# xmcd
#
# Track frame offsets: 
#        150
#        27520
#        48555
#        68090
#        94512
#        116105
#        138455
#        172080
#        191320
#        216232
#        243525
#        277250
#        299672
#
# Disc length: 4331 seconds
#
# Revision: 5
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: ExactAudioCopy v0.90b4
#
DISCID=d410e90d
DTITLE=Deep Purple / Burn (30th Anniversary Edition)
DYEAR=1974
DGENRE=Rock
TTITLE0=Burn
TTITLE1=Might Just Take Your Life
TTITLE2=Lay Down, Stay Down
TTITLE3=Sail Away
TTITLE4=You Fool No One
TTITLE5=What's Going On Here
TTITLE6=Mistreated
TTITLE7="A" 200
TTITLE8=Coronarias Redig (2004 Remix)
TTITLE9=Burn (2004 Remix)
TTITLE10=Mistreated (2004 Remix)
TTITLE11=You Fool No One (2004 Remix)
TTITLE12=Sail Away (2004 Remix)
EXTD=Originally Released 1974\nCD Edition Released 1989 ??\nRemastered
EXTD= + Expanded CD Edition Released May 3, 2005\n\nAMG EXPERT REVIEW:
EXTD= The departure of vocalist Ian Gillan and bassist Roger Glover se
EXTD=emed to rejuvenate Deep Purple, and 1974's Burn was a huge improv
EXTD=ement over their previous effort, the lackluster Who Do We Think 
EXTD=We Are. In an interesting twist, new recruits David Coverdale and
EXTD= ex-Trapeze bassist Glenn Hughes share lead vocals on virtually e
EXTD=very track -- an enviable tag team, as both possessed exceptional
EXTD= pipes. The title track starts things off at full speed thanks to
EXTD= the phenomenal drumming of Ian Paice, and the intro to "Might Ju
EXTD=st Take Your Life" is one of organist Jon Lord's finest moments. 
EXTD=Full of starts and stops, "Lay Down, Stay Down" features a fantas
EXTD=tic solo from guitarist Ritchie Blackmore, who, as usual, serves 
EXTD=as the band's primal force. "What's Going on Here" is about as go
EXTD=od a single as Purple ever wrote; "You Fool No One" is compelling
EXTD= in its intensity; and the funky "Sail Away" is a sign of the ban
EXTD=d's future direction. "Mistreated," a fantastic slow blues, close
EXTD=s the album proper (if you ignore the boring instrumental "'A' 20
EXTD=0," the record's only throwaway) and showcases Coverdale on his o
EXTD=wn for the first time. So impassioned is the singer's performance
EXTD= that the song would remain his concert trademark long into his p
EXTD=ost-Purple career with Whitesnake. [This 30th anniversary edition
EXTD= of the album includes five bonus tracks: an instrumental B-side 
EXTD=plus remixes of "Burn," "Mistreated," "You Fool No One," and "Sai
EXTD=l Away."]   [The 2005 reissue of Burn contains copious liner note
EXTD=s and five bonus tracks. Along with "Coronarias Dedig," an instru
EXTD=mental B-side, these tracks are all remixed versions of album tra
EXTD=cks. The mixes were done in 2004 and sound true to the originals,
EXTD= only cleaner. Their value is somewhat negligible and as the line
EXTD=r notes almost say, they seem to exist only to pad out the runnin
EXTD=g time of the disc.] -- Ed Rivadavia\n\n\nAMAZON.COM CUSTOMER REV
EXTD=IEW\nFresh and Enervated, July 15, 2006\nReviewer: P.S. "tsubame"
EXTD= (Japan)\nWhen DP released In Rock there was such a rush of energ
EXTD=y, a pure adrenaline flow, in the recordings it was no surprise t
EXTD=o learn that the band had changed two members and were eager to e
EXTD=xplore new ideas. Over the next three studio albums that sound an
EXTD=d energy would culminate in Machine Head and trickle over to Who 
EXTD=Do We Think We Are. But by then tensions between members and a ge
EXTD=neral feeling of creative stagnation were giving everyone the imp
EXTD=ression that a change was needed. Two band members out and two ne
EXTD=w members in, once again DP have changed their approach, their so
EXTD=und, their style, and sound like everyone just got a shot of jump
EXTD=y juice. The album rocks with rejuevination. The old members (Bla
EXTD=ckmore, Lord and Paice) contribute with heightened enthusiasm and
EXTD= the new members (Coverdale and Hughes) are phenomenal, giving DP
EXTD= a more funky, bluesy feel. Sail Away is an awesome cross between
EXTD= hard rock and funk. Burn practically burns the speakers. Lay Dow
EXTD=n Stay Down and Might Just Take Your Life are among the best trac
EXTD=ks with Coverdale and Hughes. Blackmore gets credit for soul on M
EXTD=istreated and Coverdale introduces his breathy bedroom inhales an
EXTD=d sighs before and after belting out the words. Paice is charged 
EXTD=to the max with creativity on Burn and You Fool No One. Blackmore
EXTD= sounds enthused throughout the album. The combination of Coverda
EXTD=le's and Hughes's vocals is amazing. Lord still contributes with 
EXTD=classic-inspired solos. This is one brilliant album! \n\n\nAMAZON
EXTD=.COM CUSTOMER REVIEW\nHard rock, blues, and yes...prog rock., Apr
EXTD=il 23, 2006\nReviewer: Jeffrey J.Park (Massachusetts, USA)\n\nThi
EXTD=s 1974 album was released shortly after the departure of both Ian
EXTD= Gillan and excellent bassist Roger Glover in 1973, thus ending t
EXTD=he Mk. II lineup (at least until 1984). On the Burn album, guitar
EXTD=ist Ritchie Blackmore (who cranks out some unbelievable leads), d
EXTD=rummer Ian Paice, and keyboardist John Lord were joined by new ba
EXTD=nd members David Coverdale (lead vocals) and bassist/vocalist Gle
EXTD=nn Hughes. To say the least, I was a little suspicious of the new
EXTD= Mk. III lineup. With respect to the new members, Glenn Hughes (l
EXTD=ike Roger) also used a trebly Rickenbacker bass (which is a major
EXTD= plus in my book), although he was not as technically advanced as
EXTD= Roger. David Coverdale however, really belts out and is an extre
EXTD=mely powerful singer. \n\nOK, so the new members fit in well enou
EXTD=gh, so what about the music? With the explosive opening of the ti
EXTD=tle track Burn I was convinced that the band was forging onwards 
EXTD=without missing a beat. All of the components that made Deep Purp
EXTD=le great were in place, but there was something else too. The arr
EXTD=angements on Burn seemed a bit more complex than usual, and what 
EXTD=was this? Bach influenced chord progressions? Toccata-like Hammon
EXTD=d organ solos? Mini-moog synthesizer solos on a Deep Purple song?
EXTD= This was something a little different (much to the delight of th
EXTD=is raving prog fan), and it appeared that the influences of prog 
EXTD=giants like ELP had worked their way into the writing style of at
EXTD= least a few guys in the band, which are very much in evidence on
EXTD= the title track Burn. In fact, Burn stands as my all-time favori
EXTD=te Deep Purple tune because it is so proggy. Other tracks on the 
EXTD=album that are different (and personal favorites) include Sail Aw
EXTD=ay, which features more great work on the mini-moog and a highly 
EXTD=syncopated 4/4 that makes the piece sound busier than it is; the 
EXTD=experimental, mini-moog heavy track "A 200" (which is named after
EXTD= a disinfectant and seems to be based on Mars from Gustav Holst's
EXTD= Planets); and the spacey jam on Mistreated. For those of you tha
EXTD=t don't like prog as much as I do, don't worry - 90% of the album
EXTD= is comprised of the solid, well-played bluesy hard rock that mad
EXTD=e the band so famous. \n\nAs an aside, a lot of folks (including 
EXTD=critics) have commented that Deep Purple employed funk styles in 
EXTD=their music during this lineup. To be perfectly honest, I hear ve
EXTD=ry little funk in any of the pieces on this album. My guess is th
EXTD=at the "funkiness" is an artifact of the abundant use of a syncop
EXTD=ated 4/4, which lends the pieces a little more "swing" than usual
EXTD=. For those of you that are afraid of funk music, fear not - this
EXTD= is hard rock, pure and simple. I should note that I have not lis
EXTD=tened to either Stormbringer (1974) or Come Taste the Band (1975)
EXTD=. These two albums may very well be funky, but I am still not ent
EXTD=irely convinced that Deep Purple will ever be mentioned in the sa
EXTD=me context as groups like Parliament Funkadelic or Sly and the Fa
EXTD=mily Stone. \n\nWith respect to the remastered album, Rhino did a
EXTD= brilliant job. There is a 23-page booklet loaded with informatio
EXTD=nal tidbits and color photos of the band. In that I am not entire
EXTD=ly familiar with Deep Purple, I found the liner notes to be very 
EXTD=helpful, but long-time followers of the band may dismiss them as 
EXTD="old hat". In addition to the original album, there are five bonu
EXTD=s tracks that were remixed in 2004 including the amazing instrume
EXTD=ntal Coronarias Redig (which was released as a b-side single), al
EXTD=ong with tracks from the original album. With respect to the remi
EXTD=xed versions of the original tracks, they don't sound terribly di
EXTD=fferent. \n\nAll in all, this is a great album of hard rock that 
EXTD=offers just enough spice and variety to draw prog rock fans like 
EXTD=myself in. For Deep Purple fans that are interested, Manfred Mann
EXTD='s Earth Band released an album in 1973 entitled Solar Fire that 
EXTD=you may also like. Although the album is closer to prog than hard
EXTD= rock, there are enough stylistic commonalities that it should be
EXTD= of interest. \n\n\nAMAZON.COM CUSTOMER REVIEW\n Good Stuff, Octo
EXTD=ber 28, 2005\nReviewer: Stevie\nAs mentioned by many others , the
EXTD= expectations were heavy for Burn to be a bad record -this opinio
EXTD=n being based primarily upon the absence of Ian Gillian. However 
EXTD=this was not the case at all as this represents some very solid p
EXTD=laying and kept things moving for DP as well as heavy,blues based
EXTD= rock in general. The title track is powerful and sucks you right
EXTD= in so the album takes little time to develop. For whatever reaso
EXTD=n, lots of people don't seem to realize that this track features 
EXTD=both Coverdale and Hughes as lead singers which adds to what is a
EXTD=lready a musically solid track. Of course having two lead singers
EXTD= in a band is always a recipe for trouble since its well known th
EXTD=at lead singers in general suffer from massive ego problems howev
EXTD=er, Coverdale was so young at this stage and new to the big leagu
EXTD=es, that I'm sure he was more than happy to benefit from the pres
EXTD=ence of Hughes who had been gigging with Trapeze. Of course it di
EXTD=dn't take long for ego wars to break out. \n\nBlackmore's playing
EXTD= is great and the only thing I could say negative about it (and t
EXTD=his is a small thing) is that its very dry and unaffected by even
EXTD= standard types of studio processing (reverb) but that was charac
EXTD=teristic of his style and part of the reason that he is admired b
EXTD=y most guitarists since he never hides behind trickery of any sor
EXTD=t. He is proof that a strat through a Marshall is more than enoug
EXTD=h to get great tone. Mistreated is a great blues tune and gives u
EXTD=s a great look at Coverdale's abilities so please make sure you g
EXTD=ive this one some attention. \nSail Away is also another vocally 
EXTD=impressive track which has some similarity (chords early in the s
EXTD=ong) to Blackmore's Rainbow "Man On The Silver Mountain" track. \n
EXTD=\nIf you are into british rock at all then pick this one up. Its 
EXTD=a keeper and for budding guitarists you would do well to sit down
EXTD= and cop these licks but its much more than just a guitar album. 
EXTD=\nVery solid playing, great vocals, and proof that just because y
EXTD=our lead singers quits doesn't mean thats the end of the story.\n
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\nFavorite DP album, October 14, 20
EXTD=05\nReviewer: Dr. Stein (South Shetland Is (U.K.))\nHave been a b
EXTD=ig Deep Purple fan almost my whole life. I had *IN ROCK*, *MACHIN
EXTD=E HEAD*, *MADE IN JAPAN*, *DEEPEST PURPLE*, ect in my regular lis
EXTD=tening rotation and they were all absolute classics. However, *BU
EXTD=RN* was one of the last albums i picked up from Deep Purple, and 
EXTD=i regret that because it is now by far my favorite. \nThere were 
EXTD=plenty of things that kept me away from this album such as there 
EXTD=being no Gillian and Glover on it, also the fact that Coverdale i
EXTD=s on this thing and i'm no fan of Whitesnake's hair-metal foolish
EXTD=ness. If you have any doubts about this line-up, don't worry, it 
EXTD=all works out just fine on *BURN*. \n\nActaully David Coverdale i
EXTD=s a better vocalist then i intiailly gave him credit for. I used 
EXTD=to hear his Whitsnake material all of the time and just wrote him
EXTD= off as another kitsh pop metal singer, but his work with Purple 
EXTD=in the 70's is quiet phenomenal. He's got a deep bluesie sounding
EXTD= voice here and his voice is actaully growing on me. Deep Purple 
EXTD=technically replaced Ian Gillian with two singers on here, the af
EXTD=ormentioned Coverdale and the soulful Glenn Hughs. Both singers s
EXTD=hare vocal duties, with Dave covering the low-range and Glenn cov
EXTD=ering the high pitch-range. Glenn Hughs gives his patented "Rock 
EXTD=& Soul" style voice, some find it annoying but i love this guys v
EXTD=oice! His finest moments are on "Lay Down, Stay Down", "Might Jus
EXTD=t Take Your Life" and "Sail Away". *BURN* is a overall much slowe
EXTD=r and blusier sounding album from Purple, it doesn't have the ene
EXTD=rgy (except for the title track) of albums like *IN ROCK* or *FIR
EXTD=EBALL* or any of the other albums with Gillian for that matter, b
EXTD=ut its has some of the best songwritting in my opion, and definat
EXTD=ly Blackmore's best guitar work with Deep Purple. The Mark 3 line
EXTD=-up was extremely underrated and overlooked by many, even by Purp
EXTD=le fans. Too bad this line-up was short lived, as i thought *STOR
EXTD=MBRINGER* was nearly as good as this as well. \n\n\nAMAZON.COM CU
EXTD=STOMER REVIEW\nThe Coverdale era's masterpiece, May 6, 2005\nRevi
EXTD=ewer: Darth Kommissar (Las Vegas, NV (USA))\n\nFollowing the rele
EXTD=ase of Deep Purple's seventh studio album, 1973's Who Do We Think
EXTD= We Are, legendary vocalist Ian Gillan left the group (he left to
EXTD= form his OWN band, not Black Sabbath, contrary to popular belief
EXTD=. There's a TEN YEAR GAP between his leaving Purple and joining S
EXTD=abbath, people!) When a lead vocalist leaves a group he made popu
EXTD=lar, usually the results are a disaster. In Deep Purple, that was
EXTD=n't necessarily the case, though. A young man named David Coverda
EXTD=le became Gillan's replacement. Though Coverdale originally wante
EXTD=d to be an artist (and I mean one who draws stuff, not a RECORDIN
EXTD=G artist), he really shines as a vocalist. The band also got a ne
EXTD=w bassist, Glenn Hughes. He would be more involved on vocals than
EXTD= the band's previous bassists, and this would prove to be a good 
EXTD=thing. Enough introductions. Read on for my review of Burn. \n\nI
EXTD= (and many other Deep Purple fans) thought that the departure of 
EXTD=Ian Gillan from Deep Purple would be a disaster. Burn proved me w
EXTD=rong! This is classic DP at its best. The title track kicks off t
EXTD=he album. It opens with a fast and furious guitar assault on the 
EXTD=senses courtesy of Mr. Ritchie Blackmore. David Coverdale doesn't
EXTD= waste any time shelling out good vocals. The keyboard/organ usag
EXTD=e here is excellent, making this a quintessential Deep Purple mas
EXTD=terpiece. Might Just Take Your Life, track number two, is my favo
EXTD=rite song on the album. Here the band emphasizes a blusier sound 
EXTD=than the Gillan-era incarnation of the band did, but they also us
EXTD=e keyboards heavily. Mix this with David's vocals, and what's the
EXTD= end result? Pure Deep Purple excellence. Lay Down, Stay Down is 
EXTD=probably the blusiest song on the album, and that's saying a lot,
EXTD= since this album is a good deal more blues-based than the Gillan
EXTD=-era Deep Purple albums. Davis's lyrics are the main draw here. O
EXTD=f all the tracks on the album, this one sounds more like his futu
EXTD=re Whitesnake days than any other, but it still sounds quite diff
EXTD=erent. Another good song. Sail Away is an interesting little rock
EXTD=er. The band is in its prime here, no question. The fusion of har
EXTD=d rock with more melodic stylings makes this one of the album's b
EXTD=est tracks. It's a masterpiece among masterpieces. You Fool No On
EXTD=e is a rocker with a bit more of an "epic" sound to it than the o
EXTD=thers on the album. Once again, the star attraction of the track 
EXTD=is David's vocals. What's Goin' on Here is another excellent rock
EXTD=er. Like so many other tracks on the album, this one features the
EXTD= band in its prime. It stands as solid proof that the David Cover
EXTD=dale era of Deep Purple is SEVERELY underrated. Mistreated was th
EXTD=e biggest hit to emerge from this album next to the title track. 
EXTD=Here Ritchie plays some damn good guitar riffs (which should come
EXTD= as no surprise if you're a Deep Purple fan.) It's over seven min
EXTD=utes long, meaning it and the title track are the longest cuts he
EXTD=re. DO NOT SKIP THIS TRACK FOR ANY REASON - DOING SO IS A SIN! Th
EXTD=e band closes with a very strange track - an instrumental called 
EXTD="A" 200 in which futuristic-sounding keyboards are used heavily. 
EXTD=These are played along with Ritchie's guitars, and oddly enough, 
EXTD=the end result is GREAT! I really don't think they could have clo
EXTD=sed the album better. All in all, an awesome album. \n\nThis albu
EXTD=m got the deluxe treatment many other Deep Purple albums have got
EXTD=ten, and the deluxe versions has finally gotten an American relea
EXTD=se! The import of this was ridiculously overpriced, but now final
EXTD=ly, you can get it for a decent price! If you don't own the album
EXTD= yet, get the remaster. If you've got it already, don't buy it ag
EXTD=ain unless you really want the bonuses. \n\nAs many other reviewe
EXTD=rs have stated, this IS the best Deep Purple album to feature Dav
EXTD=id Coverdale on lead vocals. The sound may be a little different 
EXTD=from the Gillan-era songs you're used to, but ultimately they mak
EXTD=e this a very good album. It's more than worthy of Amazon's highe
EXTD=st possible product rating of five stars. HIGHLY RECOMMENDED TO A
EXTD=NY FAN OF CLASSIC HARD ROCK. \n\n\nHalf.com Details \nProducer: D
EXTD=eep Purple/Rainbow \n\nAlbum Notes\nPersonnel: Glenn Hughes (voca
EXTD=ls, bass guitar); David Coverdale (vocals); Ritchie Blackmore (gu
EXTD=itar); Jon Lord (keyboards); Ian Paice (drums).\n\nThe first Deep
EXTD= Purple album to feature Glenn Hughes and David Coverdale, result
EXTD=ed in a much more bluesy effort all round. Coverdale's throaty ro
EXTD=ar, combined with Hughes' soaring vocal, made for a heartfelt, ro
EXTD=otsy record. 'Might Just Take Your Life' was a hit single, and th
EXTD=e album featured a series of extended jams, which worked most spe
EXTD=ctacularly with the elongated 'Mistreated', later resurrected by 
EXTD=Coverdale as a live favourite with Whitesnake. The title track an
EXTD=d 'Lay Down, Stay Down' gave vent to their more familiar refrains
EXTD= and emphasized the strength of their songwriting.\n\n\nROLLING S
EXTD=TONE REVIEW\nDeep Purple's first album since last year's departur
EXTD=e of vocalist Ian Gillan and bassist/composer Roger Glover is a p
EXTD=assable but disappointing effort. On Burn, new lead singer David 
EXTD=Coverdale sounds suitably histrionic, like Free's brilliant Paul 
EXTD=Rodgers (rumored to have been Purple's first replacement choice).
EXTD= But the new material is largely drab and ordinary, without the r
EXTD=unaway locomotive power of the group's best work.\n\nThe title tr
EXTD=ack is a notable exception, attractively energetic, with appropri
EXTD=ately speedy instrumental breaks. And "Sail Away" is a Free-like 
EXTD=mesmerizer. "Mistreated" again sounds like that lamentedly extinc
EXTD=t group, but is flaccidly lengthy (7:25).\n\n\n\nThey fill out th
EXTD=e LP with the relentlessly mediocre single "Might Just Take Your 
EXTD=Life," the stodgy blues-rocker "What's Goin' On Here," the common
EXTD=place Cream-like funk riffs and harmonies of "You Fool No One," a
EXTD=nd with a tedious Moog/bolero instrumental retread applying the c
EXTD=oup de grace. Much of the LP is skillfully wrought and likable, a
EXTD=nd the new line-up has potential. But the Gillan/Glover spark tha
EXTD=t created "Highway Star" and other memorable Purple smokers is re
EXTD=grettably absent. (RS 159 - Apr 25, 1974) -- KEN BARNES
EXTT0=
EXTT1=
EXTT2=
EXTT3=
EXTT4=
EXTT5=
EXTT6=
EXTT7=
EXTT8=
EXTT9=
EXTT10=
EXTT11=
EXTT12=
PLAYORDER=
