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DISCID=8b088d0b
DTITLE=Poco / Head Over Heels
DYEAR=1975
DGENRE=Westcoast Rock
TTITLE0=Keep On Tryin'
TTITLE1=Lovin' Arms
TTITLE2=Let Me Turn Back To You
TTITLE3=Makin' Love
TTITLE4=Down In The Quarter
TTITLE5=Sittin' On A Fence
TTITLE6=Georgia, Bind My Ties
TTITLE7=Us
TTITLE8=Flyin' Solo
TTITLE9=Dallas
TTITLE10=I'll Be Back Again
EXTD=Originally Released July 1975\nCD Edition Released June 16, 1998 
EXTD=(Likely 1988)\n\nAMG EXPERT REVIEW: Keeping the songs short and t
EXTD=o the point, Poco lets loose with a fine batch of material. This 
EXTD=time out, they even cover the Becker-Fagen song "Dallas" with gre
EXTD=at verve. There's less country, but a lot more pop.  -- James Chr
EXTD=ispell\n\nAMAZON.COM CUSTOMER REVIEW\nEclectic Poco, September 3,
EXTD= 2006\nReviewer: Reviewer (USA)\nThough a tad uneven at times, th
EXTD=is album is probably one of the better examples of how versatile 
EXTD=Poco could be. The acoustic "Keep on Tryin" features Poco's harmo
EXTD=nic sound at its best and was one of the best songs bassist Tim S
EXTD=chmit contributed during his time in the band. "Makin Love" and "
EXTD=Georgia, Bind My Ties" highlight the band's ability to rock and t
EXTD=heir cover of the obscure Steely Dan song "Dallas" and "Lovin' Ar
EXTD=ms" pay homage to the band's country-rock roots. This album has s
EXTD=ome really great moments, but also a couple of weaker spots. All 
EXTD=together it stands up as a very nice collection of music, even if
EXTD= it isn't up to the level of some of the other releases by the ba
EXTD=nd during this period. \n\n\nAMAZON.COM CUSTOMER REVIEW\nPROBABLY
EXTD= THE NEXT BEST ALBUM BY POCO, August 29, 2005\nReviewer: TIM LUCE
EXTD=RO "THE PSYCHODELIC ROCK" (Huntsville, Alabama United States)\nI 
EXTD=bought this album over a year ago in a record store in good condi
EXTD=tion that was originally released on ABC RECORDS, a label that so
EXTD=ld out to MCA RECORDS. This is when pedal steel guitarist RUSTY Y
EXTD=OUNG, makes his debut lead vocal (unless he actually sang on thei
EXTD=r previous albums) on the mandolin (played by RUSTY)/acoustic bal
EXTD=lad US that also features the pipe organ, piano, and harmony voca
EXTD=l by bass guitarist TIM SCHMIT who wrote and sang the quiet acous
EXTD=tical ballad KEEP ON TRYIN'. Why RUSTY did not sing more songs th
EXTD=at he wrote on this album and on the earlier POCO albums is a mys
EXTD=tery to me because his song would have sound so much better; then
EXTD= again he might have too. Plus, I feel the more singers in a band
EXTD=, the better. The next song LOVIN' ARMS features excellent harmon
EXTD=y vocals, drums, violin, banjo, acoustic, dobro, and pedal steel 
EXTD=guitar playing. LET ME TURN BACK TO YOU that is written and sung 
EXTD=by PAUL COTTON is a great song with his lead guitar playing and R
EXTD=USTY'S mandolin and pedal steel guitar playing. MAKIN' LOVE is an
EXTD= excellent rock song with the harmony vocals, TIM'S bass guitar p
EXTD=laying, GEORGE GRANTHAM'S drumming, PAUL'S guitar playing, RUSTY'
EXTD=S steel guitar playing, and THE BAND'S GARTH HUDSON playing the h
EXTD=igh-pitch piano, but SITTIN' ON A FENCE that features excellent h
EXTD=armony vocals, RUSTY'S steel guitar riffs, PAUL COTTON'S lead gui
EXTD=tar riffs, GEORGE'S drumming, TIM'S bass guitar playing is better
EXTD=. Plus, the whatever type of percusion by VICTOR FELDMAN at the b
EXTD=eginning of the song that comes after the excellent sounding bass
EXTD= guitar intro made me think is was either a CARIBBEAN or JAMAICAN
EXTD= song. PAUL'S DOWN BY THE RIVER is a good slow song with the orch
EXTD=estra, (a mellotron would have been better), harmony vocals, lead
EXTD= and pedal steel guitar riffs, and his guitar rockin' GEORGIA BIN
EXTD=D MY TIES with the drum playing, bass guitar, harmony vocals, les
EXTD=lie steel and clean lead guitar riffs is excellent. TIM'S FLYIN' 
EXTD=SOLO is good, but I do not understand why RUSTY does not play ped
EXTD=al steel guitar or anything on this song. The STEELY DAN written 
EXTD=DALLAS that is sung by PAUL is excellent with the harmony vocals,
EXTD= the orchestra, the pedal steel guitar riffs, the drums, and the 
EXTD=bass guitar. TIM'S I'LL BE BACK AGAIN is great with the harmony v
EXTD=ocals, drums, guitar and bass guitar riffs, although RUSTY should
EXTD= have played more of the pedal steel guitar on this song too. Ove
EXTD=rall, this is definitely a must for all POCO FANS, especially all
EXTD= country lovin' music fans. More importantly, POCO had a whole lo
EXTD=t more country sound to offer than THE EAGLES. \n\n\nAMAZON.COM C
EXTD=USTOMER REVIEW\nmostly generic country-flavored '70s rock, June 1
EXTD=1, 2005\nReviewer: Dave "missing person" (United States)\n1975's 
EXTD="Head Over Heels" from Poco sounds like a ready-made country-flav
EXTD=ored rock album--the performances are ultra-professional and the 
EXTD=songwriting is generally serviceable, but it's seriously lacking 
EXTD=in excitement and inspiration. Timothy B. Schmit does get the alb
EXTD=um off to a very fine start with his melodious harmony-fest "Keep
EXTD= On Tryin'", backed only by an acoustic guitar--it really stands 
EXTD=out in such a way that it sounds like it's supposed to be on a di
EXTD=fferent album instead. Once that track passes, it's pretty much g
EXTD=eneric-ville for the rest of the album with track upon track maki
EXTD=ng for respectable background music, but feeling underwritten. Ru
EXTD=sty Young's "Makin' Love" and "Sittin' On A Fence" are a pair of 
EXTD=startlingly similar-sounding songs, both of which are plastered w
EXTD=ith white-bread harmony vocals. Schmit co-wrote the bluesy "Flyin
EXTD=' Solo" which is quite good, but his other solo composition, the 
EXTD=album-closing "I'll Be Back Again", is disappointingly dull. Paul
EXTD= Cotton's blues-rock styled "Georgia, Bind My Ties" has really bl
EXTD=and verses with toothless vocals, though it does grab your attent
EXTD=ion with its minor-keyed catchiness and strong harmony vocals on 
EXTD=the chorus. Cotton's "Down In the Quarter" does have some interes
EXTD=ting stuff going on instrumentation-wise with the dreamy mix of v
EXTD=ibes and chimes on the intro and some haunting orchestration. The
EXTD=re's a cover of the obscure Steely Dan tune "Dallas" which is nic
EXTD=ely done and has the catchy hooks missing from so much of the res
EXTD=t of the album. "Head Over Heels" really isn't a bad album at all
EXTD=, and with all but one of the tracks clocking in at under 4 minut
EXTD=es and several less than 3, things keep rolling along. But unless
EXTD= you like things as MOR as possible, you're going to be pretty pl
EXTD=ain-faced with this album.\n\n\nAMAZON.COM CUSTOMER REVIEW\nOne o
EXTD=f Poco's Strongest Albums, April 29, 2005\nReviewer: D. L Masters
EXTD= (California)\n"Head Over Heals" coulda/shoulda been the album to
EXTD= break POCO to the next level. Something that didn't happen for 3
EXTD= more years past this release. With Poco, we fans were always ask
EXTD=ing WHY? Why don't more people "get it"? \n"Good Feeling To Know"
EXTD= should have been the big breakthrough. It's followup "Crazy Eyes
EXTD=" may have been the true lost masterpiece but it too never took t
EXTD=he band to the stratosphere they deserved to reside in. I like bo
EXTD=th "7" and "Cantamos" the follow-ups but "Head Over Heels" is ano
EXTD=ther highwater mark for our country rock troopers. \nAs is so oft
EXTD=en the case, an artist needs a big hit single to propel their for
EXTD=tunes. For POCO, they were always 4 minutes away from that. Not u
EXTD=ntil "Crazy Love" 8 years into their career did they finally get 
EXTD=a smidgeon of their belated due. This long after the famous alumn
EXTD=i, Furay, Messina, Meisner, Schmidt were departed. \nAnd why "Cra
EXTD=zy Love" of all songs? It's a good song but not necessarily legio
EXTD=ns beyond scores of other Poco delights. \n\nPoco's first on a ne
EXTD=w label (ABC) this album showcases some of the best songs in the 
EXTD=entire Poco canon, in spite of Richie Furay's exit two albums pre
EXTD=vious. There's not a dud song in this batch, and the varying text
EXTD=ure between the songs makes for a very satisfying listen start to
EXTD= finish.<> \nThere was however one always nagging concern about t
EXTD=his release and that was the sound. The mix is clearly not A grad
EXTD=e. There's an excess of compression that causes a pumping arch on
EXTD= several songs and there are some dull and muddy frequencies on c
EXTD=ertain instruments...especially the drums. If you've got high end
EXTD= audiophile equipment and take the time you can tweak the EQ to m
EXTD=ake it tolerable but one can't help but wonder what could have be
EXTD=en if previous stellar producer Jack Richardson(Good Feeling, Cra
EXTD=zy Eyes, Seven) had been on board for this one. Head's sonic prob
EXTD=lems were there on the vinyl too so don't blame the digital CD tr
EXTD=ansfer. Clearly this is one release this is crying out for a rema
EXTD=ster. What could Bill Inglot do with this? \n\n\nAMAZON.COM CUSTO
EXTD=MER REVIEW\nWill Please Fans Of Their Earlier And Their Later Alb
EXTD=ums, April 6, 2002\nReviewer: Eric R. Last "misterrockobscurities
EXTD=" (San Bruno, CA United States)\nPoco went through many personnel
EXTD= changes over the course of their long career, and with each chan
EXTD=ge, the sounds of the corresponding albums changed as well. It se
EXTD=ems that Poco fans tend to fall into two groups: those that prefe
EXTD=r the earlier, more country-sounding albums from the Richie Furay
EXTD= years (1969-1974); and those that came aboard for the later, mor
EXTD=e commercial albums beginning with their big hit, 1978's "Legend"
EXTD=. This 1975 album is right smack in the middle, with early leader
EXTD=s Furay and Jim Messina having departed, and Timothy B. Schmit so
EXTD=on to exit to join the Eagles, and with Rusty Young and Paul Cott
EXTD=on growing more comfortable and confident in their new roles as l
EXTD=eaders. There's still plenty of country in Poco's country-rock mi
EXTD=x, and they are becoming more polished, but they have not yet sta
EXTD=rted the pandering to more commercial sensibilities that would so
EXTD=on begin. The songs written by Young and Cotton are actually stro
EXTD=nger than prior efforts by more celebrated Poco alumni Furay, Mes
EXTD=sina, and Schmit (although Schmit contributes two especially fine
EXTD= songs to this collection, "Keep On Tryin'" and "Flyin' Solo"). T
EXTD=his album also features a fine cover of an extremely rare Steely 
EXTD=Dan song, "Dallas". (Steely Dan's version of the song appeared on
EXTD= a 12" vinyl import E.P. in the 70s). I happen to enjoy both the 
EXTD=earlier and later editions of this groundbreaking, underappreciat
EXTD=ed band, but this album blends the best of both styles and is my 
EXTD=favorite Poco album.\n\n\nAMAZON.COM CUSTOMER REVIEW\nKind of a t
EXTD=hrowback......, June 7, 2000\nReviewer: A music fan\n....to the d
EXTD=ays when they were "pickin' up the pieces." The songs are shorter
EXTD= and the melodies brighter; no major epics like "Crazy Eyes" or "
EXTD=You've Got Your Reasons." That's not a slam, though. "Keep On Try
EXTD=in'" is a sweet harmony song with just an acoustic guitbox for ba
EXTD=ck-up. "Makin' Love" could've been a real hot single for the band
EXTD= back in '75 if MCA had gotten behind it; as it is, it's a great 
EXTD=Poco rocker, similar to "A Good Feelin' To Know." "Sittin' On A F
EXTD=ence" has a wonderful West Indies feel to it with, once again, th
EXTD=ose harmonies! This album is one of the best Poco did and serves 
EXTD=to remind those who listen that "country-rock" (or whatever) isn'
EXTD=t the bland, Californy granola it's detractors keep painting it a
EXTD=s. Head over heels indeed!\n\n\nAMAZON.COM CUSTOMER REVIEW\nGreat
EXTD= CD From Start To Finish, May 13, 2000\nReviewer: Bradley Maxwell
EXTD= "a Gram Parsons fan" (Long Beach, California United States)\nThi
EXTD=s was their first album after leaving Epic Records. It was origin
EXTD=ally released in 1975. Keep On Tryin' sounds great. Dallas is ano
EXTD=ther good song. Dallas was written by Walter Becker & Donald Fage
EXTD=n from Steely Dan. Poco does a really nice version of this song. 
EXTD=Poco never received the respect they deserved. I feel that they w
EXTD=ere one of the best sounding bands from the 70's. Buy this CD. Yo
EXTD=u won't be sorry.\n\n\nAMAZON.COM CUSTOMER REVIEW\n "I drank no H
EXTD=oly Wine save Muscatel...", September 11, 1998\nReviewer: swampch
EXTD=ild@hotmail.com (Arkansas)\nThis music stays with you like a fait
EXTD=hful companion....It's vintage stuff... buy it quick before it's 
EXTD=no longer available! Pure and Primitive.\n\nHalf.com Details \nPr
EXTD=oducer: Mark Harman, Poco \n\nAlbum Notes\nPoco: Rusty Young (ste
EXTD=el guitar, vocals); Paul Cotton (guitar, vocals); Timothy B. Schm
EXTD=idt (vocals, bass); George Grantham (drums).
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