# xmcd
#
# Track frame offsets: 
#        150
#        16230
#        30942
#        42970
#        58227
#        69455
#        91265
#        113412
#        129102
#        147540
#        160052
#
# Disc length: 2464 seconds
#
# Revision: 3
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: ExactAudioCopy v0.90b4
#
DISCID=84099e0b
DTITLE=David Crosby & Graham Nash / Wind On The Water
DYEAR=1975
DGENRE=Rock
TTITLE0=Carry Me
TTITLE1=Mama Lion
TTITLE2=Bittersweet
TTITLE3=Take The Money And Run
TTITLE4=Naked In The Rain
TTITLE5=Love Work Out
TTITLE6=Low Down Payment
TTITLE7=Cowboy Of Dreams
TTITLE8=Homeward Through The Haze
TTITLE9=Fieldworker
TTITLE10=To The Last Whale...
EXTD=Originally Released September 15, 1975 \nRemastered CD Edition Re
EXTD=leased January 11, 2000\n\nAMG EXPERT REVIEW: As two of the most 
EXTD=distinctive artists from the '60s and '70s given their work in CS
EXTD=NY, Crosby & Nash also did great work as a duo act. Wind on the W
EXTD=ater was released in 1975 after the previous year's CSNY reunion 
EXTD=tour and the dissolution of their contract at Atlantic. In many r
EXTD=espects, this alliance made perfect sense. When it was just the t
EXTD=wo of them, they were often more likable. Crosby wasn't as much o
EXTD=f a blowhard and Nash became more pragmatic. Wind on the Water's 
EXTD=virtues are apparent with the first song, the warm and pensive si
EXTD=ngle "Carry Me." "Homeward Through the Haze," "Low Down Payment,"
EXTD= and "Naked in the Rain" are gems that all but sum up their compl
EXTD=icated harmonic and melodic style. Besides Crosby & Nash being on
EXTD= their game, the studio players here are impeccable. Lovers of '7
EXTD=0s pop/rock will love to hear players like Danny Kortchmar and Da
EXTD=vid Lindley effortlessly doing their identifiable riffs. James Ta
EXTD=ylor, Carole King, and Jackson Browne also showed up for these se
EXTD=ssions, but do not intrude or overshadow Crosby & Nash. Without a
EXTD= doubt, despite the strong production, the stars of the show here
EXTD= are Crosby & Nash. The album concludes with "To the Last Whale..
EXTD=.: Critical Mass/Wind on the Water." The song is not only a testa
EXTD=ment to the album's skill at making the complex seem effortless, 
EXTD=but it also gets its point across without being mushy. Wind on th
EXTD=e Water has an instant classic, lived-in sound and is a definite 
EXTD=must-have.  -- Jason Elias\n\n\nAMAZON.COM CUSTOMER REVIEW\nCrosb
EXTD=y & Nash -- what a pairing, December 20, 2006\nReviewer: Dave "mi
EXTD=ssing person" (United States)\nOriginally released in September o
EXTD=f 1975, "Wind on the Water" is the second proper album from the d
EXTD=uo pairing of David Crosby and Graham Nash, and quite simply, it'
EXTD=s a must-have. \n\nYou haven't truly lived if you haven't experie
EXTD=nced the soaring beauty of Crosby's looping, aptly-titled "Bitter
EXTD=sweet", and the dreamy contemplation of his "Homeward Through The
EXTD= Haze". Likewise, Nash's waltzing "Mama Lion" has striking lyrica
EXTD=l imagery and an incredibly powerful buildup, with searingly emot
EXTD=ional slide guitar from the extraordinary David Lindley. The albu
EXTD=m's ultimate 'forgotten gem', in that it doesn't appear on the "C
EXTD=SN" box set, and seems to have never been performed live by these
EXTD= guys (if it has, then just barely), is Nash's spellbindingly pow
EXTD=erful and defiant anthem "Love Work Out"--Jackson Browne is credi
EXTD=ted for "other vocals" on it, and it features some of the richest
EXTD= vocal harmonies you could imagine, and the guitar interplay betw
EXTD=een Lindley and Danny Kortchmar is again extraordinary; CSN&Y sho
EXTD=uld have seriously considered resurrecting this timeless inspirat
EXTD=ional gem for their 2006 Freedom of Speech tour, and hey, it'd ha
EXTD=ve given Stills and Young a perfect vehicle for one of their guit
EXTD=ar duels. Fittingly, Lindley brings out the fiddle, to excellent 
EXTD=effect, for "Cowboy of Dreams", an excellent 3/4 country-western 
EXTD=song that Nash claims to have written about Neil Young--heard tod
EXTD=ay, the chorus sounds like a sly jab at those who are willing to 
EXTD=go along with Young no matter what musical detour he chooses. "Na
EXTD=ked In The Rain" is the first time Crosby and Nash shared a writi
EXTD=ng credit on a single song--it has a blissful, sun-kissed feel to
EXTD= it, with its blend of acoustic guitars, Craig Doerge's modulated
EXTD= electric piano, and Kortchmar's 'raining' electric guitar flouri
EXTD=shes. Nash's protest number "Fieldworker" suffers from a somewhat
EXTD= lackluster execution, but it's still strong. Other great songs i
EXTD=nclude Nash's angry "Take The Money And Run" and Crosby's dynamic
EXTD=, incredibly crafty "Low Down Payment". James Taylor is featured 
EXTD=on at least two songs--Crosby's uplifting "Carry Me" (where he si
EXTD=ngs about a visit to his dying mother) and Nash's title song (a c
EXTD=autionary tale about the killing off of whales); it also sounds l
EXTD=ike Taylor playing acoustic guitar on "Bittersweet", although he 
EXTD=is not credited (furthermore, no one at all is credited for playi
EXTD=ng acoustic guitar on it, although it's clearly audible, which ju
EXTD=st makes me all the more certain it's Taylor). Crosby's "Critical
EXTD= Mass", which serves as an intro to the title song, is magnificen
EXTD=tly arranged, bafflingly sophisticated, and beautiful--it's an a 
EXTD=capella piece sung entirely by Crosby & Nash until the orchestra 
EXTD=kicks in at the end; seemingly an outtake from Crosby's first sol
EXTD=o album, it's kind of mind-blowing that Crosby's vocal parts had 
EXTD=been recorded over 4 years before Nash got around to adding his. 
EXTD=\n\nAs the liner notes for this 2000 reissue indicate, Crosby and
EXTD= Nash themselves hold this album in very high regard, and had inc
EXTD=redibly good feelings about it as they were recording it. Indeed,
EXTD= with so much sumptuous, emotionally-wrenching material, "Wind on
EXTD= the Water" should be an indispensible part of any serious music 
EXTD=lover's collection.\n\n\n\nHalf.com Details \nContributing artist
EXTD=s: Carole King, Jackson Browne, James Taylor \n\nAlbum Notes\nPer
EXTD=sonnel: David Crosby (vocals, guitar, piano); Graham Nash (vocals
EXTD=, electric 6-& 12-string guitars, piano, organ, keyboards, congas
EXTD=); James Taylor, Joel Bernstein (vocals, acoustic guitar); Carole
EXTD= King (vocals, piano, electric organ); Jackson Browne (vocals); D
EXTD=anny Kortchmar (electric guitar); David Lindley (guitar, fiddle);
EXTD= Ben Keith (slide guitar); Craig Doerge (acoustic & electric pian
EXTD=o, organ, keyboards); Stan Celeste (electric piano, keyboards); L
EXTD=eland Sklar, Tim Drummond (bass); Russ Kunkel (drums, percussion)
EXTD=; Levon Helm (drums).\nProducers: David Crosby, Graham Nash.\nRei
EXTD=ssue producers: Stephen Barncard, Mike Ragongna.\nRecorded at Rud
EXTD=y Records, San Francisco, California; Sound Labs and Village Reco
EXTD=rders, Los Angeles, California. Includes reissue liner notes by S
EXTD=teve Silberman.\nDigitally remastered by Erick Labson (1999, MCA 
EXTD=Music Media Studios).\nIn the early and mid-'70s, the years betwe
EXTD=en the live FOUR-WAY STREET and 1977's CSN, there were plenty of 
EXTD=albums which were supposedly begun as Crosby Stills Nash and Youn
EXTD=g projects but collapsed. The Stills and Young Band's LONG MAY YO
EXTD=U RUN is a legendary example, as is 1975's David Crosby and Graha
EXTD=m Nash album WIND ON THE WATER, the record the duo made after the
EXTD= early sessions that eventually became LONG MAY YOU RUN fell apar
EXTD=t.\nListening to this album, it's easy to hear how different thes
EXTD=e songs would have sounded with Stills and Young's input, and ind
EXTD=eed, the best songs from these two records would have made a kill
EXTD=er CSN&Y release. On their own, Crosby, Nash, and the usual heavy
EXTD= friends--Jackson Browne, Carole King, James Taylor, etc.--have m
EXTD=ade a fine mid-'70s mellow California rock album.\n\nIndustry Rev
EXTD=iews\n3 stars (out of 5) - ...the positive spirit of these record
EXTD=ings still seeps through nearly 25 years later...\nQ (07/01/1999)
EXTT0=
EXTT1=
EXTT2=
EXTT3=
EXTT4=
EXTT5=
EXTT6=
EXTT7=
EXTT8=
EXTT9=
EXTT10=
PLAYORDER=
