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DISCID=5f07d607
DTITLE=The Allman Brothers Band / The Allman Brothers Band (Dennis Dra
DTITLE=ke Remaster)
DYEAR=1969
DGENRE=Rock
TTITLE0=Don't Want You No More
TTITLE1=It's Not My Cross To Bear
TTITLE2=Black Hearted Woman
TTITLE3=Trouble No More
TTITLE4=Every Hungry Woman
TTITLE5=Dreams
TTITLE6=Whipping Post
EXTD=The Allman Brothers Band (Dennis Drake Remaster)\n\nOriginally Re
EXTD=leased 1969\nDennis Drake Remastered CD Edition Released 1988???\n
EXTD=Remastered CD Edition Released October 14, 1997\n\nAMG EXPERT REV
EXTD=IEW: This might be the best debut album ever delivered by an Amer
EXTD=ican blues band, a bold, powerful, hard-edged, soulful essay in e
EXTD=lectric blues with a native Southern ambience. Some lingering ele
EXTD=ments of the psychedelic era then drawing to a close can be found
EXTD= in "Dreams," along with the template for the group's on-stage wo
EXTD=rkouts with "Whipping Post," and a solid cover of Muddy Waters' "
EXTD=Trouble No More." There isn't a bad song here, and only the fact 
EXTD=that the group did even better the next time out keeps this from 
EXTD=getting the highest possible rating. -- Bruce Eder\n\nAmazon.com 
EXTD=Editorial Reviews\nWhat the Critics Say: \nTwo mid-price re-issue
EXTD=s from The Allman Brothers Band in the wake of their re-formation
EXTD= and live shows over the last year. The self-titled debut (1969) 
EXTD=is a startling mix of Duane Allman's distinctive slide and Dicky 
EXTD=Betts's chunky riff, topped by Gregg Allman's swirling organ and 
EXTD=gritty vocals. The slower grooves, like It's Not My Cross To Bear
EXTD=, Whipping Post and Dreams (recently covered live by The Black Cr
EXTD=owes) are the meat, but the upbeat Black Hearted Woman and Troubl
EXTD=e No More make it a powerful collection and something of a revela
EXTD=tion all these years on.\n\nBy contrast, Eat A Peach hasn't fared
EXTD= so well. It was always a mismatch of material, coming after the 
EXTD=death of Duane Allman and featuring tracks left out from the well
EXTD=-received Live At Fillmore East set, including a 30-minute plus M
EXTD=ountain Jam, with Duane trading riffs in his prime. The added mat
EXTD=erial also includes an acoustic workout from Duane Allman and Dic
EXTD=ky Betts and three post-Duane Allman cuts which show the band rev
EXTD=olving more around Gregg Allman's moody vocal. Hardly a classic b
EXTD=ut there are some priceless moments amid the jamming. --Dave Hend
EXTD=erson --  Emap Consumer Magazines Limited. For personal use only
EXTD=. \n\nRolling Stone (2/21/70, p. 52) - "...[The Allman Brothers] 
EXTD=are a white group who've transcended their schooling to produce a
EXTD= volatile blues-rock sound of pure energy, inspiration and love..
EXTD=..consistently [the album] is subtle, honest, and moving." \n\nCD
EXTD= Connection Review\nThe Allman Brothers Band: Gregg Allman (vocal
EXTD=s, organ); Duane Allman (acoustic & slide guitars); Dick Betts (g
EXTD=uitar); Berry Oakley (bass); Butch Trucks (drums, timbales, marac
EXTD=as); Jai Johanny Johanson (drums, congas). \n\nRecorded at Atlant
EXTD=ic Recording Studios, New York, New York. \n\nAs one of the four 
EXTD=records the Allman Brothers made with their original lineup (whic
EXTD=h included Duane Allman and Berry Oakley), the band's debut recor
EXTD=ding, THE ALLMAN BROTHERS BAND, is pretty essential stuff. All of
EXTD= the elements that would make LIVE AT THE FILLMORE EAST one of th
EXTD=e greatest concerts records ever are here: Duane's liquid slide a
EXTD=nd standard guitar playing, Gregg's hoarse, soulful vocals and po
EXTD=etic blues songwriting (both "Dreams" and "Whipping Post," two of
EXTD= his best, are here) and the near-telepathic interplay among all 
EXTD=six members of the band. \n\nWhile the Brothers invented southern
EXTD= rock, pioneered the sound of twin electric lead guitars in rock 
EXTD=(they got the idea from Bob Wills) and are admittedly responsible
EXTD= for "Ramblin' Man," on their earliest recordings they remain a w
EXTD=orld away from the stars 'n bars posturing of their musical desce
EXTD=ndants. Nevertheless, this is truly American music. Duane, Gregg,
EXTD= Dickey and company grew up in the South, soaking up blues and R&
EXTD=B firsthand, along with a healthy dose of nascent hippy culture, 
EXTD=all of which comes out with funky passion in the music. \n\nhalf.
EXTD=com Details \nProducer: Adrian Barber \n\nAlbum Notes\nThe Allman
EXTD= Brothers Band: Gregg Allman (vocals, organ); Dickey Betts (guita
EXTD=r); Duane Allman (acoustic guitar, electric guitar, slide guitar)
EXTD=; Berry Oakley (bass instrument); Jai Johanny Johanson (drums, co
EXTD=ngas); Butch Trucks (drums, maracas, timbales).\n\nRecording info
EXTD=rmation: Atlantic Studios, New York, New York.\n\nThe Allman Brot
EXTD=hers Band debut album, like the following three records made by t
EXTD=he original Allman Brothers lineup (which included the late Duane
EXTD= Allman and Berry Oakley), is pretty essential stuff. Included he
EXTD=re are all of the elements that would make LIVE AT THE FILLMORE E
EXTD=AST one of the greatest live records ever: Duane's searing guitar
EXTD= playing, Gregg's hoarse, soulful vocals and poetic blues songwri
EXTD=ting (both "Dreams" and "Whipping Post," two of his best, are her
EXTD=e), and the near-telepathic interplay among all six members of th
EXTD=e band.\nIn addition to showcasing the band's fine musicianship, 
EXTD=and laying down an undeniable series of soulful, hard-edged blues
EXTD= grooves, THE ALLMAN BROTHERS BAND may be the founding document o
EXTD=f Southern rock. The Allmans' pioneered the sound of twin electri
EXTD=c lead guitars in rock (they got the idea from Bob Wills), and we
EXTD=re probably the first to use two drummers. On these earliest reco
EXTD=rdings they remain a world away from the stars 'n' bars posturing
EXTD= of their musical descendants. This is true, enduring American mu
EXTD=sic.
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