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DISCID=83104d18
DTITLE=Mel Torm / That's All (Remastered + Expanded)
DYEAR=1965
DGENRE=Ballad
TTITLE0=I've Got You Under My Skin
TTITLE1=That's All
TTITLE2=What Is There To Say?
TTITLE3=Do I Love You Because You're Beautiful?
TTITLE4=The Folks Who Live On The Hill
TTITLE5=Isn't It A Pity?
TTITLE6=Ho-Ba-La-La
TTITLE7=P.S. I Love You
TTITLE8=The Nearness Of You
TTITLE9=My Romance
TTITLE10=The Second Time Around
TTITLE11=Haven't We Met?
TTITLE12=I Know Your Heart (Bonus Track)
TTITLE13=You'd Better Love Me (Bonus Track)
TTITLE14=I See It Now (Bonus Track)
TTITLE15=Once In A Lifetime (Previously Unissued Bonus Track)
TTITLE16=Hang On To Me (Bonus Track)
TTITLE17=Seventeen (Bonus Track)
TTITLE18=I Remember Suzanne (Bonus Track)
TTITLE19=Only The Very Young (Previously Unissued Bonus Track)
TTITLE20=Paris Smiles (Bonus Track)
TTITLE21=Ev'ry Day's A Holiday (Bonus Track)
TTITLE22=One Little Snowflake (Bonus Track)
TTITLE23=The Christmas Song (Chestnuts Roasting On An Open Fire) - (Bo
TTITLE23=nus Track)
EXTD=That's All (Remastered + Expanded)\n1997 Columbia/Legacy\n\nOrigi
EXTD=nally Released July 19, 1965\nRemastered + Expanded CD Edition Re
EXTD=leased April 29, 1997\n\nAMG EXPERT REVIEW: This 1997 CD reissues
EXTD= Mel Torm's 1965 album That's All, ten songs only previously out
EXTD= as singles, and two unreleased titles. Torm sings beautifully t
EXTD=hroughout the set, but there are a few problems. The arrangements
EXTD= (mostly by Robert Mersey and also including a few charts from Di
EXTD=ck Hazard, Mort Garson and Pat Williams) are essentially unimagin
EXTD=ative middle-of-the-road pop with an orchestra and occasional str
EXTD=ings and background singers greatly weighing down the proceedings
EXTD=. The 24 selections (all ballads) are mostly taken at slow tempos
EXTD= and were clearly geared for radio airplay, clocking in around th
EXTD=e three-minute mark, which means that Torm's improvising is held
EXTD= to a minimum. So if the melody is not strong, the singer was not
EXTD= given a chance to improve it, and if the tune was excellent, Mel
EXTD='s straightforward version added nothing to the song's legacy. At
EXTD= best, this CD makes for a pleasant listen, but get Mel Torm's C
EXTD=oncord releases instead.  -- Scott Yanow\n\n\nAMAZON.COM CUSTOMER
EXTD= REVIEW\nThe Velvet Master, March 16, 2005 \nBy  Lawrence E. LaRo
EXTD=cco "Sinatra Fanatic" (Berwyn, Illinois)\nThis is Mel Torme at hi
EXTD=s absolute peak. "That's All" is a stunning, silky smooth, all-ba
EXTD=llads album that showcases Mel's flawless diction, phrasing, and 
EXTD=his ability to emotionally interpret the inner core of any song. 
EXTD=I keep on coming back to this album because it has so much to off
EXTD=er. Twenty-four tracks including "The Christmas Song," but Torme'
EXTD=s sensitive, understated offering of "I've Got You Under My Skin"
EXTD= gives new levels of meaning to a ballad that is not easy to do j
EXTD=ustice to - unless you're Sinatra. "My Romance" and "Hang on to M
EXTD=e" are incredibly beautiful renditions of songs that require a su
EXTD=perb vocalist like Torme to do justice to. This is not an album f
EXTD=or Torme's legions of jazz fans, but it is an essential purchase 
EXTD=if you are at all serious about building your Torme collection. \n
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\nGreat Singer in Total Command of 
EXTD=His Artistry but..., July 10, 2000 \nBy  Carlos from Rio "Carlos 
EXTD=from Rio" (Rio de Janeiro, RJ Brazil)\nMel Torme did not like to 
EXTD=be referred to as "The Velvet Fog" but this CD is a typical examp
EXTD=le of how he sometimes worked his vocalizing in that direction. M
EXTD=ellow though not bad arrangements by the maestro of that moment, 
EXTD=Mr. Robert Mersey. A beautiful album for non-jazz audiences. But 
EXTD=his Jazz fans won't believe their ears. \n\n\nAMAZON.COM CUSTOMER
EXTD= REVIEW\nWonderful, June 9, 2000 \nBy  abj "fragdome" (Silver Spr
EXTD=ing, Maryland USA)\nMel Torme can take just about any ballad and 
EXTD=wrap you up in it completely. Whether it's little gems like "The 
EXTD=Folks Who Live On The Hill" or Torme's own venerable warhorse, "T
EXTD=he Christmas Song," that voice caresses you like...well, like vel
EXTD=vet fog. Everything on this CD is worth playing over and over. \n
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\nFine work from a superior singer,
EXTD= October 10, 1999 \nReviewer: A music fan\nLess jazz oriented tha
EXTD=n many of his other albums, but a blast to listen to. "That's All
EXTD=" is a ballad album, with the exception of "Haven't We Met," whic
EXTD=h swings hard. One might wish that during the course of his caree
EXTD=r, Torme had done more straightforward swingers like this, becaus
EXTD=e he's just so good at it here. Some of the album has the slight 
EXTD=latin tinge that was popular in the early to mid 1960's, but it's
EXTD= unobtrusive. The Robert Mersey arrangements are generally pretty
EXTD= good, also. For example, the intro to "Do I Love You Because You
EXTD='re Beautiful" is haunting and fine. \n\n\nAMAZON.COM CUSTOMER RE
EXTD=VIEW\nMEL AT HIS BEST!, January 15, 1999 \nReviewer: A music fan\n
EXTD=Mel in his prime (1964). Lush strings back Mel's velvet voice.No 
EXTD=jazzy arrangements or show boating. Mel sings these first rate ba
EXTD=llads by Rogers & Hart, Gershwin, Jerome Kern, Cole Porter, Vanhe
EXTD=usen/Cahn and others, straight and beautifully. "The Folks Who Li
EXTD=ve On The Hill", "Thats All", "My Romance", "Isn't It A Pity" & "
EXTD=The Nearness Of You" are some of the standout songs and Mel'svers
EXTD=ions of these songs are probobly the best ever recorded by anyart
EXTD=ist. The CD contains an additional 12 bonus tracks. Although ther
EXTD=e not bad, they don't live up to original album. The original alb
EXTD=um alone, however, is well worth the price of the CD. If you only
EXTD= want one Mel Torme CD or for that matter, only one romantic CD, 
EXTD=THIS IS THE ONE! \n\n\nHalf.com Details \nProducer: Robert Mersey
EXTD= \n\nAlbum Notes\nThe 1997 reissue of THAT'S ALL includes 12 trac
EXTD=ks that were not contained on the original release.\n\nPersonnel 
EXTD=includes: Mel Torme (vocals); Robert Mersey, Dick Hazard, Mort Ga
EXTD=rson, Pat Williams (conductor, arranger).\n\nReissue producer: Di
EXTD=dier Deutsch.\nRecorded between March 10, 1964 and October 1, 196
EXTD=6. \nIncludes liner notes by Will Friedwald and original release 
EXTD=liner notes by Don Heckman.\nAll tracks have been digitally remas
EXTD=tered.\n\nPerhaps it was a reaction to his own obvious talents as
EXTD= a super-crooner, or an unwillingness to be pigeonholed, but Mel 
EXTD=Torme only twice recorded an all-ballad album in his prime. The f
EXTD=irst was IT'S A BLUE WORLD, a 1956 beauty available with two othe
EXTD=r seminal Torme Bethlehem albums as part of a box set on Rhino-Be
EXTD=thlehem. It wasn't until 1964 that Torme and the pop producer/arr
EXTD=anger Robert Mersey pulled out all the romantic stops again and r
EXTD=ecorded THAT'S ALL, heralded on the album cover itself as "a lush
EXTD=, romantic album."\nThese two pros do not disappoint as 12 well-c
EXTD=hosen gems like Gershwin's infrequently heard "Isn't it a Pity" a
EXTD=nd "The Nearness of You" are unveiled in a state-of-the-art pop p
EXTD=roduction that includes bossa nova rhythms, soft guitar and a car
EXTD=pet of strings. The occasionally baroque Torme is in superb voice
EXTD= here, no scatting or fancy footwork in sight. As a bonus, the ex
EXTD=cellently remastered CD reissue also includes 12 little-known Tor
EXTD=me performances, originally released as singles during his short 
EXTD=stint with Columbia Records in the mid '60s.
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