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# Disc length: 2638 seconds
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# Revision: 1
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: Grip 3.3.1
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DISCID=3f0a4c2b
DTITLE=Bruce and Jenny Bartlett / Practgical Recording Techniques, 4e
DYEAR=2004
DGENRE=Other
TTITLE0=Introduction
TTITLE1=Five Ways to Record
TTITLE2=Amplitude
TTITLE3=Frequency
TTITLE4=Harmonics
TTITLE5=Envelope
TTITLE6=Frequency Response
TTITLE7=Noise and Signal-to-Noise Ratio
TTITLE8=Distortion: Digital distortion and analog-cassette-tape distortio
TTITLE8=n
TTITLE9=Echoes and Reverberation
TTITLE10=Leakage
TTITLE11=Hum and Buzz
TTITLE12=Transducer Type: Condenser, dynamic, ribbon
TTITLE13=Polar Pattern: Cardioid mic on and off axis; cardioid versus omni
TTITLE13= at 6 feet
TTITLE14=Microphone Frequency Response: Flat, contoured
TTITLE15=Breath Pops: Effect of pop filter, effect of mic placement
TTITLE16=Miking Distance
TTITLE17=Effects of Mic Placement on Tonal Balance
TTITLE18=Stereo Miking the Acoustic Guitar--Close and Distant
TTITLE19=Boundary Mics
TTITLE20=The Three-To-One Rule
TTITLE21=Stereo Mic Techniques: Coincident, near-coincident, spaced
TTITLE22=Miking Electric Guitar
TTITLE23=Miking Drum Set
TTITLE24=Miking Grand Piano
TTITLE25=Miking Lead Vocal
TTITLE26=EQ
TTITLE27=Compression
TTITLE28=No Effects on Voice
TTITLE29=Echo
TTITLE30=Reverberation
TTITLE31=Preverb
TTITLE32=Chorus
TTITLE33=Flanging
TTITLE34=Pitch Shift
TTITLE35=Tube Modeling
TTITLE36=Analog Tape Modeling
TTITLE37=Guitar-amp Modeling
TTITLE38=The finished mix, before and after
TTITLE39=Normalization, peak limiting, compression
TTITLE40=MP3 and WMA
TTITLE41=Decibels
TTITLE42=Thanks for listening!
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