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DISCID=8f082609
DTITLE=Bob Seger / Smokin' O.P.'s
DYEAR=1972
DGENRE=Rock
TTITLE0=Bo Diddley
TTITLE1=Love The One You're With
TTITLE2=If I Were A Carpenter
TTITLE3=Hummin' Bird
TTITLE4=Let It Rock
TTITLE5=Turn On Your Love Light
TTITLE6=Jesse James
TTITLE7=Someday
TTITLE8=Heavy Music
EXTD=Originally Released 1972\nCD Edition Released January 1993\nRemas
EXTD=tered CD Edition Released June 7, 2005\n\nAMG EXPERT REVIEW: Bob 
EXTD=Seger closed out his Capitol contract with Brand New Morning, a s
EXTD=inger/songwriter album quite unlike anything he had yet released.
EXTD= Following its release he moved to the Detroit-based label Pallad
EXTD=ium and returned to hard-driving rock & roll with Smokin' O.P.'s,
EXTD= the polar opposite of Brand New Morning. According to legend, th
EXTD=e title stands for "smoking other people's songs," which makes se
EXTD=nse since this is a cover album that even covers Bob Seger & the 
EXTD=Last Heard. In other words, it's nothing like the intimate, refle
EXTD=ctive, risky Brand New Morning, but that doesn't matter since it 
EXTD=rocks so well and since it reveals that Seger isn't just a first-
EXTD=class bandleader and rock songwriter, but that he's a terrific in
EXTD=terpreter of other writers' songs. Even well-worn tunes like "Bo 
EXTD=Diddley" and "If I Were a Carpenter" get made fresh by internaliz
EXTD=ing the hooks, turning them into something fresh and original. Th
EXTD=at's also true of songs by such contemporaries as Stephen Stills 
EXTD=("Love the One You're With") and Leon Russell ("Humming Bird"), a
EXTD=nd he also breathes fire into blues and rock stalwarts like "Let 
EXTD=It Rock," "Turn on Your Love Light," and "Jesse James." Smokin' O
EXTD=.P.'s closes out with two originals, one new (the fine, but not e
EXTD=specially noteworthy "Someday") and one old (the perennial "Heavy
EXTD= Music"). Neither change the essential character of the album, wh
EXTD=ich is just a really fun, hard-rocking record that bought Seger s
EXTD=ome time while reasserting the fact that he could really rock. He
EXTD= could -- and he could rock really well -- which is why Smokin' O
EXTD=.P.'s remains a lot of fun, even if it's a relatively minor work 
EXTD=in Seger's canon.   -- Stephen Thomas Erlewine \n\nAmazon.com Edi
EXTD=torial Review\nA much requested official CD reissue for an album 
EXTD=that was difficult to locate even when it was out on vinyl in 197
EXTD=2, Smokin' O.P.'s finds Bob Seger covering "other people's" favor
EXTD=ites, including a few of his own. Accompanied by a tough three pi
EXTD=ece band with Skip Van Winkle's churning organ often more promine
EXTD=nt than guitar, Seger sizzles through a short but intense 35 minu
EXTD=te set of nine tunes. Even when reinterpreting warhorses such as 
EXTD="Bo Diddley," "Turn on Your Lovelight" and "Let it Rock," the ban
EXTD=d charges through with such a crisp, no-nonsense attack. These ve
EXTD=rsions sound fresh, if not quite new, upon this album's remastere
EXTD=d reissue in 2005, 33 years after it was recorded. The feeling is
EXTD= that these tunes were already crowd favorites, so the recording 
EXTD=has a live electricity to it, only enhanced by subsequent years o
EXTD=f slicker music from Seger. The slow burn rearrangement of the on
EXTD=ce folksy "If I Were a Carpenter" captures the singer at his most
EXTD= vibrant, mixing sensitivity with leathery, roiling rock that exp
EXTD=lodes into a throbbing crescendo, all in about 3  minutes. The m
EXTD=ood only eases up for Leon Russell's "Hummin' Bird" and Seger's o
EXTD=ne new composition "Someday," a "Turn the Page" styled piano ball
EXTD=ad with strings. It is "Heavy Music" in the best sense. The album
EXTD= remains a potent example of Bob Seger at his most raw, when he w
EXTD=as young and hungry and sounded it. --Hal Horowitz \n\n\nAMAZON.C
EXTD=OM CUSTOMER REVIEW\nBob Seger before you knew him . . ., January 
EXTD=25, 2007\nReviewer: Mark Biggs (Washington, D.C.)\n     \nYears b
EXTD=efore Bob Seger really popped on the current music scene, Smokin'
EXTD= O.P.'s was released. Not alot of original tunes, but Seger put h
EXTD=is own signature on several great rock era songs and made them re
EXTD=ally cook. \n\nIf you love Bob Seger, you owe it to yourself to h
EXTD=ear what he did before his star really rose.\n\n\n\nAMAZON.COM CU
EXTD=STOMER REVIEW\nFor Record Collectors Only, January 5, 2007\nRevie
EXTD=wer: Boomer (Austin, Texas)\nThis album reminds me of the kind th
EXTD=at gets released when a major artist dies with very little materi
EXTD=al in the vault. I'm sure it cost very little to produce and I am
EXTD= also curious about the choice of songs. Segar has one of the mos
EXTD=t distinctive personas in rock - You can identify one of his song
EXTD=s in three seconds even if you never heard it before. He mostly w
EXTD=rites his own material and virtually every song he has ever writt
EXTD=en is better than any of the stuff here. "Bo Diddley" rocks hard 
EXTD=but so does "Making Thunderbirds" and the latter is actually abou
EXTD=t something real. Bob Seger has never been and will most likely n
EXTD=ever be a sellout and I feel that because he is so talented and f
EXTD=ocused on his other albums that this one really flies wide of the
EXTD= mark. I actually cringe to hear Bob putting the same energy into
EXTD= "Love the One You're With" (from the Songwriting Mediocrity Hall
EXTD= of Fame) as he does one of his own songs. I blame his manager an
EXTD=d producer for this. \n\n\nAMAZON.COM CUSTOMER REVIEW\nHow Bob so
EXTD=unds best., December 22, 2006\nReviewer: Shelby Lambert (Bethany,
EXTD= Oklahoma USA)\n\nI am not really a Bob Seger "fan", but I am a f
EXTD=an of Michigan Rock, and no fan of Michigan Rock should be withou
EXTD=t this disc, as this is a classic example. \nBob Seger is one of 
EXTD=the most eccletic performers in all of rock, willing to tackle ne
EXTD=arly every musical style--sort-of like another Michiganite, Kid R
EXTD=ock, of his day. And that is why nearly every album he's ever put
EXTD= out is like a different "phase" of his career--what "bag" he's i
EXTD=nto at the moment, as well as creating different atmospheres for 
EXTD=the album he is trying to create. However, like the aforementione
EXTD=d Kid Rock, and any other Michiganite for that matter, Seger soun
EXTD=ds best on what he cut his teeth on first--and that is just basic
EXTD=, raw, stripped-down funky, rockin' soul. And that's much of what
EXTD= you hear on this disc. The basic theme here seems to be trying t
EXTD=o funkify "O.P'S"--other people's music, and like any great Michi
EXTD=ganite before or since--from Grand Funk Railroad to Ted Nugent--S
EXTD=eger and his band here reconstruct and even out-perform the origi
EXTD=nals. This is especially true on the first three tracks, "Bo Didd
EXTD=ley", "Love The One You're With", and "If I Were a Carpenter". Bo
EXTD=b Seger had probably one of the tightest bands to work with on th
EXTD=is album, particularly the organ work of Skip Knape, which was br
EXTD=illiant all through this record, and I've always thought that Seg
EXTD=er sounded best with an organ, rather than a piano, behind him (a
EXTD=nd now he has one of the best organists in rock--formerly of Gran
EXTD=d Funk Railroad, Craig Frost, playing behind him in the Silver Bu
EXTD=llet Band!) But this album was at least three years before all th
EXTD=at "Silver Bullet" nonsense that I never really cared much for, a
EXTD=ll that 'grandiose, E. Street-type show band' stuff that I don't 
EXTD=really think suits Bob Seger best--but, again, that his "bag" and
EXTD= wanting always to try new things. The band on this disc was just
EXTD= thrown together between his days in the "Bob Seger System" and t
EXTD=he "Silver Bullet band" and was just a simple, crackerjack outfit
EXTD= consisting of nothing more than a bass, drums, organ, and guitar
EXTD=. But for the kind of music he did on this album, that's all he r
EXTD=eally needed. The back-up singers added a nice touch on "Love the
EXTD= One Your With", and even really outshine the ones Steven Stills 
EXTD=used (of course, it's not hard to find a good backup singer in De
EXTD=troit, they stand on nearly every street corner!) \nThe last song
EXTD=, "Heavy Music", sounds like it was a leftover track from his 60s
EXTD= band, that as some bands did at the time--he tried to pass off a
EXTD=s a new song and put on a new album, but with it's Mitch Ryder-st
EXTD=yle rhythm and old, dusty, studio echo, you can't help notice tha
EXTD=t it sounds "dated"--even by 1972 standards! I do believe he had 
EXTD=the song as far back as 1967 in two parts as "Heavy Music, parts 
EXTD=one and two" that remained unreleased when his record label at th
EXTD=e time, Cameo, went bust, and perhaps with the theme of this albu
EXTD=m being raw, stripped-down rockin' soul, maybe he thought the tim
EXTD=e was right for this track to re-emerge here--but it certainly so
EXTD=unds like an earlier recording that he at least "tweaked" with, s
EXTD=ounding really edited down, and possibly layering some of his 197
EXTD=2 band to it. That said, the edited down 2 minutes of this number
EXTD= don't do this racuous tune justice. If there was a "part two" of
EXTD= "Heavy Music", it sounds as if maybe it was somehow "spliced" to
EXTD=gether with "part one", to keep the length of this album perhaps 
EXTD=shorter, but it does sound like it was "tweaked" with. But just t
EXTD=he two minutes I heard of "Heavy Music" tell me all I need to kno
EXTD=w about "Michigan rock", and is the perfect rock anthem for the m
EXTD=usic that emerged from that state. Put "Heavy Music" in what ever
EXTD= full form it might have previously existed in, I would easily gi
EXTD=ve this album "5 Stars", rather than "3". As for what the "O.P" i
EXTD=s on "Heavy Music"--perhaps, just Seger's new band adding a layer
EXTD= onto Seger's old band. \nAll told, this was Bob Seger's best alb
EXTD=um to me--just for the kind of music he made, and the kind of ban
EXTD=d he made it with. Bob Seger sounds best when he's just singing g
EXTD=ritty old rockin' soul, with no horn section--just a bass, drums,
EXTD= guitar, and a double dose of organ behind him. The theme of this
EXTD= album is "Smokin' O.P's" (other people's music), and I've never 
EXTD=heard a bad "O.P" smoked by a Michigan rocker--Bob Seger included
EXTD=!\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nSecond Time Around (On CD), 
EXTD=August 16, 2005\nReviewer: E. Love (seffner, fl. United States)\n
EXTD=\nThis is a great album as all the reviewers have already said. T
EXTD=here is not much I can add to what they have said, except that no
EXTD= one seems to remember that this CD and 3 others have been releas
EXTD=ed before. They are Mongrel, Ramblin' Gamblin' Man, Seven, and Sm
EXTD=okin' O.P's. They were out in '92 or '93. They went out of print 
EXTD=pretty fast. I have these and the new version of S.O.P.'s. It def
EXTD=inetly sounds better with the new remastering. "Back in '72" was 
EXTD=listed in Ice Magazine for release on 8-16-05 but it didn't happe
EXTD=n. Must have been pushed back. That album has never been released
EXTD= on CD, so it will be a welcome addition to my collection. Hopefu
EXTD=lly, the powers-that-be will see fit to re-release the others wit
EXTD=h the new remastered sound which is superior to the first go roun
EXTD=ds. Also, I vaguely remember seeing "Noah" on vinyl years ago, bu
EXTD=t I don't recall much about it. I was really looking forward to t
EXTD=he "Back in '72" CD. I found a good copy of it on vinyl a few mon
EXTD=ths ago and transferred it to my computer which sounds o.k. My fa
EXTD=vorite is "Rosalie" which Thin Lizzy covered much to the original
EXTD= way Bob did it. ....Heavy Music, Indeed!! \n\n\nAMAZON.COM CUSTO
EXTD=MER REVIEW\nAnother Side Of Bob Seger, August 8, 2005\nReviewer: 
EXTD=The Footpath Cowboy "rockerusa2002" (Kingston, NY United States)\n
EXTD=SMOKIN' O.P.'S presents a side of Bob Seger that many people migh
EXTD=t not know. On this CD, all but the last two songs are written by
EXTD= other people, and Seger has a sound much more rooted in the 60s 
EXTD=than the one we've come to know. Still, this is a great album, an
EXTD=d the fact that it was reissued just as Seger was advocating sanc
EXTD=tions against Indonesia for that country's trumped-up drug-smuggl
EXTD=ing conviction of a young Australian tourist is as good a reason 
EXTD=to buy this CD as are his great covers of such compositions as "H
EXTD=ummingbird" and his own "Heavy Music."\n\n\nAMAZON.COM CUSTOMER R
EXTD=EVIEW\nOLD BOB JUST LETS GO!!!, July 27, 2005\nReviewer: Crabby A
EXTD=pple Mick Lee (INDIANAPOLIS, IN USA)\nA few years before Bob's tr
EXTD=uly "breakout" albums (BEAUTIFUL LOSER, LIVE BULLET, AND NIGHT MO
EXTD=VES), he toured heavily and turned out several obscure records. I
EXTD=n spite of being ignored by the masses, these "lost" albums forme
EXTD=d the solid rock on which Seger's concert shows were built on. SM
EXTD=OKIN' O.P.S is a great album that shows everyone these days what 
EXTD=all the excitement was all about. \n\nHere Seger took mostly hits
EXTD= for others and put them to the Silver Bullet. The hot whiskey bu
EXTD=zz swings right off the bat with "Bo Diddley". "Bo Diddley" had b
EXTD=een a minor entry in the Rock Catalogue; but Seger's treatment br
EXTD=eathes high octane life into the old standard. Segar sings his bu
EXTD=tt off with energy and gusto and the solo guitarist pours fire fr
EXTD=om his steel strings. "Love the One You've With" intertwines the 
EXTD=spirit of James Brown into Stills' Latin flavored/California hymn
EXTD= to "free love" (which legend has it Stills practiced with impuni
EXTD=ty.). \n\n"If I Were a Carpenter" is Tim Hardin's claim to immort
EXTD=ality and has been covered by everyone from Bobby Darin to Johnny
EXTD= Cash. It is such a great song that nearly all performances and r
EXTD=ecordings are a least "good" to "very good" (Cash's version has a
EXTD= special place in my heart). The temptation for someone like Sege
EXTD=r is to turn down the energy and get all soft and sensitive. Inst
EXTD=ead, Seger flat out rocks this old chestnut and breathes dynamic 
EXTD=power into each verse. Excellent. Deserves far more exposure than
EXTD= it has received. \n\nUnfortunately, Seger did not pour his locom
EXTD=otive force in Leon Russel's "Hummin' Bird". In the spirit of ful
EXTD=l disclosure, I have to admit I have always been under whelmed by
EXTD= the song. It is one of those early 1970's ballads whose style wa
EXTD=s popular among a certain set of the rock/folky/weed smokin' publ
EXTD=ic that I thought didn't deserve half the adulation it got. Be th
EXTD=at as it may, this is where Seger does try to go soft and sensiti
EXTD=ve. Leon Russel had a sterling reputation and standing at the tim
EXTD=e and so, perhaps, Seger felt out of respect he shouldn't turn it
EXTD= inside out to make it his own as he had the others on this album
EXTD=. But for my money it is the only clinker in the set. It breaks t
EXTD=he vigor and liveliness of SMOKIN' O.P.S -which is too bad since 
EXTD=its inclusion was so unnecessary. \n\nThis misstep aside, the alb
EXTD=um picks itself up and plows right on through to the end. Of spec
EXTD=ial note is Seger's new adaptation of his regional hit "Heavy Mus
EXTD=ic". I have the original version on an old LP of Michigan local r
EXTD=ock bands and favorite "one-off" singles. I have to say the origi
EXTD=nal version pales in comparison to this one. Don't bother seeking
EXTD= out the earlier rendition. This "Heavy Music" is definitive. \n\n
EXTD=Seger has said at this stage of his career he didn't quite know h
EXTD=ow to make records to draw the same attention and success that th
EXTD=e Eagles and the Doobie Brothers had. I disagree. Just because hi
EXTD=s records at this time were largely ignored doesn't mean they wer
EXTD=e sub-standard. He knew how to put on a fantastic show and that s
EXTD=ame talent spilled over on to his records. Here's hoping Seger's 
EXTD=BACK IN '72 is also brought back in a CD edition. It is every bit
EXTD= as good. \n\n\n\nAMAZON.COM CUSTOMER REVIEW\nIt's A Start, June 
EXTD=10, 2005\nReviewer: R. Smith "rscrabb" (Viola, Iowa USA)\n\nAbout
EXTD= 10 years ago, Bob Seger did have most of his early Capitol album
EXTD=s on CD (with the exception of Noah, Brand New Morning and the ho
EXTD=ly grail of Seger albums Back In 72 with the original version of 
EXTD=Turn The Page), and for some reason Ramblin Gamblin Man, Mongrel 
EXTD=and Seven as well as Smokin OPs were deleted, leaving fans who wa
EXTD=nted the CDs try to outbid one another on EBAY. \n\nPerhaps Bob f
EXTD=inally got the message from his fans and did managed to re releas
EXTD=e the very popular Smokin OPs, a stunning collection of cover ver
EXTD=sions that Bob liked. It doesn't get any heavier with lead track 
EXTD=Bo Diddley to which even on the CD version, the bass rumbles thro
EXTD=ugh the speakers. Hey Bob, who do you love? \n\nOther faves inclu
EXTD=de Love The One You're With, a version that is just as good if no
EXTD=t better than Stephen Stills, and a version of If I Were A Carpen
EXTD=ter which has to be heard to be believed. On the other side of th
EXTD=e record, you have Let It Rock and Turn On Your Love Light which 
EXTD=pays homage to Chuck Berry and Bobby Blue Bland. The ballads Some
EXTD=day and Leon Russell's Hummingbird does sound kinda out of place 
EXTD=granted with the rock and roll on this album, and it all conclude
EXTD=s with Heavy Music, which sounds like it was mastered off a 45. L
EXTD=ove the bass on that. \n\nCertainly Bob is proud of Night Moves a
EXTD=nd beyond, however the early Capitol Seger years shows that along
EXTD=side Detroit superstars Iggy and the Stooges, Mitch Ryder and The
EXTD= Detroit Wheels, MC5 and a few others, that Bob was a rocking for
EXTD=ce to be reckon with as well. This is true rock and roll, and it'
EXTD=s great to see Smoking OPs back in print. Now Bob how about relea
EXTD=sing the rest again? (Seven, Back In 72, etc etc) \n\nFun fact. S
EXTD=moking OPs was recorded at a studio with a bowling alley upstairs
EXTD= (Pampa Lanes).\n\n\n\nAMAZON.COM CUSTOMER REVIEW\nThe Dee-troit 
EXTD=Sound, June 8, 2005\nReviewer: D. Schmittdiel (Clinton Twp., MI)\n
EXTD=\nDetroit music in the 1960's and early 1970's was more than just
EXTD= Motown. The area also produced cult favorites and proto-heavy ro
EXTD=ckers like The Stooges and the MC5. Unless you're from Detroit, h
EXTD=owever, you may be unaware that Detroiter Bob Seger released a se
EXTD=ries of albums before he arrived on the national stage in the mid
EXTD=-1970's with break-out hits such as 'Night Moves" and 'Beautiful 
EXTD=Loser'. In fact, for quite a few years, both Seger and his fans b
EXTD=emoaned the lack of national attention his work received. Looking
EXTD= back on some of his work reveals why his local fans were perplex
EXTD=ed at his delayed ascent, and also why a national audience eluded
EXTD= Seger. \n\n'Smokin' O.P.'s' (meaning smoking other people's... i
EXTD=n this case other people's hits rather than cigarettes, although 
EXTD=the front insert is a wonderfully simplistic play on a pack of Lu
EXTD=cky Strike cigarettes) is a great collection of cover songs. In h
EXTD=is early incarnations Seger sounded much more like the sharp-edge
EXTD=d J. Geils Band (who first gained acclaim with their 'Full House'
EXTD= LP, recorded at the Grande Ballroom in Detroit) than the more mi
EXTD=ddle-of-the-road rocker he became in the mid-'70's. 'Smokin' O.P.
EXTD='s' was Bob's fifth album, released in 1972, and for the most par
EXTD=t was a collection of excellent cover songs. Most are standard ha
EXTD=rd-rock offerings (the sound that went down best in local Detroit
EXTD= venues) including an impressive opening trio of Ellis McDaniel's
EXTD= 'Bo Diddley/Who Do You Love', Stephen Stills' 'Love the One You'
EXTD=re With', and Tim Hardin's 'If I Were a Carpenter'. The first two
EXTD= songs feature slick lead guitar solo's from Monk Bruce, while 'I
EXTD=f I Were a Carpenter' owes it's foundation and some great solo wo
EXTD=rk to organist Skip Knape (aka 'Van Winkle' from 'Teegarden & Van
EXTD= Winkle'; David Teegarden provides percussion on this disc as wel
EXTD=l). \n\nOn the original vinyl release side one mellowed out a bit
EXTD= at the end with a cover of Leon Russell's 'Hummin' Bird' ("don't
EXTD= fly away"). Seger is really showing some grit by covering these 
EXTD=four classic hits, and while it's hard to say that any of them su
EXTD=rpass the original versions, they are sung with an obvious joy an
EXTD=d excitement that make them a thrill to experience. It's probably
EXTD= the best single album side Seger put together before his more ac
EXTD=claimed persona emerged. \n\nThe remaining five tracks offer a co
EXTD=uple gems as well. Seger offers a sweet version of 'Turn On Your 
EXTD=Love Light', feeding off a funky rhythm guitar foundation, and th
EXTD=e closer, a remake of Seger's 1966 hit with The Heard, 'Heavy Mus
EXTD=ic'. 'Heavy Music' seems misplaced on the disc, as does it's pred
EXTD=ecessor, 'Someday'. Both are Seger compositions (which doesn't fi
EXTD=t with the theme of the album), 'Someday' is a misfit as a quiet,
EXTD= piano-based ballad, and 'Heavy Music' would serve much better as
EXTD= an opener than the closer. 'Let It Rock', the opener of side two
EXTD=, comes across as a generic bar-hall stomper, and 'Jesse James', 
EXTD=while less distinguished than some of the other tracks, has a bea
EXTD=t like a churning locomotive that blends in well with the albums 
EXTD=other tracks. \n\nWhile there's a lot to like on 'Smokin' O.P.'s'
EXTD= including some excellent musicianship, quality composing ('Heavy
EXTD= Music'), and an audibly resounding desire to deliver "the goods"
EXTD=, clearly Seger needed to develop more consistency, and broaden h
EXTD=is range of music to become an elite performer, a mystery he solv
EXTD=ed as the '70's progressed. It's a shame that Bob has not seen fi
EXTD=t to reissue some of his earlier work, such as this disc, his ori
EXTD=ginal 'Bob Seger System' album, as well as 'Noah' and 'Mongrel'. 
EXTD=On a smaller scale, for fans of Seger, not having access to these
EXTD= tracks is akin to only experiencing The Beatles from 'Rubber Sou
EXTD=l' on. While these discs may not reveal the mature talent Seger w
EXTD=ould eventually develop, their raw energy and gritty late 60's/ea
EXTD=rly 70's sound has its own vintage appeal. If you release them, B
EXTD=ob, the fans will come. \n\n2/8/05 ADDENDUM: Thanks, Bob! Here we
EXTD= come! \n\n\nHalf.com Details \nProducer: Punch \n\nAlbum Notes\n
EXTD=Personnel: Bob Seger (vocals, piano, guitar), Michael Bruce (guit
EXTD=ar), Skip Knape (organ, organ pedal bass, piano), David Teegarden
EXTD= (drums, maracas).\n\nAdditional personnel: Pam Todd, Crystal Jen
EXTD=kins (vocals), Jack Ashford, Jim Bruzzese (tambourine), Eddie Bon
EXTD=go (congas).\n\nRecorded at Pampa Studios, Detroit, Michigan.\nPe
EXTD=rsonnel: Bob Seger (vocals, guitar, piano); Pam Todd, Crystal Jen
EXTD=kins (vocals); Michael Bruce (guitar); Al Yungton (strings); Skip
EXTD= Knape (piano, organ); David Teegarden (drums, maracas); Eddie "B
EXTD=ongo" Brown (congas); Jack Ashford (tambourine).\n\nRecording inf
EXTD=ormation: Pampa, Detroit, Michigan (1972).
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