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# Disc length: 2091 seconds
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# Revision: 10
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: audiograbber 1.83.01
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DISCID=aa08290e
DTITLE=Herb Alpert & The Tijuana Brass / Whipped Cream & Other Delights (40th A
DTITLE=nniversary Edition)
DYEAR=1965
DGENRE=Latin Instrumental
TTITLE0=A Taste Of Honey
TTITLE1=Green Peppers
TTITLE2=Tangerine
TTITLE3=Bittersweet Samba
TTITLE4=Lemon Tree
TTITLE5=Whipped Cream
TTITLE6=Love Potion No. 9
TTITLE7=El Garbanzo
TTITLE8=Ladyfingers
TTITLE9=Butterball
TTITLE10=Peanuts
TTITLE11=Lollipops And Roses
TTITLE12=Rosemary (Unused Studio Session Master)
TTITLE13=Blueberry Park (Unused Studio Session Master)
EXTD=Herb Alpert & The Tijuana Brass\n2005 Shout! Factory LLC\n\nOriginally Rel
EXTD=eased 1965\nCD Edition Released N/A\nRemastered CD Edition Released Februa
EXTD=ry 8, 2005\n\nAMG EXPERT REVIEW: We'll never know exactly what made this a
EXTD=lbum Herb Alpert's big commercial breakthrough -- the music or the LP jack
EXTD=et's luscious nude model covered almost entirely with simulated whipped cr
EXTD=eam. Probably both. In any case, Alpert's most famous album is built aroun
EXTD=d a coherent concept; every song has a title with food in it. Within this 
EXTD=concept, Alpert's musical tastes are still refreshingly eclectic; he uses 
EXTD=Brazilian rhythms on "Green Peppers" and "Bittersweet Samba," reaches back
EXTD= to the big-band era for the haunting "Tangerine," uses Dixieland jazz on 
EXTD="Butterball," and goes to New Orleans for the Allen Toussaint-penned title
EXTD= track (familiar to viewers of TV's The Dating Game). He also has develope
EXTD=d a unique sense of timing as a producer, using pauses for humorous effect
EXTD=, managing to score his second Top Ten hit with a complex, tempo shifting 
EXTD=version of "A Taste of Honey." No wonder Alpert drew such a large, diverse
EXTD= audience at his peak; his choices of tunes spanned eras and generations, 
EXTD=his arrangements were energetic enough for the young and melodic enough fo
EXTD=r older listeners. This album, number one in the nation for eight weeks, i
EXTD=s available on CD, though the cover obviously doesn't make as alluring an 
EXTD=impression as it did on LP. ~ Richard S. Ginell, All Music Guide\n\nHalf.c
EXTD=om Album notes \nRecorded at Gold Star Recording Studio, Hollywood, Califo
EXTD=rnia.\n\nHow a good-looking Jewish boy from Brooklyn discovered the secret
EXTD= of success in an updated form of mariachi music is perhaps beyond our sco
EXTD=pe. Then again, it might not be such a mystery after all. Aside from the o
EXTD=bvious example of exotica, much easy listening depends upon more than a to
EXTD=uch of ethnicity to maintain its musical roots. What Herb Alpert found in 
EXTD=Mexican street bands was a previously untapped source of south-of-the-bord
EXTD=er melody and rhythm. With its unlikely combination of Alpert's cool Chet 
EXTD=Baker-like trumpet and the blocky cadences of a marching band, the Tijuana
EXTD= Brass produced a lively, colorful mix that managed to appeal to hips and 
EXTD=squares alike.\nWHIPPED CREAM & OTHER DELIGHTS was Herb Albert's most succ
EXTD=essful album, helped--no doubt--by its highly provocative cover art. The t
EXTD=unes are mostly unknown originals or, in the case of Lieber & Stoller's "L
EXTD=ove Potion #9," so transformed by the Tijuana "treatment" as to be almost 
EXTD=unrecognizable. Special mention must go to guitarist John Pisano and marim
EXTD=ba man Julius Wechter, both of whom round out the sharp corners of a poten
EXTD=tially raucous sound. YEAR: 1965
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