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# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
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DISCID=8910140a
DTITLE=Miles Davis / The Columbia Years 1955-1985 - Disc 1 of 4
DYEAR=
DGENRE=Jazz
TTITLE0=Gnrique
TTITLE1=All Blues
TTITLE2=Eighty-One
TTITLE3=Blues For Pablo
TTITLE4=Summertime
TTITLE5=Straight, No Chaser
TTITLE6=Footprints (Digital Remix)
TTITLE7=Florence Sur Les Champs lyses
TTITLE8=I Thought About You (Mono - Previously Unreleased Live Version)
TTITLE9=Someday My Prince Will Come (Alternate Take)
EXTD=Originally Released December 6, 1988\nReconfigured CD-Sized Slipcase Packaging Released August 2001\nReconfigured Book-Style Packaging Released August 6, 2002\n\nAMG EXPERT REVIEW: This was the first real attempt by Columbia to make \nany comprehen
EXTD=sive sense of Miles Davis' colossal output for the label. \nThis set, then, was bound to be controversial no matter how it turned \nout, but even so, Columbia could have done better with a strictly chronological \napproach. Instead producer/compile
EXTD=r Jeff Rosen had the cockeyed notion \nof organizing each of the original five LPs around a single theme. Disc \none was called Blues, Disc two was devoted to Standards, Disc three had \nMiles Davis Originals, Disc four was something vaguely entitl
EXTD=ed Moods \nand all of the electric recordings were segregated on Disc five (the CDs \nnaturally screw up the "logic" with overlaps). Thus, the first four sections \njam together all kinds of unrelated sessions from different eras and the \nlistener
EXTD= never gets any idea of how Miles' music evolved and changed over \nthe years. There are only four outtakes, three of which are gratuitous \nalternate takes, and the fourth is a live version of "I Thought About \nYou." However, The Columbia Years s
EXTD=tands as a casual collage -- the only \nway, actually, to acquire a bop-to-rock, fairly representative selection \nof Miles from those decades in one package. Also one must admit that the \nelectric section, despite the chronological chaos, is put 
EXTD=together very \ncleverly, opening with precisely the hottest stretch of music from Live-Evil \n(the opening 3-and-a-half-minutes of "Sivad") and closing with the long, \nswaggering "Miles Runs the Voodoo Down" from Bitches Brew. Nat Hentoff's \nbio
EXTD=graphical essay makes good reading -- and of course, along the way \nyou'll hear some of the greatest music of the 20th century. -- Richard \nS. Ginell\n\nHalf.com Album Notes\nContains 35 tracks on 4 CDs, many of which are unreleased or out of pri
EXTD=nt. \nThe discs are arranged by genre. \n\nPersonnel includes: Miles Davis (trumpet, flugelhorn); Gary Bartz (soprano \n& alto saxophones); Bill Evans (soprano & tenor saxophones); Dave Leibman \n(soprano saxophone); Julian "Cannonball" Adderly, Le
EXTD=e Konitz (alto saxophone); \nJohn Coltrane, Wayne Shorter, Hank Mobley, George Coleman (tenor saxophone); \nBill Evans, Herbie Hancock, Red Garland, Wynton Kelly, Chick Corea, Joe \nZawinul, Keith Jarrett (piano); John McLaughlin, John Scofield, Mi
EXTD=ke Stern \n(guitar); Paul Chambers, Ron Carter, Dave Holland (bass); Jimmy Cobb, \nTony Williams, Kenny Clarke, Philly 
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