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DISCID=ca0d1e10
DTITLE=The Smiths / Hatful Of Hollow
DYEAR=1984
DGENRE=Alternative
TTITLE0=William, It Was Really Nothing
TTITLE1=What Difference Does It Make? (Live BBC Radio 1 - 5.31.1983)
TTITLE2=These Things Take Time (Live BBC Radio 1 - 04.07.1983)
TTITLE3=This Charming Man (Live BBC Radio 1 - 09.21.1983)
TTITLE4=How Soon Is Now?
TTITLE5=Handsome Devil (Live BBC Radio 1 - 5.31.1983)
TTITLE6=Hand In Glove
TTITLE7=Still Ill (Live BBC Radio 1 - 09.21.1983)
TTITLE8=Heaven Knows I'm Miserable Now
TTITLE9=This Night Has Opened My Eyes (Live BBC Radio 1 - 09.21.1983)
TTITLE10=You've Got Everything Now (Live BBC Radio 1 - 04.07.1983)
TTITLE11=Accept Yourself (Live BBC Radio 1 - 05.09.1983)
TTITLE12=Girl Afraid
TTITLE13=Back To The Old House (Live BBC Radio 1 - 09.21.1983)
TTITLE14=Reel Around The Fountain (Live BBC Radio 1 - 5.31.1983)
TTITLE15=Please, Please, Please, Let Me Get What I Want
EXTD=Originally Released November 1984\nCD Edition Released November 9
EXTD=, 1993\n\nAMG EXPERT REVIEW: Several months after releasing their
EXTD= first album, the Smiths issued the singles and rarities collecti
EXTD=on Hatful of Hollow, establishing a tradition of repackaging thei
EXTD=r material as many times and as quickly as possible. While severa
EXTD=l cuts on Hatful of Hollow are BBC versions of songs from The Smi
EXTD=ths, the versions on the compilation are nervy and raw -- and the
EXTD=y're also not the selling point of the record. The Smiths treated
EXTD= singles as individual entities, not just ways to promote an albu
EXTD=m, and many of their finest songs were never issued on their stud
EXTD=io albums. Hatful of Hollow contains many of these classics, incl
EXTD=uding the sweet rush of "William, It Was Really Nothing," and the
EXTD= sardonic "Heaven Knows I'm Miserable Now," the tongue-in-cheek l
EXTD=ament of "Please, Please, Please Let Me Get What I Want," the wis
EXTD=tful "Back to the Old House," "Girl Afraid," and the pulsating, t
EXTD=remolo-laced masterpiece "How Soon Is Now?" With such strong mate
EXTD=rial forming the core of the album, it's little wonder that Hatfu
EXTD=l of Hollow is as consistent as The Smiths and arguably captures 
EXTD=the excitement surrounding the band even better.  -- Stephen Thom
EXTD=as Erlewine\n\n\nAmazon.com Editorial Review\nThe Smiths tend to 
EXTD=be thought of as a band one grows out of--music you listened to a
EXTD=s a depressed adolescent and then abandoned when you overcame it 
EXTD=all. Such a notion denies them their place in the rock pantheon, 
EXTD=not only as an inspiration to countless indie-rock outfits but al
EXTD=so as the band that challenged the received wisdom of rock & roll
EXTD= machismo. Fronted by the fey, sexually ambiguous Steven Patrick 
EXTD=Morrissey, who married painfully honest lyrics--almost embarrassi
EXTD=ng in their self-effacement--with arch humor and a melancholic de
EXTD=livery, the British band was quite an anomaly to an America still
EXTD= emerging from the bloated-rock tyranny of the likes of Journey a
EXTD=nd REO Speedwagon. Hatful of Hollow, released as an import in 198
EXTD=4 and domestically in 1993, is a collection of singles, many reco
EXTD=rded live for various radio shows. More-muscular versions of most
EXTD= of the tracks here can be found on the collection Louder Than Bo
EXTD=mbs, but Hatful has a vitality to it that the studio-bound, somew
EXTD=hat antiseptic Bombs lacks. Check out Johnny Marr's delicate acou
EXTD=stic guitar on the aching "Back to the Old House" or the band's l
EXTD=ooser workouts of such now-classics as "This Charming Man" and "S
EXTD=till Ill." Two songs not found on other albums make this a must f
EXTD=or fans: "Handsome Devil" and "Accept Yourself," a bouncy, jangly
EXTD= number on which Morrissey croons convincingly, "Others conquered
EXTD= love, but I ran / I sat in my room and I drew up a plan." Perfec
EXTD=t music for your awkward inner child. --Steve Landau \n\n\nAMAZON
EXTD=.COM CUSTOMER REVIEW\nCatching Up With The Smiths, April 5, 2007 
EXTD=\nBy  Jay Dee Dubya (Dearborn, MI United States)\n\nHatful of Hol
EXTD=low was a compilation thrown together shortly after The Smiths' s
EXTD=elf-titled debut in order to curb demand until the band could fin
EXTD=ish recording Meat Is Murder. "Accept Yourself" and "Handsome Dev
EXTD=il" are the only tracks that don't appear on other Smiths albums,
EXTD= however it should be noted that they alone are well worth the pr
EXTD=ice of this CD. Most of the songs are a little rough around the e
EXTD=dges due to their live recordings, with the exception of "Back To
EXTD= The Old House". Musically, this version is better suited to Morr
EXTD=isey's sad lyrics (See Louder Than Bombs for the studio version),
EXTD= and it offers a rare glimpse of Marr's skills on the acoustic gu
EXTD=itar. While Hatful is a nice collection of some of the band's bes
EXTD=t music, I prefer the more polished versions available elsewhere.
EXTD= \n\n\nAMAZON.COM CUSTOMER REVIEW\nTHE SMITHS ALBUM REVIEW 2!!!!!
EXTD=!!!, July 12, 2005 \nBy  gdb "gman" (london)\nReleased late in 19
EXTD=84, Hatful of Hollow was a compilation of songs left of their fir
EXTD=st album. \n\nOnly released in the UK and several other European 
EXTD=countries, and not released in the States till 1996, the album al
EXTD=so included the British Radio 2 Peel sessions, of songs originall
EXTD=y released on the first Smiths album. The songs included were UK 
EXTD=top thirty hits What difference does it make and This Charming Ma
EXTD=n, also included was Hand in Glove, Still Ill, You've got everyth
EXTD=ing now, and Reel around the fountain. \n\nThe album includes the
EXTD= bands first UK top ten hit Heaven Knows I'm miserable now, and t
EXTD=he UK top twenty hit William it was really nothing. It also inclu
EXTD=des the bands most famous song How soon is Now, originally a b-si
EXTD=de to Heaven knows I'm miserable now, the song was released as a 
EXTD=flip side in 1985 peaking in the UK at 25, it was later re-releas
EXTD=ed as a single in 1992 this time charting at 16. \n\nThough not o
EXTD=fficially an album release more a compilation, Hatful of Hollow i
EXTD=s often refered to as the bands second album release because of t
EXTD=op quality tracks such as Handsome Devil, These things take time,
EXTD= Back to the old house and a gem timed at only 1 minute 50, Pleas
EXTD=e, please, please let me get what I want. \n\nThe album holds mor
EXTD=e of a Pop/Indie concept than the first album, most of the songs 
EXTD=(except How Soon is Now, and Accept Yourself and some of the BBC 
EXTD=outtakes) are between 2-3 minutes, e.g. Girl Afraid, These things
EXTD= take time. Indeed it probably works out to be the easiest Smiths
EXTD= album to get into (though I'd always recomend The Queen is Dead 
EXTD=as a starting point to The Smiths) \n\nHatful of Hollow would pea
EXTD=k in the UK album charts at number 7, and if anything proves that
EXTD= even throwaway Smiths tracks were better than most bands classic
EXTD=s. Overall a definite must have to your Smiths and Morrisey colle
EXTD=ction. \n\n\nAMAZON.COM CUSTOMER REVIEW\nOne of the greatest albu
EXTD=ms ever., November 12, 1998 \nReviewer: A music fan\nIt didn't se
EXTD=em promising when it was released- just after their debut album, 
EXTD=a mid-priced collection of B-sides, non-album singles and other o
EXTD=dds and ends. It should have been forgettable. It turned out to b
EXTD=e awesome, due largely to the incredibly volume and consistency o
EXTD=f the Smith's early work, and their habit of discarding brilliant
EXTD= songs on a whim. How could they relegate "How Soon Is Now?" to t
EXTD=he lowly status of B-side, even if they did repent and release it
EXTD= as a single later? The song is wonderful, possibly the finest mo
EXTD=ment from Marr at least, even if Morrissey has been cleverer with
EXTD= his lyrics. The rest of the album has several gems and superior 
EXTD=versions of songs which had made their classic debut album. An am
EXTD=azing achievement. \n\n\nHalf.com Album Notes\nHATFUL OF HOLLOW i
EXTD=ncludes songs recorded live for BBC Radio 1.\n\nThe Smiths: Morri
EXTD=ssey (vocals); Johnny Marr (guitar, mandolin, harmonica); Andy Ro
EXTD=urke (bass); Mike Joyce (drums).\n\nProducers: John Porter, The S
EXTD=miths, Roger Pusey, Dale Griffin.\n\nA composite of radio session
EXTD=s and sundry early singles, HATFUL OF HOLLOW provides an alternat
EXTD=ive snapshot of the Smiths' early career. Compiled in the wake of
EXTD= their debut album, it exhibited all of their considerable streng
EXTD=ths, in particular Johnny Marr's ringing, expressive guitarwork. 
EXTD=The riff he creates on 'How Soon Is Now' is thoroughly captivatin
EXTD=g. Vocalist Morrissey's distinctive croon and solipsistic lyrics 
EXTD=are already unique and give the group its originality. At times i
EXTD=ronic, at others wistful (as on 'Back To The Old House'), he take
EXTD=s the Smiths into new areas of expression and his contrasting vis
EXTD=ions are fully expressed herein.\n\nIndustry Reviews\n3 Stars - G
EXTD=ood - ...[HATFUL OF HOLLOW] proved that [The Smiths'] work for Jo
EXTD=hn Peel was invariably just as thrilling as that for [producers] 
EXTD=John Porter and Stephen Street...\nQ (12/01/1993)\n\nRanked #7 am
EXTD=ong The 50 Greatest Albums Of The '80s - ...possibly the greatest
EXTD= thing [the Smiths] ever recorded...\nNME (09/25/1993)\n\nRanked 
EXTD=#41 in NME's list of the 'Greatest Albums Of All Time.'\nNME (10/
EXTD=02/1993)\n\nRanked #44 in Q's 100 Greatest British Albums\nQ (06/
EXTD=01/2000)
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