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# Disc length: 4314 seconds
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# Revision: 4
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: CDex 1.70beta2
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DISCID=0e10d814
DTITLE=Ken Ishii / X-Mix 7 - Fast Forward and Rewind
DYEAR=1997
DGENRE=Electronic
TTITLE0=United Future Organization / Fool's Paradise
TTITLE1=Renegade Soundwave / The Phantom [Turntable Scratch Mix]
TTITLE2=Fretless AZM / Bumbuphone
TTITLE3=The Innocent / Theme From The Innocent
TTITLE4=Basement Jaxx / Fly Life
TTITLE5=Flare / NP2.1
TTITLE6=Symbols & Instruments / Mood [Optimystic Mix]
TTITLE7=Strange Attractor / Gyroscope
TTITLE8=Frank de Wulf / Drums In A Grip
TTITLE9=Ghetto Brothers / Pumpin' Bass Manoeuvres
TTITLE10=Jedi Knights / Dance Of The Naughty Knights
TTITLE11=Coldcut / Atomic Moog 2000
TTITLE12=Buckfunk 3000 / Buckfunk Discotheque
TTITLE13=Flare / DIR.R
TTITLE14=Ken Ishii / Circular Motion
TTITLE15=Ken Ishii / Echo Exit
TTITLE16=Locust / No-One In The World
TTITLE17=Jake Slazenger / Nautilus
TTITLE18=Squarepusher / Squarepusher Theme
TTITLE19=Silent Poets / Mass
EXTD=When Ken Ishii appeared on the European scene, the \nSapporo born, Tokyo-based prodigy was welcomed as the \nfirst techno producer from the Land of the Rising Sun. The \nculture that manufactured the machines that made the \nmusic had - finally! - p
EXTD=roduced an artist who could play \nthem. From the moment his very first relese appeared on t\nhe R&S Label, Ken Ishii's work commanded an enthusiastic\nattention.\n\nBut to wrap Ken Ishii's work upi in a package that says\n"Japanese techno" is to mi
EXTD=ss the point. While the \npioneering electronic excursions of Japan's Yellow Magic\nOrchestra have had an undoubted effect on his music,.\nanyone tracking the influences on Ken Ishii's sound must\nalso listen to Neu! and Kraftwerk, Derrick May and\n
EXTD=Nitzer Ebb. In the end, Ken Ishii's music is no one's but\nhis own. YEAR: 1997
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