# xmcd
#
# Track frame offsets: 
#        187
#        11275
#        21362
#        30035
#        40142
#        49862
#        59710
#        72035
#        81700
#        92047
#        99782
#        112755
#        126092
#        143840
#
# Disc length: 2054 seconds
#
# Revision: 3
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: ExactAudioCopy v0.90b4
#
DISCID=ac08040e
DTITLE=Elvis Presley / Elvis In Nashville
DYEAR=1988
DGENRE=Rock
TTITLE0=I Got A Woman
TTITLE1=A Big Hunk O' Love
TTITLE2=Working On The Building
TTITLE3=Judy
TTITLE4=Anything That's Part Of You
TTITLE5=Night Rider
TTITLE6=Where No One Stands Alone
TTITLE7=Just Call Me Lonesome
TTITLE8=Guitar Man
TTITLE9=Little Cabin Home On The Hill
TTITLE10=It's Your Baby, You Rock It
TTITLE11=Early Mornin' Rain
TTITLE12=It's Still Here
TTITLE13=I, John
EXTD=Originally Released 1988\n\nAMG EXPERT REVIEW: One of two albums 
EXTD=assembled by the Country Music Foundation's Jay Orr (the other is
EXTD= Elvis Gospel), Elvis in Nashville is, as its title suggests, a s
EXTD=ampler of material recorded by Elvis Presley in Nashville. Especi
EXTD=ally during the 1960s, when he was dividing his time between Tenn
EXTD=essee and California, Presley took a different approach to his Ho
EXTD=llywood and Nashville sessions, cutting the mediocre soundtracks 
EXTD=to his movies in the West and aiming the Music City dates "at pro
EXTD=ducing a hit single, an LP, or a batch of gospel or Christmas son
EXTD=gs," as Orr puts it in his liner notes. The material and performa
EXTD=nces were a cut above the movie work, but the songs were also div
EXTD=erse and, again to quote Orr, "If any conclusion can be drawn fro
EXTD=m such a limited review (as this album provides), it is that Elvi
EXTD=s, with his unique vocal gift and his inherited musical sensibili
EXTD=ties, could prevail in any setting given the will to do so." But 
EXTD=the same conclusion could be drawn from just about any sampling o
EXTD=f his work, and while Elvis in Nashville features such classics a
EXTD=s "I Got a Woman" and "Guitar Man," there is nothing musically th
EXTD=at marks the tracks by their location of recording. At least in t
EXTD=his compilation, the Presley Nashville sessions, while not undist
EXTD=inguished, are indistinguishable from those held in other cities.
EXTD=  -- William Ruhlmann\n\nHalf.com Details \nProducer: Felton Jarv
EXTD=is, Steve Sholes \n\nAlbum Notes\nRecorded 1956-1971 in Nashville
EXTD=.
EXTT0=
EXTT1=
EXTT2=
EXTT3=
EXTT4=
EXTT5=
EXTT6=
EXTT7=
EXTT8=
EXTT9=
EXTT10=
EXTT11=
EXTT12=
EXTT13=
PLAYORDER=
