EXTD=love or jilted can relate, which is a part of the charm); and bea
EXTD=utiful, even ethereal arrangements of these songs. The Cranberrie
EXTD=s can be a little bit repetitive, but overall this is an excellen
EXTD=t album. The album begins "I don't want to leave you, even though
EXTD= I have to. I don't want to love you, oh, I still do..." about a 
EXTD=person asserting herself, trying to find out what she needs for h
EXTD=erself. (Obviously describing songs and their meaning is a lot le
EXTD=ss effective than actually listening to the song itself). The ove
EXTD=rplay of track two, "Dreams" is a bit sad (I cannot even listen t
EXTD=o that track anymore). Otherwise the entire album is lovely and l
EXTD=istenable. My particular favourites are "Linger" (which has nearl
EXTD=y suffered the overplay of "Dreams"), "Put Me Down", "Not Sorry",
EXTD= and "I Will Always". \n\n\nHalf.com Details \nProducer: Stephen 
EXTD=Street \n\nAlbum Notes\nThe Cranberries: Dolores O'Riordan (vocal
EXTD=s, acoustic guitar); Noel Hogan (guitar, background vocals); Mike
EXTD= Hogan (bass); Feargal Lawlor (drums, percussion).\nAdditional pe
EXTD=rsonnel: Mike Mahoney (background vocals).\n\nRecorded at Windmil
EXTD=l Studios, Dublin, Ireland.\nAll tracks have been digitally remas
EXTD=tered.\n\nThe Cranberries, more so than almost any contemporary g
EXTD=roup now coming out of Ireland, translate the lyric delicacy and 
EXTD=metaphorical melancholy of Gaelic folk music to a rock format. Th
EXTD=e Cranberries are a tight little band with a sound all their own,
EXTD= though at times many of their songs do suggest some sort of stra
EXTD=nge communion between U2 and Bjork.\nHow so? The gossamer strains
EXTD= of Noel Hogan's electric guitar recall The Edge's spacy chording
EXTD=, but Hogan's rhythmic focus tends more towards eclectic folk sty
EXTD=lings (a la Richard Thompson) than the arena gestures of rock. Wh
EXTD=ich isn't to say that his dancing interplay with bassist Mike Hog
EXTD=an and drummer Feargal Lawlor lacks impact. Quite the contrary. S
EXTD=ongs such as "Dream" and "Waltzing Back" illustrate the band's sp
EXTD=ecial chemistry and harmonic buoyancy, as airy chording gives way
EXTD= to punchy riffs and gruff power chords.\nBut it is The Cranberri
EXTD=es remarkable vocalist Dolores O'Riordan who defines the band's u
EXTD=nique sound and broad appeal. O'Riordan has an eccentric, emotive
EXTD= style and a stunning vocabulary of guttural whoops and throttled
EXTD= cries (to particular effect on "Pretty"). On "I Still Do" she do
EXTD=ubletracks her breathless voice (as she does throughout EVERYBODY
EXTD= ELSE...), creating a mournful melodic ambience as the band rises
EXTD= to match her emotional peaks in a tale of a played out love that
EXTD= will not die.\nThis plaintive tone of O'Riordan resonates throug
EXTD=hout EVERYBODY ELSE IS DOING IT, SO WHY CAN'T WE? "You mystify me
EXTD=, you mystify me" she intones dimly as if in a haze on "Sunday" a
EXTD=s the band tolls away behind her, while on "Waltzing Back" her yo
EXTD=deling cries and muttered grace notes impart tremendous power to 
EXTD=each phrase in this clannish dance.\n\nIndustry Reviews\nIncluded
EXTD= in Rolling Stone's Essential Recordings of the 90's.\nRolling St
EXTD=one (05/13/1999)\n\n...what really makes the Cranberries stand ou
EXTD=t is singer Dolores O'Riordan...a Stephen Street production job w
EXTD=hich makes even the Smiths seem uncompromisingly dense....A remar
EXTD=kable album by a remarkable band...\nAlternative Press (07/01/199
EXTD=3)\n\n...The Cranberries are Quiet Storm music for the alternativ
EXTD=e-rock generation... - Rating: B\nEntertainment Weekly (06/04/199
EXTD=3)\n\n4 Stars - Excellent - ...softly stroked guitars tenderized 
EXTD=by a female voice of exceptional merit....deliciously spine-shive
EXTD=ring moments....the melodies are festooned with dreamy hooks...\n
EXTD=Q (04/01/1993)\n\nIncluded in Q's list of 'The 50 Best Albums Of 
EXTD=1993' - ...creeps up on your consciousness and stubbornly refuses
EXTD= to leave....\nQ (01/01/1994)\n\n...entrancing tunefulness [with]
EXTD= Dolores O'Riordan's vocal audacity...they've accomplished a shar
EXTD=p, self-aware debut....\nRolling Stone (12/23/1993)\n\n\nROLLING 
EXTD=STONE REVIEW\nIn the hands of smart guys, trebly, chiming guitars
EXTD= and spare, certain melodies took divergent paths in ancient days
EXTD= -- toward the Byrds' clear skies and the Velvet Underground's bl
EXTD=ue-lit alleys. R.E.M., of course, fused the directions in the '80
EXTD=s, creating a freeway that soon became crowded. Arizona's Gin Blo
EXTD=ssoms approach the Athens, Ga., demigods with the reverence popst
EXTD=ers used to accord the Beatles, but so smartly have they absorbed
EXTD= the influence that "New Miserable Experience" sounds both fresh 
EXTD=and highly personal. Robin Wilson's a confident, engaging singer;
EXTD= "Hey Jealousy" is manna for radio; and the ease with which this 
EXTD=quintet casts hooks suggests that there's plenty more in store. I
EXTD=reland's Cranberries share a similar gift for entrancing tunefuln
EXTD=ess but with Dolores O'Riordan's vocal audacity (catch her quasi-
EXTD=Moroccan moaning on "Dreams"). They're the deeper, dreamier unit.
EXTD= "Linger" and its orchestration hint at the group's musical ambit
EXTD=ion; guitarist Noel Hogan is a resourceful melodist; and by  (Pos
EXTD=ted: Feb 2, 1998)
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