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DISCID=a70bd90c
DTITLE=Mark Knopfler & Emmylou Harris / All The Roadrunning
DYEAR=2006
DGENRE=Rock
TTITLE0=Beachcombing
TTITLE1=I Dug Up A Diamond
TTITLE2=This Is Us
TTITLE3=Red Staggerwing
TTITLE4=Rollin' On
TTITLE5=Love And Happiness
TTITLE6=Right Now
TTITLE7=Donkey Town
TTITLE8=Belle Starr
TTITLE9=Beyond My Wildest Dreams
TTITLE10=All The Roadrunning
TTITLE11=If This Is Goodbye
EXTD=Originally Released April 25, 2006\n\nAMG EXPERT REVIEW: This lush and earthy collaboration between Mark Knopfler and Emmylou Harris may sound like it rose from an amiable weeklong studio session, but the 12 tracks that make up All the Road Running w
EXTD=ere actually recorded over the span of seven years. The boot-stomping "Red Staggerwing" and the gentle "Donkey Town," both of which were bumped from Knopfler's Sailing to Philadelphia record, give the ex-Dire Straits leader a chance to flex his count
EXTD=ry muscle, while the wistful title track spotlights the lovely Harris, whose playful demeanor and guarded confidence helps keep Knopfler in check during his sometimes excessive soloing. The two couldn't be more at odds vocally, but Knopfler's laconic
EXTD= drawl is like an easy chair for Harris' fluid pipes, and standout tracks like the 9/11-inspired "This Is Goodbye," the wistful "Beachcombing," and the infectious single "This Is Us" come off as effortless statements of vitality from both camps.  -- 
EXTD=James Christopher Monger\n\nAmazon.com Editorial Review\nOver the last seven years, Mark Knopfler and Emmylou Harris quietly recorded an album by stealing "a few precious hours of studio time here and there," as the ex-Dire Straits singer/guitarist p
EXTD=uts it. Good thing they kept it largely under wraps--expectations would have pushed through the clouds, especially as Knopfler conjured 10 of the 12 cuts, and Harris, who writes potently, but little, contributed two ("Love and Happiness," "Belle Star
EXTD=r"). Yet now that it's here, All the Roadrunning--while beautiful--seems somehow underwhelming, and without a true centerpiece. Anyone familiar with the artists' famous catalogues would expect the repertoire to be poetic and brooding, and that Harris
EXTD='s ethereal soprano would add light to Knopfler's dark Prozac rumblings. But the surprise is that the album is too tame, never breaks out of its midtempo groove, and never takes any big chances.\n\nThat said, there is much to like: The marital scrapb
EXTD=ook romp of "This Is Us," the bluesy bickering of "Right Now," the wrenching poignancy of the 9/11-inspired ballad "If This Is Goodbye." Knopfler, ever the hypnotic guitarist, turns in some thrillingly droll and laconic vocals, and Harris brings the 
EXTD=spirited coltishness of her early work to "Belle Starr." In the end, though, this is not so much a duet album as two famously melancholy musicians singing together--at times, strikingly so. --Alanna Nash \n\nAMAZON.COM CUSTOMER REVIEW\nA near-perfect
EXTD= - pairing of musical talents, January 21, 2007\nReviewer: Jon Eric Davidson (Redmond, WA, USA)\n\nOn the surface, the pairing of Mark Knopfler and Emmylou Harris seemed a bit peculiar. But to those familiar with the artists and their work, "All The 
EXTD=Roadrunning" had some intriguing possibilities. Fortunately, this project exceeded expectations. \n\nIn my mind, Mark Knopfler is tremendously underrated, both as a guitarist and as a songwriter. Outside of his days in Dire Straits (which included th
EXTD=e seminal "Brothers In Arms" album), not many people know him. His body of work in his post-Dire Straits career has been quite interesting and enjoyable. His sound is unmistakable, and he can play everything from blues to rock to bluegrass, with a fe
EXTD=w other genres mixed in. As for Emmylou Harris, I think she has also been overlooked and maybe a little underrated in the most recent stages of her career. She possesses a remarkable voice that can be both haunting and angelic (even at the same time)
EXTD=, and can effortlessly sing any type of music with just about anybody. She has also crafted an interesting body of work in the past decade or so that. \n\nThroughout "All The Roadrunning", this combination of songwriting, vocals, and musicianship all
EXTD= blend together to create an impeccable collection of songs. Mr. Knopfler and Ms. Harris seem to have a tremendous respect for each other's talents, which comes across in the music. There isn't a sense that they are trying to upstage the other, nor i
EXTD=s there the odd song that seems "out of the wheelhouse" of one of the musicians. Rather, the songs play to their strong suits; nothing seems jarring or forced. \n\nVocally, the pairing is nearly perfect. Mr. Knopfler prowls the deep end of the vocal 
EXTD=range, which complements Ms. Harris' higher vocal range and vice versa. On other songs, it is Mr. Knopfler's guitar work that complements Ms. Harris' vocals. They seamlessly work through a collection of songs that range from rock to bluegrass to a so
EXTD=rt of alternative, with a little bit of blues thrown in for good measure. \n\nMore often than not, the tracks on a disc seem to be laid out in such a way where the stronger songs are early, with the marginal or weak tracks bringing up the end. On "Al
EXTD=l The Roadrunning", the track list seems far more balanced; in fact, it almost builds to a very strong, emotional conclusion that leaves the listener wanting more. \n\nThe disc starts off with solid, if perhaps a bit unremarkably, with "Beachcomber" 
EXTD=and "I Dug Up A Diamond". But soon enough, the rocker "This Is Us" - a favorite of mine - really gets the disc in high gear. Another favorite, "Right Now", follows a few tracks later. It continues along with several more solid songs before a terrific
EXTD= 1-2 punch of the title track and "If This Is Goodbye" that close out the disc. These last two songs are the ones I like the most of all. "All The Roadrunning" speaks - at least in part - to a concert tour, but depending on how you interpret the lyri
EXTD=cs, you can take about 3 or 4 other stories from the song. "If This Is Goodbye" is a beautifully poignant track which Mr. Knopfler has said was inspired by the 9/11/01 terrorist attacks. The attacks aren't directly referred to in the song, so there i
EXTD=s no sense that it is a cheap attempt to "capitalize" on that terrible day. Instead, you have a song that can speak to any romance in any phase of life, and Mr. Knopfler's haunting guitar work in the song (eerily reminiscent of the great title track 
EXTD=of "Brothers In Arms") create an added emotional punch to the song. \n\nYou don't need to be a fan of any particular genre to truly enjoy "All The Roadrunning". You should simply be a fan of - or otherwise appreciate - good music, period. Mr. Knopfle
EXTD=r and Ms. Harris have put together a great disc, and one that hopefully enjoys a wide audience beyond that which has already picked up on it since its release last year. I hope that perhaps these two great musicians will collaborate again on another 
EXTD=disc; if not right away, then before their respective careers are over. \n\n\nAMAZON.COM CUSTOMER REVIEW\nI can just see this one at Starbucks..., May 20, 2006\nReviewer: Jeremy Gloff (Tampa, Fl United States)\nEh, I think I need to come back to this
EXTD= CD a few years from now. I'm getting my heart strings pulled by the music of Kim Carnes lately. When I heard this one, it did absolutely nothing for me. I don't know if it's me, or the music itself. I love almost EVERY Emmylou CD through "Red Dirt G
EXTD=irl". "Stumble Into Grace" had it's moments but it seemed a bit laboured. The thing I loved most about exploring the Emmylou catalog was how she hop scotched from album to album, exploring different sounds and themes each time. Neither emotionally no
EXTD=r sonically am I moved by anything on this set... The harmonies seem kinda predicatable... \n\nWell, I hope at a different time in my life I come back to this album and realize I missed out on a masterpiece. As it stands, I walked away from it feelin
EXTD=g like it was a by-the-book excersize in Americana that college and public radio will love everywhere. But, my opinion means nothing and if I come back to this and love it, I'll write another review later. I have a feeling this one's a grower and I'm
EXTD= just not giving it a chance...\n\n\nAMAZON.COM CUSTOMER REVIEW\nShe ain't wrong., May 9, 2006\nReviewer: Christopher M. Barlow (St. Louis, MO United States)\nThis is a really good record, but it's not as good as everyone is giving it credit for. The
EXTD= Amazon reviewer has got it right. The album IS too tame. It IS overall too midtempo. And it doesn't really have a centerpiece although 'This Is Us' might be considered one. Does this album take big chances? Unequivocally, no. It sure doesn't. Of cou
EXTD=rse, there are some really good songs such as 'Beachcombing' and 'Belle Starr' to name two. Some are just fun songs like 'Red Staggerwing' but others are way too sleepy and bland to be ranking this a 5 star album. 'Beyond My Wildest Dreams', yes it's
EXTD= got the nice and pretty acoustic guitar but it also is pretty bland with a cliche chorus that makes your mind wander. Don't get me wrong, I'm not saying the album is bad and if you read the Amazon reviewer's review, she didn't say it was bad either.
EXTD= I should probably get upwards of 50 flames for giving this four instead of five stars. If you played this album at a family reunion, no-one would bat an eye. Now, that doesn't make it a bad album, but it does mean that it's very safe and very pleasa
EXTD=nt. \n\n\nAMAZON.COM CUSTOMER REVIEW\nLaughing at the Review, May 8, 2006\nReviewer: Shelley Keats "Romantic era fan"\nAs soon as I saw who the official Amazon reviewer was, and the fact that she dissed the album, I knew I'd like it. This same writer
EXTD= was my touchstone when with Stereo Review. If she liked it, I stayed away. If she didn't, I bought it. Too funny. Some things never change. I guess a few other people agree with me.\n\n\nAMAZON.COM CUSTOMER REVIEW\nI dug up a diamond..., May 2, 2006
EXTD=\nReviewer: Brent Willian (Louisville, KY USA)\nI find it hard to see how anyone could not be excited to learn that Mark Knopfler and Emmylou Harris were releasing a CD together. On one hand you have arguably one of the best guitarists and songwriter
EXTD=s of all-time. On the other is an absolutely beautiful voice that flows seamlessly throughout each tune. A perfect combination, right? Judging from this CD, yes. \n\nLet me first say that I'm a huge fan of all of Mark Knopfler's work, from Dire Strai
EXTD=ts, to movie soundtracks, to his solo albums. From the very beginning of this CD, you know Knopfler is there. His distinct guitar playing style shows up on the first track, "Beachcombing," which happens to be one of the best on the CD. "I Dug Up A Di
EXTD=amond" sounds like it came right from Knopfler's "Sailing to Philadelphia" album. "This is Us" and "Red Staggerwing" are two of the catchiest tracks. They also include the usual slower songs and ballads, which are all great. "Love and Happiness" and 
EXTD="All the Roadrunning" are beautiful, and both accentuate Emmylou's voice. "If This is Goodbye" is a heartfelt and emotional ending, inspired by the events of 9/11: \n\n"my famous last words/could never tell the story/spinning unheard/in the dark of t
EXTD=he sky/but I love you/and this is our glory/if this is goodbye" \n\nFrom start to finish, this CD is beautiful. Knopfler and Emmylou are indeed a perfect duo. I dug up a diamond when I bought this CD.\n\n\n\nAMAZON.COM CUSTOMER REVIEW\n"This is Us"; 
EXTD=This Is Them; Emmylou and Mark, April 30, 2006\nReviewer: prisrob "prisrob" (New EnglandUSA)\nAcross a dozen duets, pieced together over seven years Emmylou Harris and Mark Knopfler sing these tunes with deep emotional overtones. Much of this CD rela
EXTD=tes to the life of an itinerant musician, "trying to juggle family and relationships and just the wear and tear of being in the world". \n\nEmmylou says of making this CD," Mark is very much in control and knows what he wants, but on the other hand, 
EXTD=he understand the mystical process that happens when you make a record and that record becomes what it is. It has everything to do with the people involved, but there's this other ingredient, of something set in motion. When I heard these songs toget
EXTD=her, it was so listenable, and I mean that in the most positive way, It a very rich album, musically and lyrically, yet it doesn't requires a lot of work." All of these songs were written by Emmylou and Mark. \n\n"Beachcombing" which starts off the a
EXTD=lbum is evocative of Hurricane Kristina although it was written well before. It is a song about loss, personal and emotional, says Mark, "wreckage washing up all along the coast." \n\n"This is Us", is selected to become the single of this album. It i
EXTD=s infectious and many will relate to this. \n\nA lighter touch comes to "Red Staggewring, which is a Cajun-like tune where lovers compare themselves to motorcycles, cars and vintage guitars. \n\nOn "Belle Star", Emmylou compares herself to an old Wes
EXTD=t infamous female outlaw, "Belle Star" and Mark as Jesse James. This banter is reminiscent of Johnny and June Cash in their early albums. \n\n"Donkey Song' as a song written by Mark and meant for an earlier CD. They both enjoyed the freedom and silli
EXTD=ness. \n\n"Love and Happiness:" is the only "proper" song that Emmylou says she has written. "You cannot always protect your children and this is my homage to them". \n\n"All the Road Running" paints the picture of the musician always on the road sin
EXTD=ging about love found and lost, missing family and friends, and life in the fast lane. \n\n"If This Is Goodbye" came out of 9/11. Mark Knopler talks of reading Martin Amis and Ian McEwan, both of whom he found affecting," I remember the McEwan piece 
EXTD=honing in on people in the twin towers using their mobiles to make that final phone call home to say "I love you, this is goodbye. If there is anything positive to take from 9/11, that expression of love is surely it." \n\nThe underlying emotions, th
EXTD=e straight from life sessions, the day to day existence on the road of this album, is extraordinary. This Is Them: Emmylou Harris and Mark Knopfler \nand now "This Is Us", BK. So Highly Recommended. prisrob April 30, 2006. \n\n\nHalf.com Details \nPr
EXTD=oducer: Chuck Ainlay, Mark Knopfler \n\nAlbum Notes\nPersonnel: Mark Knopfler (vocals, guitar); Emmylou Harris (vocals, acoustic guitar); Richard Bennett (acoustic guitar, electric guitar, steel guitar); Dan Dugmore (acoustic guitar, pedal steel guit
EXTD=ar); Paul Franklin (steel guitar); Glenn Duncan (mandolin, fiddle); Stuart Duncan (violin); Steve Conn (accordion); The Memphis Horns (horns); Guy Fletcher (piano, organ, synthesizer); Jim Cox (piano, organ); Glenn Worf (bass instrument); Danny Cummi
EXTD=ngs (drums, tambourine); Chad Cromwell (drums).\nRecorded intermittently over the course of seven years, ALL THE ROADRUNNING is the collaborative project between Dire Straits guitarist and vocalist Mark Knopfler and country music luminary Emmylou Har
EXTD=ris. While Knopfler's bluesy slow-hand picking and minimalist, muttering vocals may seem an odd match for Harris's lush, full-throated soprano, the pairing works remarkably well.\nBetter still is the songwriting, with the breezy back-porch opener "Be
EXTD=achcombing" and the stately 9/11-themed "If This Is Goodbye" among the highlights. As always, Knopfler's fluid guitar style is engaging, and it adds a shadowy, atmospheric backdrop to the roots-conscious proceedings. On the surface, ALL THE ROADRUNNI
EXTD=NG is a quiet and unassuming record, but its subtlety and grace are part of its lasting charm.\n\nIndustry Reviews\n[T]he tension between their vocal personas -- she's ever hopeful, he's relentlessly glum -- is the highlight of ALL THE ROADRUNNING. -
EXTD=- Grade: B-\n\n\nROLLING STONE REVIEW\nAll the Roadrunning is an elegant, sometimes sleepy collection of country-folk duets pairing Dire Straits' former frontman with one of Nashville's elder stateswomen. Mark Knopfler, who's been working in roots mo
EXTD=de for a while now on his solo records, sings in a shopworn tenor and works up graceful harmonies with Emmylou Harris, whose crystalline voice is put to better use here than on
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