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DISCID=c00be20e
DTITLE=Dwight Yoakam / Dwight's Used Records
DYEAR=2004
DGENRE=Country
TTITLE0=Stop The World
TTITLE1=Down Where The River Bends
TTITLE2=Mercury Blues
TTITLE3=Waiting
TTITLE4=Some Dark Holler
TTITLE5=If You Were Me
TTITLE6=Little Chapel
TTITLE7=Loco Motion
TTITLE8=Miner's Prayer
TTITLE9=Understand Your Man
TTITLE10=Wheels
TTITLE11=I'm Bad, I'm Nationwide
TTITLE12=Paradise
TTITLE13=''I Said'' (Paradise Reprise)
EXTD=Originally Released June 29, 2004\n\nAMG EXPERT REVIEW: Few if an
EXTD=y major country artists of the 1980s and '90s had as consistent a
EXTD= run of strong recordings as Dwight Yoakam, and this compilation 
EXTD=proves that even the material he gave away was better than what m
EXTD=ost of his peers were sending out as top-shelf product. Dwight's 
EXTD=Used Records features cuts Yoakam contributed to several tribute 
EXTD=compilations, duets that appeared on other artists' albums, and a
EXTD= few unreleased covers, and while the results aren't quite as coh
EXTD=esive as a proper album, nearly everything here would have fit th
EXTD=e bill on a "real" Dwight Yoakam album. His duets with Deana Cart
EXTD=er and Heather Myles show what a generous vocal partner he can be
EXTD=, while his turns with Ralph Stanley and the Nitty Gritty Dirt Ba
EXTD=nd add some new layers of depth to his traditionalist approach. Y
EXTD=oakam's covers of "I'm Bad, I'm Nationwide" and "Mercury Blues" a
EXTD=re sly and witty but never descend into self-parody, and he sure 
EXTD=does right by Johnny Cash and Webb Pierce as he tackles their son
EXTD=gs. The album's only real flaw would be the two back-to-back vers
EXTD=ions of John Prine's "Paradise"; both performances are worthwhile
EXTD=, but over ten minutes of the song gets to be a bit much. Baring 
EXTD=that, Dwight's Used Records is a thoroughly enjoyable collection 
EXTD=of odds and ends that congeals into some solid listening -- but h
EXTD=ow come his superb version of Merle Haggard's "Holding Things Tog
EXTD=ether" from the Tulare Dust album didn't make the cut?  -- Mark D
EXTD=eming\n\nAmazon.com Editorial Review\nIn what could almost have b
EXTD=een the fifth disc of his box set, Yoakam pairs three previously 
EXTD=unreleased recordings with 11 collaborations, tribute-album track
EXTD=s, and other odds and sods. There are some predictably oil-and-wa
EXTD=ter mismatches in singing partners (Deana Carter on "Waiting") as
EXTD= well as material ("Loco Motion," one of the new tracks, is, uh, 
EXTD="different"). Still, there's also his way-cool revival of "Mercur
EXTD=y Blues" and a robust, beautifully arranged "Understand Your Man"
EXTD= in tribute to Johnny Cash, along with some welcome hard-country 
EXTD=like Webb Pierce's "If You Were Me (And I Were You)" and that odd
EXTD= version of "I'm Bad, I'm Nationwide," which sounds all wrong at 
EXTD=first but has a way of growing on you. --John Morthland \n\n\nAMA
EXTD=ZON.COM CUSTOMER REVIEW\nI'd say this is his best album (It's cer
EXTD=tainly my favorite), October 5, 2006 \nBy  Sarah Feldman "Dixie L
EXTD=aRue" (NEW YORK, NY USA)\nSome squeamish professorial types appar
EXTD=ently think my reviews of Dwight Yoakam's albums verge on softcor
EXTD=e porn. Well, to that I say a) what kind of soft porn have you be
EXTD=en reading? (seriously, you're gettin' gypped), and b) the singin
EXTD=g, songs, musicianship and soul in Dwight Yoakam's albums all war
EXTD=rant my swoon-y hyperbole. \n\nUSED RECORDS is my favorite becaus
EXTD=e of the breadth of styles and songs. There's the incomparable du
EXTD=et with Kelly Willis, "Waiting," my favroite song ever. Then tehr
EXTD=e's the gorgeous tarditional songs, like the Ralph Stanley duet "
EXTD=Down by the Sycamore Tree," then there are great push-your-tush n
EXTD=umbers like "Loco-motion" and "Mercury Blues." And tasty Johnny C
EXTD=ash and Waylon Jennings covers...I could go on and on. Stop me be
EXTD=fore I drool! \n\nThe bottom line is this: Buy this, it will be w
EXTD=ell-used by you (harhar) and cherished for many years to come. \n
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\n5+1/2 stars...Dwight's New Label 
EXTD=Gathers Stray Tracks, April 8, 2006 \nBy  Steve Vrana (Aurora, NE
EXTD=)\nAs a huge fan of Dight Yoakam's brand of neo-traditionalism si
EXTD=nce his 1986 debut, I have eagerly bought every studio album he h
EXTD=as released during the ensuing two decades. Why I waited nearly t
EXTD=hree years to purchase this collection of songs from tribute albu
EXTD=ms, collaborations with other artists, and a handful of new recor
EXTD=dings is unclear. But now that I have it, DWIGHT'S USED RECORDS i
EXTD=s one of my favorite albums. \n\n"Stop the World (And Let Me Off)
EXTD=" from I'VE ALWAYS BEEN CRAZY: A TRIBUTE TO WAYLON JENNINGS: Yoak
EXTD=am does a rousing version of Waylon's second RCA single. \n\n"Dow
EXTD=n Where the River Bends" from SATURDAY NIGHT & SUNDAY MORNING: Yo
EXTD=akam shows off his Kentucky roots on a duet with bluegrass patria
EXTD=rch Ralph Stanley. \n\n"Mercury Blues" from REPRISE PLEASE BABY: 
EXTD=This song has been covered by everyone from the Steve Miller Band
EXTD= to Meat Loaf. Yoakam cranks up the honky tonk factor on this siz
EXTD=zling version. \n\n"Waiting" from I'M JUST A GIRL: Yoakam duets w
EXTD=ith Deana Carter on this ballad which they co-wrote. \n\n"Some Da
EXTD=rk Holler" from WILL THE CIRCLE BE UNBROKEN, Volume III: Yoakam p
EXTD=erforms this traditional number with the Nitty Gritty Dirt Band a
EXTD=nd once again shows that he has a honest feel for bluegrass music
EXTD=. \n\n"If You Were Me (And I Were You) from CAUGHT IN THE WEBB: A
EXTD= TRIBUTE TO WEBB PIERCE: Yoakam tackles this classic weeper from 
EXTD=honky tonk legend Webb Pierce. \n\n"Little Chapel" from SWEET TAL
EXTD=K & GOOD LIES: Yoakam teams up with like minded honky tonk enthus
EXTD=iast Heather Myles on this conjunto-flavored song. \n\n"Locomotio
EXTD=n" is a new recording that would have fit in nicely with Yoakam's
EXTD= UNDER THE COVERS. A countrified version of the Goffin-King pop c
EXTD=lassic by Little Eva. \n\n"Miner's Prayer" from SATURDAY NIGHT & 
EXTD=SUNDAY MORNING: A Yoakam original relating his family's connectio
EXTD=n to the Kentucky coal mines. A touching song. \n\n"Understand Yo
EXTD=ur Man" from A TRIBUTE TO THE MUSIC OF JOHNNY CASH: Cash wrote an
EXTD=d recorded this song in 1963; Yoakam puts his Bakersfield sound o
EXTD=n this mid-charting single. [Cash's original went to No. 35 on th
EXTD=e pop charts.] \n\n"Wheels" from WILL THE CIRCLE BE UNBROKEN, Vol
EXTD=ume III: An arrangement very similar to the Flying Burrito Brothe
EXTD=rs' original--although Dobro replaces the pedal steel as the lead
EXTD= instrument on Yoakam's rendition. [This is the second time Yoaka
EXTD=m has covered a FBB song. He dueted with k.d. lang on "Sin City" 
EXTD=for his first greatest hits package JUST LOOKIN' FOR A HIT.] \n\n
EXTD="I'm Bad, I'm Nationwide" from SHARP DRESSED MEN: A TRIBUTE TO ZZ
EXTD= TOP: Pete Anderson's guitar drives Yoakam's take on this ZZ Top 
EXTD=classic. \n\n"Paradise" is a new recording. Yoakam slows down thi
EXTD=s John Prine chestnut to make this lament of the ravages of "Mr. 
EXTD=Peabody's coal train" sound like a funeral dirge, and the lonesom
EXTD=e fiddle playing just drives the point home. [This version stretc
EXTD=hes the song out to 6:13.) \n\n"I Said (Paradise Reprise)" is ano
EXTD=ther new recording and is another take on "Paradise" at a pace mo
EXTD=re uptempo than Prine's original. This one will set your toes to 
EXTD=tapping. \n\nBottom line? Your Dwight Yoakam collection isn't com
EXTD=plete without this. [Running time - 50:44] HIGHLY RECOMMENDED \n\n
EXTD=\nAMAZON.COM CUSTOMER REVIEW\ni'm a little disoriented, February 
EXTD=8, 2005 \nBy  punkviper (Pittsburgh, PA USA)\npicked this up thin
EXTD=king it would be good stuff, then the covers realization set in a
EXTD=nd i regretted it, but then i listened to it a few times and i ca
EXTD=n't live without it. some really strange choices (Locomotion) but
EXTD= i'll be darned if they don't all work. Stop The World is one of 
EXTD=the best covers i've ever heard, ditto for Understand Your Man. t
EXTD=he bluegrass gets a little old, but it's still good. a bizarre ho
EXTD=dgepodge of odds & ends that really work individually. color me s
EXTD=urprised and impressed. \n\n\nAMAZON.COM CUSTOMER REVIEW\nSuper c
EXTD=ollection of Yoakam's non-LP work, August 11, 2004 \nBy  redtunic
EXTD=troll (Earth, USA)\nThis collection of fourteen tracks, pulled fr
EXTD=om tribute albums and guest appearances on other artists' albums,
EXTD= displays the breadth of Yoakam's work with a conciseness that hi
EXTD=s own albums never could. To be fair, Yoakam's releases have been
EXTD= purpose-built as more focused efforts, and this collection, draw
EXTD=ing from disparate sources across a full decade of recording, has
EXTD= a broader charter. It's astounding to hear in one place just how
EXTD= easily Yoakam fits into rootsy mountain bluegrass, honky-tonk co
EXTD=untry, smooth adult contemporary pop, and earthy blues-inspired c
EXTD=ountry-rock. \n\nYoakam provides the ballast for Ralph Stanley's 
EXTD=high-and-lonely on the latter's "Down Where the River Bends," and
EXTD= Stanley returns the favor by taking Yoakam's "Miner's Prayer" in
EXTD=to the hills from which it was dug. Yoakam's honky-tonk outlaw he
EXTD=roes are recognized on covers of Waylon Jennings' "Stop the World
EXTD= (And Let Me Off)," Johnny Cash's "Understand Your Man," and Webb
EXTD= Pierce's "If You Were Me (And I Were You)." The latter, featurin
EXTD=g harmonies by Gail Davies, is just one of several wonderful duet
EXTD=s that include Deana Carter's adult-contemporary "Waiting" and He
EXTD=ather Miles' Mexicali-flavored "Little Chapel." \n\nYoakam is tra
EXTD=nscendent, surrounded by the acoustic sounds of the Nitty Gritty 
EXTD=Dirt Band and tearing through "Mercury Blues" and ZZ Top's "I'm B
EXTD=ad, I'm Nationwide." Bonus tracks include previously unreleased c
EXTD=overs of Little Eva's "Loco-Motion" and two versions of John Prin
EXTD=e's "Paradise." Other artists may have similar range, but preciou
EXTD=s few have the artistic gravity to make such a compilation cohesi
EXTD=ve. This is an essential collection for fans and an interesting i
EXTD=ntroduction to Yoakam's breadth. \n\n\nAMAZON.COM CUSTOMER REVIEW
EXTD=\nLittle Bit of Rhythmn & a lotta Soul*, July 1, 2004 \nBy  Yolan
EXTD=da "Lover of Life" (Somewhere down the road, CAL)\nDwight's Used 
EXTD=Records:\nEven the title sounded interesting and being a big fan 
EXTD=of His music it was a "must" on the day of its release. \n\nCan t
EXTD=he album get any better with the choices of songs?!? He goes from
EXTD= covering 'The Late Great Waylon Jennings' and His modern day ver
EXTD=sion of *Stop the World [and let Me off*] to Johnny Cash and 'Und
EXTD=erstand Your Man' one of the coolest tracks on there and deserves
EXTD= first listen. \n\nThe ones that have appeared on previous albums
EXTD=, but this being a compilation album it has some great tunes to t
EXTD=ake along and listen if You dont feel like searching thru Your cd
EXTD= collection and would satisfy even the most die hardest of listen
EXTD=ers. His voice so convincingly somber with Ralph Stanley on 'Down
EXTD= where the river bends'and then the ultra fave that I was lucky e
EXTD=nough to hear Him do live last year on His 'Almost Alone' tour th
EXTD=e two versions of *Paradise*. A cover song of John Prine's that t
EXTD=he Singer says tells a similar story of His upbringing in Kentuck
EXTD=y. The two versions are favourites at the end and His range in st
EXTD=yle also with covering ZZ Top on 'Im Bad Im NationWide' You just 
EXTD=never know what to expect and find He always leaves Us wanting mo
EXTD=re with His future music that He is creating and covering here an
EXTD=d there for Us to enjoy.\n\nYes, definitely highly recommended, a
EXTD=nd the three new recordings produced with Mr Keith Gattis are wor
EXTD=th getting it for Those that already may have the other songs on 
EXTD=previous releases. \n\n*Stop the World and let Me off\n*Down wher
EXTD=e the river bends\n*Mercury Blues\n*Waiting\n*Some dark Holler\n*
EXTD=If You were Me\n*Little Chapel\n*Loco Motion \n[new recording pro
EXTD=duced by Dwight Yoakam/Keith Gattis\n*Miners Prayer\n*Understand 
EXTD=Your Man\n*Wheels\n*Im Bad Im NationWide\n*Paradise \n[new record
EXTD=ing produced by Dwight Yoakam/Keith Gattis\n*"I said" Paradise Re
EXTD=prise\n[new recording produced by Dwight Yoakam/Keith Gattis \n\n
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\nSIMPLY PARADISE, July 13, 2004 \n
EXTD=By  myhubbyunderstands (So Cal)\nWhile certainly many (most) of t
EXTD=he titles on this compilation can be purchased elsewhere, the tra
EXTD=cks that are new to this collection, specifically John Prine's "P
EXTD=ARADISE" , both as a slow ballad and then repeated again but done
EXTD= in a totally different vein are worth the purchase price. If for
EXTD= nothing else than to once again give creedence to the fact that 
EXTD=Dwight Yoakam should go down in the history of country music as t
EXTD=he "red headed stepchild" who thumbed his nose at disbelievers, d
EXTD=id it his way, and made it!!!!! These last two tracks show the ve
EXTD=rsatility of this artist by taking one frequently covered song an
EXTD=d putting his signature on it not once but twice!!! Woe to anyone
EXTD= who tries to cover "Paradise" from this point forward.\nTrue, a 
EXTD=couple of the treatments he has chosen on a couple of the songs s
EXTD=eem unusual, but they work well. "Stop the World" and let me off 
EXTD=( a signature Waylon Jennings song) is a joy to listen to as is D
EXTD=wight's version of Johnny Cash's "Understand Your Man" . Both cut
EXTD=s , in my opinion, should be getting radio air play. \n\n\nAMAZON
EXTD=.COM CUSTOMER REVIEW\nSuperb., July 7, 2004 \nReviewer: A music f
EXTD=an\nThis is truly a fantastic collection of songs. Dwight's alway
EXTD=s tasteful cover tunes range from Waylon Jennings to ZZ Top. "Dow
EXTD=n Where the River Bends," Waiting," "Some Dark Holler" and Cash's
EXTD= "Understand Your Man" are especially riveting. Dwight's Used Rec
EXTD=ords is sure to please long time fans and recruit many more to co
EXTD=me. \n\n\nAMAZON.COM CUSTOMER REVIEW\nLively, exciting music, Jun
EXTD=e 30, 2004 \nBy  Linda Cool (Minot, ND United States)\nThis new C
EXTD=D showcases the talents of this versatile performer. Dwight Yoaka
EXTD=m's voice changes with each selection and each song is a treat. I
EXTD= loved his version of "Locomotion" and "Buy me a Mercury." I have
EXTD= heard "Miner's Prayer" on another CD, but it definitely belongs 
EXTD=on this one as well.The other selections were new, He duets beati
EXTD=fully with other performers on some of the songs. This CD will ma
EXTD=ke you a fan. \n\n\nHalf.com Details \nContributing artists: Dean
EXTD=a Carter, Heather Myles, Nitty Gritty Dirt Band, Ralph Stanley \n
EXTD=\nAlbum Notes\nPersonnel: Dwight Yoakam (vocals, guitar, percussi
EXTD=on); Deana Carter, Heather Myles, Ralph Stanley (vocals); Keith G
EXTD=attis (electric guitar, baritone guitar); Michael Witcher (dobro)
EXTD=; Gabe Witcher (mandolin, fiddle, background vocals); Skip Edward
EXTD=s (piano, Wurlitzer piano, percussion); Dave Roe (bass instrument
EXTD=, background vocals); Mitch Marine (drums, percussion); Kay Walke
EXTD=r (background vocals); Nitty Gritty Dirt Band.\n\nIndustry Review
EXTD=s\n4 stars out of 5 - This set spotlights California cowboy Yoaka
EXTD=m's estimable skills as an interpreter, but with a twist: it rope
EXTD=s in covers recorded for a variety of extracurricular projects.\n
EXTD=\n\n[B]olstered with new covers, it's a must-have disc. - Grade: 
EXTD=B+\n\n\n3 stars out of 5 - [The album] showcases the Los Angeles 
EXTD=country veteran's versatility, and his personality.
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