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DISCID=8f09fe0b
DTITLE=Don Henley / I Can't Stand Still
DYEAR=1982
DGENRE=Rock
TTITLE0=I Can't Stand Still
TTITLE1=You Better Hang Up
TTITLE2=Long Way Home
TTITLE3=Nobody's Business
TTITLE4=Talking To The Moon
TTITLE5=Dirty Laundry
TTITLE6=Johnny Can't Read
TTITLE7=Them And Us
TTITLE8=La Eile
TTITLE9=Lilah
TTITLE10=The Unclouded Day
EXTD=Originally Released 1982\nCD Edition Released 1987 ??\n\nAMG EXPE
EXTD=RT REVIEW: Don Henley's first solo album may still have had the g
EXTD=host of the Eagles lingering in the corners, but for the most par
EXTD=t it showcases his stalwart partnership with producer and songwri
EXTD=ter Danny Kortchmar. Lyrically, Henley's songs are a tad weak, bu
EXTD=t for an inaugural album from a man who had spent most of his car
EXTD=eer surrounded by multi-talented musicians and writers, on the wh
EXTD=ole it fairs quite well. His material deals with the hardships of
EXTD= love, the fickleness of the media, and the declining state of ed
EXTD=ucation, all induced with a friendly pop sound. The title track, 
EXTD=a trouble-in-paradise love song, has Henley pouring his heart out
EXTD= with sugary angst, but is helped along with some avid keyboard w
EXTD=ork. "Dirty Laundry" is Henley's attack on the shallowness of the
EXTD= network newsperson that peaked at number three on Billboard's To
EXTD=p 40. Its bouncy chorus and contagious organ riffs proved that hi
EXTD=s role as a musician could conform to any style. His social comme
EXTD=ntary comes into fruition with "Johnny Can't Read," loosely based
EXTD= on the increasing amount of high-school dropouts at the time and
EXTD= helped bolster Henley's reputation as a musician with a concern 
EXTD=for pressing issues. Numerous musicians help him out on this albu
EXTD=m as well, including former Eagles members Timothy B. Schmidt, Jo
EXTD=e Walsh, and J.D. Souther; drummer Jeff Porcaro and guitarist Ste
EXTD=ve Lukather, both from Toto; and even Warren Zevon. Don Henley's 
EXTD=adept combination of lyrical wit and thought-provoking staidness 
EXTD=begins to materialize on I Can't Stand Still, paving the way for 
EXTD=an extremely accomplished solo career.  -- Mike DeGagne\n\n\nAMAZ
EXTD=ON.COM CUSTOMER REVIEW\nNot a homerun, but a solid extra-base hit
EXTD=, December 14, 2005\nReviewer: Daryl R. Dirham\nNot sure why this
EXTD= album has become the redheaded stepchild of the solo Henley cano
EXTD=n. Surely it deserved to have more than one song on the greatest 
EXTD=hits. Why is "Dirty Laundry" all the public at large seems to rem
EXTD=ember? "Johnny Can't Read" was actually the leadoff single and th
EXTD=e title track charted as well. The album also is home to "La Eile
EXTD=/Lilah," perhaps the most unjustly unknown song in the entire Hen
EXTD=ley universe. No speechifying, just a heartbreaking ode to what c
EXTD=an happen to young love when it grows older, set against the meta
EXTD=phorical backdrop of a couple's farmland that's drying up. The mu
EXTD=sic gently sways as the concerns and fears of adulthood crush and
EXTD= sweep away the simple satisfactions of youth. I'm not doing this
EXTD= song justice, but it must be heard. Elsewhere, things get a litt
EXTD=le spotty, both musically and lyrically. "You Better Hang Up" sou
EXTD=nds like songwriting-by-numbers and "Nobody's Business" seems to 
EXTD=endorse prostitution, which is an odd stance. I'll concede that t
EXTD=his album is nowhere near as solid as "Beast" and "Innocence," bu
EXTD=t there's still a lot here to like beyond "Dirty Laundry."\n\n\n\n
EXTD=AMAZON.COM CUSTOMER REVIEW\nI am SUCH a hypocrite..., January 11,
EXTD= 2004\nReviewer: Brent (Ohio)\nForget Gene Simmons, forget Michae
EXTD=l Stipe, forget Dave Matthews: if there was EVER an "artist" that
EXTD= deserved a good kick in the 'nads, it'd be Henley. But - and her
EXTD=e I go, being a hypocrite - this ain't a bad album. At ALL. Just 
EXTD=the mere inclusion of Danny Kortchmer's presence on the album giv
EXTD=es it merit, right there. But "credit where credit is due," and a
EXTD=ll that, "Dirty Laundry" is one of the most magnificent, flawless
EXTD= Rock and Roll songs ever. I've been quoted before as saying that
EXTD= Joe Walsh is America's greatest natural resource, and the solo h
EXTD=e does with his "duet/background" pedal, whatever, just proves th
EXTD=at point. And Don, no matter what I may think of you, yourself, I
EXTD= sympathize 100% with the sentiments expressed in this song. I me
EXTD=an I'VE "been there, done that," myself. Yeah, "Eat your dirty la
EXTD=undry," INDEED! And - my goodness, I hope none of my old band mem
EXTD=bers are reading this - despite the drooling liberal sentiments e
EXTD=xpressed in "Them Or Us," it is STILL a GREAT Rock and Roll song.
EXTD= I would never have heard it, except for the fact that, one Sunda
EXTD=y morning in 1983, on the way to Church, I was listening to the "
EXTD=hip" radio staion in Atlanta, and they were interviewing the late
EXTD=, great Warren Zevon. Warren mentioned "Them Or Us," probably bec
EXTD=ause he tended to drift "slightly to the left," himself, but he a
EXTD=lso did background vocals on the song. OK, Don, you win...I actua
EXTD=lly OWN this CD...\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nHenley goes
EXTD= it alone, August 6, 2003\nReviewer: Mitchell Howard (Havelock No
EXTD=rth, NZ)\nDon Henley the singer/drummer with the great 70's band 
EXTD=the Eagles found himself without a band in the early 80's and whe
EXTD=n he learned that his old friend Glenn Frey was about to release 
EXTD=an album, Don too decided to make one. Don has always collaborate
EXTD=d with others in his songwriting endeavours and found two like-mi
EXTD=nded conspirators in Danny Kortchmar best known for his playing d
EXTD=ays with James Taylor and Carole King. Waddy Wachtel a regarded s
EXTD=ession musician was also around. Together Don & Dan created some 
EXTD=serious, political, social comment supported with great melodies 
EXTD=(Dirty Laundry, Johnny can't Read) some personal snippets from so
EXTD=me difficult times in Don's life (Nobody's Business) and what Hen
EXTD=ley album would be complete without a great love song (Long Way H
EXTD=ome) Henley even explores his Irish roots (Lilah) and covers a tr
EXTD=aditional gospel song with some help from Bill Withers (Uncloudy 
EXTD=Day) All in All an album which mystifies especially when compared
EXTD= to Frey's 1st outing No Fun Aloud, you wonder how Frey and Henle
EXTD=y could create the Eagles sound when their solo outings are obvio
EXTD=usly different. Henley Tex/Mex Country and Gospel music and Frey 
EXTD=White R&B and Rock and Roll. This is a really good album which se
EXTD=t Don up for a great solo career. Oh and what a voice.\n\n\n\nAMA
EXTD=ZON.COM CUSTOMER REVIEW\nThe debut album to an incredible solo ca
EXTD=reer., July 18, 2001\nReviewer: Themis-Athena (from somewhere bet
EXTD=ween California and Germany)\n\nMany of the great rock bands rise
EXTD= because together, they are more than just the sum of their indiv
EXTD=idual members' talents. The Eagles have always been a perfect exa
EXTD=mple of that proposition. Yet, when the infamous "Eagles pressure
EXTD= cooker" finally blew up in 1980 (although they took a full two y
EXTD=ears to officially announce what everybody had come to realize by
EXTD= then anyway), they couldn't have chosen more different paths tha
EXTD=n those followed by the five individuals emerging from the pieces
EXTD=. Don Felder discovered the real estate business, while also appe
EXTD=aring (sometimes alongside other former Eagles members) on albums
EXTD= by Bob Seger, Stevie Nicks and other artists, penning contributi
EXTD=ons to movie soundtracks ("Heavy Metal" and "Fast Times at Ridgem
EXTD=ont High;" the latter album ironically reunited, individually, al
EXTD=l members of the Eagles' last configuration, featuring one contri
EXTD=bution by each of them), and eventually publishing his own, comme
EXTD=rcially not overly successful "Airborne." Timothy B. Schmit went 
EXTD=on to cooperate with virtually every great musician and band of t
EXTD=he second half of the 20th century, also making significant contr
EXTD=ibutions to his former fellow band members' solo projects, and on
EXTD= the side, released four records of his own. Henley, Frey and Wal
EXTD=sh pursued full-fledged solo careers.\nOf all of them, Don Henley
EXTD= proved to be the most successful, and it was so right from the s
EXTD=tart. While Glenn Frey decided to take a break from the pressure 
EXTD=cooker and released an album entitled, not coincidentally, "No Fu
EXTD=n Aloud," and Walsh had, without much ado, already resumed his so
EXTD=lo career a year earlier with "There Goes the Neighborhood," Henl
EXTD=ey hooked up with Danny "Kootch" Kortchmar and Greg Ladanyi to pr
EXTD=oduce "I Can't Stand Still," and proceeded to take songwriting to
EXTD= a new level.\n\nFrom the opening title track (by some accounts, 
EXTD=a reflection of Henley's occasionally stormy relationship with th
EXTD=en-girlfriend, "Battlestar Galactica" actress Maren Jensen, to wh
EXTD=om the record is also dedicated and who supplies background vocal
EXTD=s on "Johnny Can't Read") to the closing, spiritual/gospel-inflec
EXTD=ted "Unclouded Day," the album shows a side of Henley not obvious
EXTD= from his contributions to the Eagles' music, significant as they
EXTD= were. Sure, this was the guy who had (co-)written "The Last Reso
EXTD=rt," the Eagles' ode about Paradise Lost. Sure, "Talking to the M
EXTD=oon," Henley's reflections on the small-town Texas where he had g
EXTD=rown up, could have been an Eagles song. But for one thing, most 
EXTD=of the tracks on "I Can't Stand Still" are drum- and rhythm-drive
EXTD=n in a way few Eagles songs ever were (Henley finally got to put 
EXTD=his skills as a drummer center stage). The guitar work in the maj
EXTD=ority of the songs is harsh, grating and straightforward. And mos
EXTD=t importantly, Henley did no longer hold back on taking a stance 
EXTD=politically. Where the Eagles had shied away from endorsing speci
EXTD=fic politicians or parties, Henley's lyrics, beginning with those
EXTD= on his first solo album, were now laced with acid social comment
EXTD=ary. Wanna go to nuclear war (remember Cold War, anyone)? Go on -
EXTD= "get ready boys, third time's a charm" and "if things go from ba
EXTD=d to worse we can still kill them if they kill us first" ("Them A
EXTD=nd Us"). Think the school system works just fine and kids are hap
EXTD=pily learning away? Well, this teacher's son is here to tell you 
EXTD=that Johnny Can't Read, and although that's nobody's fault (not T
EXTD=eacher's, not Mommy's, not Society's, not the President's, and mo
EXTD=st certainly not Johnny's own), "coupla years later Johnny's on t
EXTD=he run - Johnny got confused and he bought himself a gun." And th
EXTD=ink press coverage is just what it ought to be and the media are 
EXTD=setting any standards for themselves at all? Then listen to that 
EXTD=news crew on location, looking for ever more Dirty Laundry: "Can 
EXTD=we film the operation? Is the head dead yet? You know, the boys i
EXTD=n the news room got a running bet. Get the widow on the set!" The
EXTD= lyrics of that last song, in particular, have never rung truer t
EXTD=han today; and not surprisingly, it was still the opening piece o
EXTD=f Henley's "Inside Job" tour which concluded this past March.\n\n
EXTD=Don Henley brought back for the production of "I Can't Stand Stil
EXTD=l" those of his former band members with whom he had stayed in to
EXTD=uch after the breakup, Timothy B. Schmit and Joe Walsh. But he al
EXTD=so enlisted the help of other musicians; among them, Warren Zevon
EXTD=, J.D. Souther, Steve Lukather and the Porcaros from Toto, Heartb
EXTD=reaker Benmont Tench, guitarrist Waddy Wachtel and, most importan
EXTD=tly, Bob Seger (who co-wrote "Nobody's Business," a song that cou
EXTD=ld have come right off his own "The Distance" in all except lead 
EXTD=vocals) and the Chieftains, more particularly, Paddy Moloney and 
EXTD=Derek Bell, for the sad and beautiful "Lilah" and its prologue "L
EXTD=a Eile" (Gaelic for "Another Day"). It may have taken Henley's fo
EXTD=llow-up album "Building the Perfect Beast" for him to produce mor
EXTD=e than one top-ten single again (an achievement which he then top
EXTD=ped with the overwhelming success of 1989's "End of the Innocence
EXTD="), but "I Can't Stand Still" did go gold, and "Dirty Laundry," i
EXTD=ts biggest single hit, made it to No. 3 on the charts. Don Henley
EXTD='s first solo release effectively made the point that even if the
EXTD= Eagles' career was over (and would, as he prophesized, only resu
EXTD=me if hell ever froze over), he himself was far from pass and th
EXTD=ere was a lot he had yet to tell the world.\n\n\n\nAMAZON.COM CUS
EXTD=TOMER REVIEW\nJust Nearly 5 Stars..., March 1, 2001\nReviewer: Vo
EXTD=odooLord7 (Oklahoma, USA)\nAlthough not the masterpiece that his 
EXTD=later albums were, I Can't Stand Still is a startingly fine debut
EXTD= solo album from Don Henley that deserved more than the one track
EXTD= it got on his Greatest Hits album. His lyrical genius that first
EXTD= began to take hold on Hotel California, and would later find ful
EXTD=l flower on his subsequent albums, is shown here. From the eloque
EXTD=nt relationship statements in the title track to the biting attac
EXTD=k on the media in Dirty Laundry to the social commentary of Johnn
EXTD=y Can't Read, Them and Us, and others. Henley's vocals on this al
EXTD=bum are some of his best. He positively pours his heart out on ev
EXTD=ery song, particularly the title track, Lilah, and The Unclouded 
EXTD=Day. As always, Don surrounds himself with a class of top-flight 
EXTD=musicians, as well as frequent future collaborator Danny Kortchma
EXTD=r, and the music (which is far less 80's-sounding than Building T
EXTD=he Perfect Beast) is on par with the lyrics. Highly recommended i
EXTD=ndeed for Henley fans.\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nAfter t
EXTD=he Eagles broke up, Don Henley couldn't stand still, August 20, 2
EXTD=000\nReviewer: 26-year old wallflower "Eric N Andrews" (West Lafa
EXTD=yette, IN)\n\nThe Eagles bitterly broke up in 1980, the year of m
EXTD=y birth. So I wouldn't get to see what they were like until the r
EXTD=eunion 14 years later. However, I had vaguely heard of Don Henley
EXTD=, having seen and heard "Boys Of Summer" the year it came out. I 
EXTD=was surprised to see that Henley didn't start out as a solo artis
EXTD=t. When he did with I CAN'T STAND STILL, he was a little confused
EXTD= about what to do on his own. This album is basically him going t
EXTD=hrough the motions. There are still some highlights on here, whic
EXTD=h are mostly ballads that the Eagles could easily have done justi
EXTD=ce: "Lilah", "Long Way Home", and "Talking To The Moon". I CAN'T 
EXTD=STAND STILL also features songs that would have been too rock-ori
EXTD=ented for even the later-period Eagles. "Them & Us", "You Better 
EXTD=Hang Up", and the title track feature an added emphasis on drums,
EXTD= which were only a minor part of the Eagles sound. Songs like thi
EXTD=s show an inkling of a separate Don Henley style. Of course, the 
EXTD=most popular song on here is the acidic "Dirty Laundry" which I w
EXTD=as surprised to see had made it to #3 on the charts. How anyone t
EXTD=hought this vitriolic assualt on yellow journalism in all its for
EXTD=ms was single material is beyond me. And after 20 years, "Dirty L
EXTD=aundry" still rings sadly true. First albums, whether from a newc
EXTD=oming artist or a former band member gone solo, are often just th
EXTD=at: the artist testing the waters a bit and trying their best to 
EXTD=establish who they are by themselves. Even for a perfectionist li
EXTD=ke Don Henley, I CAN'T STAND STILL is an imperfect album. BUILDIN
EXTD=G THE PERFECT BEAST would finally sound Henley's solo horn.\n\n\n
EXTD=\nAMAZON.COM CUSTOMER REVIEW\nPerfection nothing more, October 20
EXTD=, 1999\nReviewer: Paul Tennant (pauldudl@aol.com) (Virginia, USA.
EXTD=)\nI first heard Dirty Laundry on the sun deck on QE2 crossing th
EXTD=e Pacific Ocean in 1983. I did not know who it was, but that soun
EXTD=d coming over a tiny transistor radio made me stop and listen. I 
EXTD=made a point of finding out who it was making that wonderful musi
EXTD=c. Eventually I discovered Don Henley. This album for me ranks al
EXTD=ong Sgt. Pepper as one of the best albums of all time. It has it 
EXTD=all from the sheer power and rock of Dirty Laundry to the wonderf
EXTD=ul Talking to the Moon, which ranks alongside Desperado as one of
EXTD= the best songs ever written. It is sheer poetry. There is not a 
EXTD=bad song on the album, and the way don uses the Chieftans is shee
EXTD=r class. I take my hat off to probably one of the finest popular 
EXTD=entertainers there is living today. I look forward to the next on
EXTD=e. God Bless Don Henley.\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nOne o
EXTD=f my favorites, February 11, 1999\nReviewer: A music fan\nHenley'
EXTD=s first solo album is excellent, and it is a worthy companion pie
EXTD=ce to his more successful Building the Perfect Beast. As you migh
EXTD=t expect there are several examples of social commentary, the hig
EXTD=hlight being "Dirty Laundry". However on other songs Henley depar
EXTD=ts from his work with the Eagles by looking for inspiration in hi
EXTD=s childhood when he lived in a small Texas town. "Talking to the 
EXTD=Moon" is a poignant story set in Texas, and "Lilah" evokes a past
EXTD=oral landscape with its agricultural metaphors. By the way, Henle
EXTD=y's vocal performance in the latter song is the best of his caree
EXTD=r in my opinion. Simply amazing.\n\n\nAMAZON.COM CUSTOMER REVIEW\n
EXTD=A great solo-debut from a great, prolific songwriter, September 4
EXTD=, 1998\nReviewer: A music fan\nI can't give this album five stars
EXTD=, 'cause it does contain a track or two that I prefer to skip, bu
EXTD=t all in all, this first solo-album from Eagles drummer Don Henle
EXTD=y is really wonderful. On the song "Lilah" Don Henley sings somet
EXTD=hing like this : "-Like every young man / I had some things that 
EXTD=I wanted to say..." He did, and he still does, and sometimes an a
EXTD=rtist's raging against the machine gets in the way of the musical
EXTD= side of things. But this is not the case with Don Henley. On "I 
EXTD=Can't Stand Still" he combines harshly satirical stuff such as "D
EXTD=irty Laundry" with traditional and completely un-political rock s
EXTD=ongs like the title track, and beautiful ballads such as "Long Wa
EXTD=y Home" and "Talking to the Moon". Why "Dirty Laundry" was the on
EXTD=ly song from this album to make it onto Don Henley's greatest hit
EXTD=s-package "Actual Miles", is beyound me. But all the more reason 
EXTD=to get your hands on this great album from one of the best rock s
EXTD=ingers and lyricists America has ever produced.\n\n\nAMAZON.COM C
EXTD=USTOMER REVIEW\nA soul in mourning?, July 9, 1998\nReviewer: Kait
EXTD=lin Galy (hansolo@internet-australia.com) (Sydney, Australia)\nI 
EXTD=first heard this recording in the dark ages of the early eighties
EXTD=. For some reason, perhaps because I heard it at a momentous time
EXTD= in my life or, more probably, because of Don Henley's sheer musi
EXTD=cal genius, it was a recording that became tattoo-ed on my memory
EXTD=. Since that time, when the subject of "favourite music" arose in
EXTD= conversation, I would think of this album, even if I didn't ment
EXTD=ion it (it did not receive major air play or promotion in Austral
EXTD=ia where I live, so if I had mentioned it, I would have been met 
EXTD=with blank stares, no doubt). In particular, I love the mournful,
EXTD= beautiful, heart-strings-tugging song "Talking to the Moon". I h
EXTD=ave long since lost the only recording I had of this song, and it
EXTD= is not available to purchase in Australia. So imagine my almost 
EXTD=tearful delight when I found this site on the internet, complete 
EXTD=with a sound clip (which I have now bookmarked!) As I write, this
EXTD= CD is winging its way to Sydney, Australia. Once here, it will b
EXTD=ecome one of my most treasured possessions. All I can say is: tha
EXTD=nks, Don Henley. And thanks, Amazon.com.\n\n\nHalf.com N/A\n\n\nR
EXTD=OLLING STONE REVIEW\nWhere Glenn Frey seemed content on No Fun Al
EXTD=oud to be the entertaining lone wolf, Don Henley, his former coll
EXTD=aborator in the Eagles, howls at a much darker moon on I Can't St
EXTD=and Still and plays both the romantic raconteur and the commentat
EXTD=or with a conscience.\n\nThe LP's eleven tunes are sequenced to t
EXTD=ake aim at personal and political targets. The songs on side one 
EXTD=reflect upon life as a single man (or Eagle). "I Can't Stand Stil
EXTD=l" echoes the coiled-snake rhythm of the Eagles' "Witchy Woman," 
EXTD=while engaging in some therapeutic role-reversal. Instead of the 
EXTD=sexist "see you later" that the title implies, we find our Hollyw
EXTD=ood hunk tormented by the thought of his baby in another man's ar
EXTD=ms. More likely is "Long Way Home," an aching ballad of romantic 
EXTD=obsolescence in which "there's three sides to every story: yours 
EXTD=and mine and the cold, hard truth." That's two more than on "Talk
EXTD=ing to the Moon," a lonely monologue cowritten with John David So
EXTD=uther. Here, Henley's by himself someplace in Texas where the sun
EXTD= "has sucked the streams bone dry" and where the moon hangs in th
EXTD=e sky like a love that's seen its day.\n\nSide two opens with thr
EXTD=ee well-intentioned shots at sitting ducks: illiteracy, the nucle
EXTD=ar threat and the exploitative nature of TV news. "Johnny Can't R
EXTD=ead," replete with a cheesy Farfisa organ and a tart tangle of tr
EXTD=ashy words, is the best of the three and the album's toughest tra
EXTD=ck. With a lyrical hook of "ashes to ashes, dust to dust," "Them 
EXTD=and Us" is preciously pat but welcome anyway. More troublesome is
EXTD= "Dirty Laundry," particularly when considered alongside Henley's
EXTD= view of victimless crimes in "Nobody's Business." It is shameful
EXTD= that local newscasts are becoming TV tabloids in their quest for
EXTD= big-dollar ratings, but it doesn't befit Henley to preach. Even 
EXTD=in the past, the Eagles had something of a credibility problem: t
EXTD=hey decried the sins of Hotel California while maintaining a suit
EXTD=e there. Endowed with the luxury of comfortable contemplation, He
EXTD=nley's social concerns don't bleed half as much as his personal o
EXTD=nes.\n\nThan ??y, a lovely tin whistle instrumental ("La Eile") b
EXTD=y Chieftain Paddy Moloney takes us from the contemporary to the c
EXTD=ontemplative. On "Lilah," we find a dying man reviewing his life 
EXTD=and preparing to miss "the taste of your mouth." Taking her hand,
EXTD= he says farewell to a land that "is ours to tend but not to keep
EXTD=." The album closes with "The Unclouded Day," a traditional folk 
EXTD=tune sweetly swung on a reggae beat. Don Henley is taking fruitfu
EXTD=l strides away from his life in the fast lane. One hopes he won't
EXTD= stand still anytime soon. (RS 380 -- Oct 14, 1982)  --  JOHN MIL
EXTD=WARD
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