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DISCID=af0e300e
DTITLE=Warren Zevon / Stand In The Fire (Remastered + Expanded)
DYEAR=1980
DGENRE=Rock
TTITLE0=Stand In The Fire
TTITLE1=Jeannie Needs A Shooter
TTITLE2=Excitable Boy
TTITLE3=Mohammed's Radio
TTITLE4=Werewolves Of London
TTITLE5=Lawyers, Guns And Money
TTITLE6=The Sin
TTITLE7=Poor Poor Pitiful Me
TTITLE8=I'll Sleep When I'm Dead
TTITLE9=Bo Diddley's A Gunslinger + Bo Diddley
TTITLE10=Johnny Strikes Up The Band (Previously Unissued Bonus Track)
TTITLE11=Play It All Night Long (Previously Unissued Bonus Track)
TTITLE12=Frank And Jesse James (Previously Unissued Bonus Track)
TTITLE13=Hasten Down The Wind (Previously Unissued Bonus Track)
EXTD=Stand In The Fire (Remastered + Expanded)\n2007 Asylum/Rhino\n\nO
EXTD=riginally Released December 26, 1980\nCD Edition Released 1988\nR
EXTD=emastered + Expanded CD Edition Released March 27, 2007\n\nAMG EX
EXTD=PERT REVIEW: After the release of Warren Zevon's fourth album, Ba
EXTD=d Luck Streak in Dancing School, he was clean and sober for the f
EXTD=irst time in years, and on-stage he was determined to make the mo
EXTD=st of his newfound strength and self-control. While his songs lon
EXTD=g had a dark and frantic undercurrent, Zevon was now capable of p
EXTD=laying a no-holds-barred rock show where he could bring the sharp
EXTD=er edges of his music to the forefront. Anyone who saw Zevon on w
EXTD=hat he called "The Dog Ate the Part We Didn't Like Tour" can atte
EXTD=st to the fact he was in superb form, playing music that rocked h
EXTD=ard while displaying intelligence, passion, and a sharply corrosi
EXTD=ve wit, and Stand in the Fire, recorded during a five-night stand
EXTD= at L.A.'s Roxy near the end of the tour, captures Zevon and his 
EXTD=band at their peak. The musicians (anchored by flashy lead guitar
EXTD=ist David Landau) pour out these tunes with plenty of fire, and t
EXTD=he songs rock a lot harder than anything Zevon had summoned in th
EXTD=e studio at that point. And the artist proved he was a superb roc
EXTD=k & roll frontman on this tour, singing with mean-spirited glee (
EXTD=for a change, "Werewolves of London" and "I'll Sleep When I'm Dea
EXTD=d" sound just as menacing as they were meant to be) and spewing h
EXTD=ilarious bile at every turn (his ad-libbed "the Ayatollah has his
EXTD= problems, too" on "Mohammed's Radio" alone is worth the price of
EXTD= admission). The set list is dominated by Zevon's better-known tu
EXTD=nes of the period, though there are two otherwise unrecorded orig
EXTD=inals (the OK title cut and the blazing "The Sin"), and a rave-up
EXTD= encore on "Bo Diddley's a Gunslinger" that revels in the joyous 
EXTD=surrealism of the lyrics, and if one might have hoped for a more 
EXTD=imaginative selection of material, these guys nail everything on 
EXTD=deck. No one argues that Warren Zevon is a gifted singer and song
EXTD=writer, but Stand in the Fire proves that, when he wants to, he c
EXTD=an also rock with the best of 'em. [In 2007, Rhino Records finall
EXTD=y gave Stand in the Fire its long-overdue CD release. The new edi
EXTD=tion includes fine new liner notes from David Fricke (who reviewe
EXTD=d the album for Rolling Stone on its initial release), a brief fo
EXTD=rward from Carl Hiaasen, and four bonus tracks recorded during th
EXTD=e same run of Roxy shows. If the synthesizer-enhanced version of 
EXTD="Play It All Night Long" isn't as strong as one might wish, Zevon
EXTD= performs it full-out, and "Johnny Strikes Up the Band" is much i
EXTD=mproved over its studio version on Excitable Boy. Two solo piano 
EXTD=and voice cuts close out the set, and if Zevon's voice is startin
EXTD=g to fray on "Frank and Jesse James" and "Hasten Down the Wind," 
EXTD=the fierce passion of his performances more than compensates, and
EXTD= only adds to one of the strongest and most underrated albums of 
EXTD=Zevon's career.] -- Mark Deming\n\nAmazon.com Editorial Review\nW
EXTD=hy Warren Zevon's Stand in the Fire has languished in the CD-reis
EXTD=sue era is a mystery. It's an unbridled live rock album, recorded
EXTD= in 1981 when live albums were de rigueur. Zevon, for all the wel
EXTD=l-orchestrated rock (and great backing vocals on "Mohammed's Radi
EXTD=o"), was a small-venue guy and an unlikely rocker. He tears it up
EXTD= on "Stand in the Fire" and adds guitar grit and vocal menace to 
EXTD="Werewolves of London," making the "little old lady got mutilated
EXTD= late last night" line sparkle and name checks James Taylor and Z
EXTD=evon's early champion Jackson Browne. Then there are the added tr
EXTD=acks, all four previously unreleased. "Frank and Jesse James" rol
EXTD=ls as a piano and vocals vehicle, brilliant in its simple dressin
EXTD=g. And the closer, "Hasten Down the Wind," is touching, especiall
EXTD=y with the ever-aware Zevon introduction: "Speaking as one who ha
EXTD=s abused privilege a long time," he says, "I tell you, it's great
EXTD= to be alive." --Andrew Bartlett \n\nAmazon.com Product Descripti
EXTD=on\nThe 1981 live album masterpiece STAND IN THE FIRE--until now 
EXTD=woefully out of print--prompted allmusic.com to write, "No one ar
EXTD=gues that Warren Zevon is a gifted singer and songwriter, but STA
EXTD=ND IN THE FIRE proves that, when he wants to, he can also rock wi
EXTD=th the best of 'em." Recorded at L.A.'s Roxy theatre in 1981, the
EXTD= disc features the two unforgettable original songs Zevon debuted
EXTD= on that year's tour, "The Sin" and "Stand In The Fire." Also inc
EXTD=ludes searing versions of "Lawyers, Guns And Money," "Werewolves 
EXTD=Of London," "Poor, Poor Pitiful Me," "I'll Sleep When I'm Dead," 
EXTD="Mohammed's Radio," and "Jeannie Needs A Shooter," a co-write wit
EXTD=h Bruce Springsteen, among other stellar performances. Boasts lin
EXTD=er notes by David Fricke and four previously unreleased cuts incl
EXTD=uding "Johnny Strikes Up The Band," "Frank And Jesse James," and 
EXTD="Hasten Down The Wind." \n\n\nAMAZON.COM CUSTOMER REVIEW\nThe wil
EXTD=dest we hear of Warren on any of his albums, May 11, 2007\nReview
EXTD=er: M. Packham "Stuart" (Perth, Western Australia Australia)     
EXTD=\nThis is an absolutely essential addition to any Warren Zevon co
EXTD=llection. Carl Hiaasen says in the liner notes notes that one of 
EXTD=the biggest crimes of modern music is the suppression of 'Stand i
EXTD=n the Fire' from re-issue. I totally agree. I'd been searching fo
EXTD=r this for a long time and now here it is, remastered and expande
EXTD=d with four bonus tracks (the last four on the album). \n\nI had 
EXTD=heard often that Warren Zevon lived like Jim Morrison (except lon
EXTD=ger, as Zevon has said). In the booklet for the anthology 'I'll S
EXTD=leep When I'm Dead', Richard Gere observes 'I saw him drink vodka
EXTD= from a steel boot'. Apparently there are entire tours Zevon cann
EXTD=ot recollect. For those who came to Zevon later, like myself (I t
EXTD=hink it was about 2002), that 'wild man' underbelly of Zevon was,
EXTD= prior to the release of this album, something of an abstraction.
EXTD= \n\nOn 'Stand in the Fire' we finally get a dose of that crazy W
EXTD=arren Zevon we've heard so much about. Zevon is pure entertainmen
EXTD=t on stage. Often he rumbles out a primal scream like on Werewolv
EXTD=es of London, where he bellows "you better stay away from him! He
EXTD='ll rip your lungs out Jim! And he's looking for James Taylor!" O
EXTD=ther reviewers have mentioned his howling command to long time be
EXTD=st friend, to whom he screams "get up here and dance! Get up and 
EXTD=dance or I'll kill you! And I've got the means!" \n\nThis album t
EXTD=ruly gives an insight into the wild-man personality of Warren Zev
EXTD=on. I am yet to purchase Crystal Zevon's book about the late grea
EXTD=t man, but I will certainly be getting it soon. He is a testament
EXTD= to rock and roll. A true statesman and entertainer. Jackson Brow
EXTD=ne notes that once Warren Zevon told him, "if you're not entertai
EXTD=ning, you're not doing anything". \n\n\nAMAZON.COM CUSTOMER REVIE
EXTD=W\nThe Best Music Moment Ever, May 8, 2007\nReviewer: Sarah Macki
EXTD=nnon\nThe coolest rock moment ever is during this album's revved-
EXTD=up rendition of Poor Poor Pitiful me when Zevon tells George Grue
EXTD=l, his "road manager and best friend" to "get up and dance, get u
EXTD=p and dance or I'll kill ya, and I got the means." Listening to h
EXTD=is voice, You really believe Zevon was ready to do it. Gives me c
EXTD=hills every time.\n\n\nAMAZON.COM CUSTOMER REVIEW\nOne of the bes
EXTD=t live rock concerts ever recorded. Get it now., April 20, 2007\n
EXTD=Reviewer: T. Davis "tdavis276" (Seattle, WA)\nZevon never surpass
EXTD=ed these performances. He ripped the roof off the Roxy with scald
EXTD=ing takes on lovers and lawyers and gunslingers and other outlaws
EXTD=. From the first chords of the title track, the band is on fire, 
EXTD=the house is ecstatic, and Warren rocks like he wants to break so
EXTD=mething. \n\nA brilliant songwriter, Zevon was underrated as a pe
EXTD=rformer. But you've not lived until you've thrilled to the awesom
EXTD=e grit of his rasping howl on "Excitable Boy" and "Werewolves of 
EXTD=London." It's an unearthly sound from a man who's been to hell an
EXTD=d back. \n\nThis roaring wall of sound is balanced by passionate 
EXTD=ballads of heartbreaking beauty like "Mohammed's Radio" and an ex
EXTD=quisite rendering of "Hasten Down the Wind." Loud or soft, it's W
EXTD=arren's passion that makes "Stand in the Fire" one of my favorite
EXTD= albums of all time. \n\nNow, after wearing out the grooves on my
EXTD= LP, the concert has at last been rereleased on CD -- with four p
EXTD=reviously unreleased tracks. What the hell took you so long, Rhin
EXTD=o? An absolutely essential recording from a musical immortal.\n\n
EXTD=\nAMAZON.COM CUSTOMER REVIEW\nTurn up the house lights ..., April
EXTD= 15, 2007\nReviewer: Earl B "ebravonz" (Auckland New Zealand)\nFi
EXTD=nally on CD after all this time ... it was worth five stars even 
EXTD=before the bonus tracks. Especially poignant is "Hasten Down the 
EXTD=Wind" with Warren's banter with the audience ... "turn up the hou
EXTD=se lights, I found the ones who are my friends". Vaya con Dios, W
EXTD=arren.\n\n\nAMAZON.COM CUSTOMER REVIEW\nGet out here and dance, o
EXTD=r I'll kill ya! And I got the means!, March 30, 2007\nReviewer: T
EXTD=im Brough "author and music buff" (Springfield, PA United States)
EXTD=\nWarren Zevon was on a comeback of sorts when he set out to reco
EXTD=rd "Stand In The Fire." As is well known (and documented in the i
EXTD=nfamous Rolling Stone cover story), he had his addictions to batt
EXTD=le, and this was the first tour after having conquered them. The 
EXTD=line-change in "I'll Sleep When I'm Dead" to "I got a .38 special
EXTD= up on the shelf, and I don't intend to use it on myself" was par
EXTD=t of that rejuvenation. Zevon was clean and proud and ready to ri
EXTD=p. \n\n"Stand In The Fire" is as pure a rock rip as Zevon ever ma
EXTD=de. Songs up to "Bad Luck Streak In Dancing School" are included 
EXTD=here, with two new songs and a goofy Bo Diddly medley. Why in the
EXTD= world it remained out of print (and never even issued to CD) for
EXTD= over 25 years is downright criminal. Somewhere after this - and 
EXTD=documented on "Learning To Flinch" - Zevon became more an acousti
EXTD=c live act. When I saw him on "The Envoy" tour, it was just him, 
EXTD=his piano and guitar. On "Stand In The Fire," however, Zevon is a
EXTD=lmost giddy with rock and roll exuberance. \n\nAdding to this fiv
EXTD=e-star document of Zevon at his peak are the four bonus cuts. My 
EXTD=guess is (along with time restrictions) that at least two were le
EXTD=ft off the original album due to their more mellow qualities. "Fr
EXTD=ank and Jessie James" and "Hasten Down The Wind" are solo piano p
EXTD=erformances, but "Hasten" is transcendental. The anguish in Zevon
EXTD='s voice is awe-inspiring. This was always a five-star album in m
EXTD=y mind, the bonus tracks add to the luster. \n\nBut it is the ori
EXTD=ginal 10 song album that I had the excitement for when I heard Rh
EXTD=ino was finally going to get them out stateside. Warren Zevon is 
EXTD=as alive as he ever was on this LP, and when he shouts out to Geo
EXTD=rge Gruel to get on stage and dance, it's as inspiring a moment a
EXTD=s has ever been recorded for a live album. (I'd add to that the f
EXTD=inal verse of "Werewolves of London," where Zevon bellows "and he
EXTD='s looking for James Taylor" like he's on the brink of sanity.) I
EXTD=t is just another reason why I will miss Warren Zevon and his ins
EXTD=ight, literary wit and passion. Essential seventies music.\n\n\nA
EXTD=MAZON.COM CUSTOMER REVIEW\nEssential!!, March 29, 2007\nReviewer:
EXTD= spiral_mind (Pennsylvania)\nOh joyful day! The gods of music hav
EXTD=e truly smiled upon us. I'd been hoping for this looooooong-overd
EXTD=ue release since first coming across an old worn-out cassette bac
EXTD=k in '99, and now we can hear every detail like never before. I w
EXTD=ish I knew why it took most of my life for it to see the light of
EXTD= day on CD, but better late than etc etc... Anyway - believe all 
EXTD=the raves. This is one of the greatest live albums ever pressed i
EXTD=nto vinyl. \n\nWhy? For one thing, Warren and his top-notch band 
EXTD=TORE THE PLACE UP. The title track kicks from the first drum hit,
EXTD= "Excitable Boy" blows the roof off and I'm sure "Poor Poor Pitif
EXTD=ul Me" left some folks to get carried out on stretchers. What I w
EXTD=ouldn't give to have been able to catch these shows... \n\nFor an
EXTD=other, as with any worthwhile live recording, it offers something
EXTD= new. There are two WZ originals and one oddball cover medley not
EXTD= included anywhere else - none of them are as stellar as usual ly
EXTD=rically, but they rock hard enough to melt your speakers nonethel
EXTD=ess, so they're better suited to a live album than a studio recor
EXTD=ding anyway. Better yet, the familiar tunes are presented differe
EXTD=ntly. A couple tracks are slowed down, some arrangements are chan
EXTD=ged & tweaked ("Mohammed's Radio" is exquisite), there's more roo
EXTD=m for solos and get-up-and-dance requests, and a few new lyrics a
EXTD=re ad-libbed on the spot. \n\nI believe this disc has now replace
EXTD=d Mr. Bad Example as the best Zevon intro for the unconverted. St
EXTD=and in the Fire has it all - incredible energy, stellar performan
EXTD=ces, an excellent choice of bonus tracks, and it grabs you so fas
EXTD=t that you don't have time to remember how disturbing the songs a
EXTD=ctually are until you're hopelessly hooked. \n\nEssential rock an
EXTD=d roll. Play often and loud.\n\n\nAMAZON.COM CUSTOMER REVIEW\n"He
EXTD='ll Rip Your Lungs Out Jim... And He's looking For James Taylor!!
EXTD=", March 29, 2007\nReviewer: Kenneth M. Gelwasser (Hollywood, Fl 
EXTD=USA)\nI remember buying Warren Zevon's live album "Stand in the F
EXTD=ire" on vinyl in its original release at the start of the '80's. 
EXTD=I had initially become a fan of Zevon's as a teenager in the late
EXTD= 1970's , after endlessly sneaking into my older brother's (off-l
EXTD=imits) room on surreptitious missions to listen to this provacati
EXTD=ve music. I became entranced by Zevon's music and endless tales o
EXTD=f desperados, spies, mercenaries, bad girls and werewolves. \n\nB
EXTD=y the time 1980 had come along, I had my own record collection go
EXTD=ing and "Stand in the Fire" was a welcomed edition, that got endl
EXTD=ess time spinning on my turn table. To me this really was a 'B*ll
EXTD=s to the Wall' live Rock n' Roll performance, best played at high
EXTD= volume. But beneath the pounding drums and piano was the same li
EXTD=terate (sometimes almost poetic) lyrics, that had first attracted
EXTD= me to his music. I love the humour found in songs like "Excitabl
EXTD=e Boy", "Werewolves of London" and "Lawyers Guns and Money". Thes
EXTD=e songs seem to be wryly told with tongue firmly implanted in che
EXTD=ek. They are offset by more dramatic fare found in tunes like "Je
EXTD=annie Needs A Shooter" and my personal favorite cut of the album,
EXTD= "Mohammed's Radio". \n\nIn this live performance it seems like Z
EXTD=evon is almost acting the songs out for us. I can just imagine th
EXTD=e poor sm**k of a protagonist in "Lawyers, Guns and Money" as he 
EXTD=proclaims about his waitress/lover..."How was I to Know/She was w
EXTD=ith the Russians too!" You can just hear Zevon just playing it up
EXTD= and selling the line! I also love the more personalized referenc
EXTD=es, that are throughout the show. In "Werewolves of London" there
EXTD= are prominent mentions of musician pals, Jackson Browne & James 
EXTD=Taylor (love his play on the words Taylor/tailor), who are humoro
EXTD=usly incorporated into the story of the British wolf's lively pur
EXTD=suits. I also like the topical political references in "Mohammed'
EXTD=s Radio", where Zevon ad-libs "Ayatollah's got his problems too/E
EXTD=ven Jimmy Carters got the highway blues!" Ahhh!! It nostalgically
EXTD= brings me back to the late 1970's political malaise, that this c
EXTD=ountry was going through. (You think it's gone away?) \n\nAll in 
EXTD=all, this is just a amazing live album. The songs are great and Z
EXTD=evon and his backing band give a kick-a** performance! Why it has
EXTD= taken forever for this album to finally reach CD is a mystery! T
EXTD=he CD itself has been wonderfully remastered. It's sounds better 
EXTD=than I originally remember it. The CD also includes four previous
EXTD=ly unissued cuts. My favorites include magnificent performances o
EXTD=f "Frank and Jesse James" and the now classic ballad, "Hasten Dow
EXTD=n the Wind". Zevon just puts so much emotion into these cuts. I'm
EXTD= amazed they were not included on the original release. If your a
EXTD= fan of Warren Zevon or just good old, Rock N' Roll in general, t
EXTD=han buy this CD! Highly recommended!\n\n\nAMAZON.COM CUSTOMER REV
EXTD=IEW\nFINALLY available on CD, March 29, 2007\nReviewer: M. Berger
EXTD=on "Muziclvr" (Colchester, VT United States)\nAfter wearing out t
EXTD=wo copies of the vinyl and discovering that SitF was only availab
EXTD=le in the US on cassette, the long wait is over. This is electric
EXTD= Warren at his peak. \nThe four bonus tracks are a mixed blessing
EXTD=, he's really out of tune (flat?) on "Frank & Jessie James" and h
EXTD=is voice is shot on both "Frank" and "Hasten down the Wind" which
EXTD= is a pity as his heart is REALLY into it, but "Johnny" and "Play
EXTD=" are right on target. I would have liked to have had the songs i
EXTD=n the order that they were performed, eschewing the "original seq
EXTD=uence with bonus tracks" format, but this is nitpicking. \nIf you
EXTD= dig Warren's Asylum-era work, this is a MUST-BUY!\n\n\nAMAZON.CO
EXTD=M CUSTOMER REVIEW\nTerrific live album captures Zevon in peak for
EXTD=m, March 28, 2007\nReviewer: My Science Fiction Twin (My Little B
EXTD=lue Window, USA)\nI caught Warren Zevon on this tour at the Old W
EXTD=aldorf in San Francisco and this album perfectly captures the aur
EXTD=al energy that Warren along with his top notch band could generat
EXTD=e. Always a favorite, "Stand in the Fire" sounds better than ever
EXTD= in its first U.S. incarnation on CD. I just wish that there was 
EXTD=a video of this tour. Zevon and his band are on fire during this 
EXTD=terrific recording. This version is extended with some terrific b
EXTD=onus tracks. \n\nRecorded over five nights in L.A. at the end of 
EXTD=his tour for "Bad Luck Streak in Dancing School", the band partic
EXTD=ularly guitarist David Landau and Warren play soulfully throughou
EXTD=t the set. Warren's in top form here particularly with his classi
EXTD=c "Mohammad's Radio" (where he pokes fun at the Ayatollah of Iran
EXTD= during one verse updating it topically for the time). \n\nThe al
EXTD=bum features two terrific originals that appear no where else "St
EXTD=and in the Fire" and "The Sin"The original album pulled out all t
EXTD=he stops with Warren doing a terrific take on "Bo Diddley's A Gun
EXTD=slinger" here it is augmented by 4 bonus tracks. We get the class
EXTD=ic "Johnny Strikes Up The Band" and twisted "Play It All Night Lo
EXTD=ng" which are perfect counterpoints to the closing bonus tracks "
EXTD=Frank and Jesse James" and "Hasten Down the Wind" from his second
EXTD= solo album the self titled "Warren Zevon" close out the album on
EXTD= a high note with Warren playing and singing solo. \n\nAudiophile
EXTD=s might notice that this is mastered louder than his earlier CDs 
EXTD=but fear not as the dynamics are fine and detail very good with n
EXTD=ice work by Dan Hersh and Bill Inglot. A very good debut on CD hi
EXTD=ghlighted with some terrific bonus tracks. My only wish is that t
EXTD=here were additional tracks (I'd love to see this issued as a two
EXTD= CD set)on here capturing the full concert performance that Warre
EXTD=n did during those five nights. Perhaps we'll see them as part of
EXTD= Rhino Handmade.\n\n\nHalf.com Details \nProducer: Greg Ladanyi, 
EXTD=Warren Zevon \n\nAlbum Notes\nRecording information: The Roxy, Lo
EXTD=s Angeles, California (1981).\n\nIn an era of wishy-washy singer-
EXTD=songwriters, Zevon immediately stood out as a wild card, a singer
EXTD= unafraid of the heat in kitchen. His first albums revealed a gif
EXTD=ted songwriter equally comfortable with heroin-based love songs a
EXTD=nd manic rockers rife with gunplay. With STAND IN THE FIRE howeve
EXTD=r, he leaps into the flames with headlong abandon. Backed by a ba
EXTD=nd of unknowns, Zevon embraces the spontaneous frenzy of what liv
EXTD=e performances aspire to but rarely achieve. The band pushes Zevo
EXTD=n towards the edge of losing control and he answers every lick wi
EXTD=th crazed purpose.\nHe throws in marvelously extemporaneous lyric
EXTD=s during "Werewolves of London," screaming bloodlust while callin
EXTD=g for the head of James Taylor. Mayhem reaches an apex during a p
EXTD=ounding "Poor, Poor Pitiful Me," in which he actually threatens t
EXTD=o kill the audience if they don't dance. There is no real threat 
EXTD=of bodily harm while listening in the comfort of your own home, t
EXTD=hough the urge to light fires and empty revolvers into the sofa m
EXTD=ay become overpowering. Why this searing live document, which cap
EXTD=tures the singer at the peak of his powers, has not been released
EXTD= on CD in anybody's guess.
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