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DISCID=6509da09
DTITLE=Barbra Streisand / Guilty [DualDisc]
DYEAR=1980
DGENRE=Rock/Pop
TTITLE0=Guilty (Duet with Barry Gibb)
TTITLE1=Woman In Love
TTITLE2=Run Wild
TTITLE3=Promises
TTITLE4=The Love Inside
TTITLE5=What Kind Of Fool (Duet with Barry Gibb)
TTITLE6=Life Story
TTITLE7=Never Give Up
TTITLE8=Make It Like A Memory
EXTD=Originally Released September 23, 1980\nCD Edition Released 1987 ??\nDual
EXTD=Disc Edition Released August 30, 2005\n\nAMG EXPERT REVIEW: The biggest s
EXTD=elling album of Barbra Streisand's career is also one of her least charac
EXTD=teristic. The album was written and produced by Barry Gibb in association
EXTD= with his brothers and the producers of the Bee Gees, and in essence it s
EXTD=ounds like a post-Saturday Night Fever Bee Gees album with vocals by Stre
EXTD=isand. Gibb adapted his usual style somewhat, especially in slowing the t
EXTD=empos and leaving more room for the vocal, but his melodic style and the 
EXTD=backup vocals, even when they are not sung by the Bee Gees, are typical o
EXTD=f them. Still, the record was more hybrid than compromise, and the chart-
EXTD=topping single "Woman in Love" has a sinuous feel that is both right for 
EXTD=Streisand and new for her. Other hits were the title song and "What Kind 
EXTD=of Fool," both duets with Gibb. (The song "Guilty" won a Grammy Award for
EXTD= Best Pop Vocal by Duo or Group.) -- William Ruhlmann \n \nAmazon.com Edi
EXTD=torial Review\nGuilty may well be Barbra Streisand's best pop album. At t
EXTD=he peak of her late-'70s popularity, she hooked up with the Bee Gees' Bar
EXTD=ry Gibb, who himself was basking in his Saturday Night Fever glow. Gibb w
EXTD=rote and produced most of the material on 1980's Guilty, and he supplied 
EXTD=background vocals as well as co-leads on two tracks. The results are stil
EXTD=l completely bewitching. "Promises," for instance, is a lounge-like dance
EXTD= number and Babs sounds simply fabulous--sexy, lighthearted, passionate, 
EXTD=playful--all at once. "Life Story" is a wild epic, and "Make It Like a Me
EXTD=mory" keeps soaring up and up into a stratosphere of shag-carpeted luxury
EXTD=. Even Gibb's wavering vocals are great--and not a little like a disco ve
EXTD=rsion of Mandy Patinkin. And of course, the hits are out of this world: "
EXTD=Woman in Love" and "What Kind of Fool" are titanium-plated classics the l
EXTD=ikes of which Streisand has not topped since. A guilty pleasure, sure--ju
EXTD=st indulge. --Elisabeth Vincentelli \n\nNOTE: This 25th-anniversary editi
EXTD=on reissue includes: CD AUDIO SIDE: Entire Album DVD SIDE: Entire album i
EXTD=n Enhanced LPCM Stereo; video programming includes: interview with Barbra
EXTD= and Barry on the recording of Guilty filmed in June 2005; a video perfor
EXTD=mance of one of the songs from the new album Guilty Pleasures; included e
EXTD=xclusively on this disc as a preview; "Guilty" live from the TV special "
EXTD=One Voice"; a photo gallery with outtakes from the original Mario Casilli
EXTD= photo session. \n\nAmazon.com Customer Review (DualDisc)\nPoor treatment
EXTD= of a classic Streisand album, September 26, 2005\nReviewer: Jay L. Rudko
EXTD= (Pembroke Pines, FL USA) \nI can't dispute this being one of Barbra Stre
EXTD=isand's best albums. But this 25th anniversary reissue is not the treatme
EXTD=nt deserved by this great recording. Barbra certainly deserves better tha
EXTD=n what was done here. The CD side of this dual disc sounds excellent, pre
EXTD=senting the album as we remember it. But Sony missed the boat on the DVD 
EXTD=side, as it pertains to the 9 tracks that are also on the CD side. The DV
EXTD=D, by its very nature, is able to store a lot more information than a CD.
EXTD= As was stated by another reviewer, there is the ability to support a muc
EXTD=h higher bit rate and sampling rate on the DVD side. The sound on the DVD
EXTD= side is NO BETTER than the CD side. Also, the DVD side can support 5.1 s
EXTD=urround sound as well, including Dolby Digital and DVD-Audio. While I don
EXTD='t expect Sony to use the latter, they have used Dolby Digital 5.1 on man
EXTD=y of their dual discs. They used neither high resolution stereo (24-bit, 
EXTD=88 or 96 kHz), nor Dolby Digital surround (24-bit, 48kHz)for this release
EXTD=. It sounds to me like they used the same 16-bit, 44.1 kHz master that wa
EXTD=s used for the CD side. I did the comparison on a home theater system tha
EXTD=t is more than capable of revealing the differences between standard CD r
EXTD=esolution and highresolution stereo or surround. Videos notwithstanding, 
EXTD=there was no reason to release this album on dual disc if its full potent
EXTD=ial was not to be realized. I'm unable to rate this album with the 5 star
EXTD=s the music deserves due to this poorly handled DVD side. I'm sorry, folk
EXTD=s, but Barbra deserves better than this.\n\nAmazon.com Customer Review (D
EXTD=ualDisc)\nGuilty On All Counts - Including Extreme Pleasure, September 10
EXTD=, 2005\nReviewer: Steven Housman "SHARK" (West Hollywood, CA & Miami, FL)
EXTD= \nOn September 23, 1980, Barbra Streisand released Guilty, the most succ
EXTD=essful and arguably the most satisfying pop album of her long and legenda
EXTD=ry recording career. The album spawned three top ten singles; the first r
EXTD=elease, "Woman In Love," topped the pop charts for three weeks in October
EXTD= 1980, the second and third singles were smash duets with collaborator Ba
EXTD=rry Gibb, the infectious mid-tempo "Guilty" and the power ballad "What Ki
EXTD=nd of Fool." The fact that this celebrated duo teamed up and made history
EXTD= is almost as interesting as the music he wrote and produced and the song
EXTD=s she performed. Upon its initial release in 1980, "Guilty" was quickly c
EXTD=ertified Gold by the Recording Industry Association of America, and, with
EXTD=in two months, achieved Platinum status. It has gone on to be certified 5
EXTD=x's Platinum, with sales exceeding 5,000,000 copies in the U.S. alone and
EXTD= 12 million worldwide. It is one of Streisand's record-breaking tally of 
EXTD=49 Gold, 30 Platinum and 13 Multi-Platinum albums. According to the RIAA,
EXTD= she is the industry's #1 best selling female recording artist...and the 
EXTD=only female in the top ten. \n\nOn August 30, 2005, 25 years later, Guilt
EXTD=y was re-released not only in LPCM format, but also as a Dual Disc. Side 
EXTD=One contains the original songs dusted off and tweaked so meticulously, y
EXTD=ou'll hear notes and instruments that you've never heard before. Side Two
EXTD= is the real treat. It's a DVD that consists of a brand new interview wit
EXTD=h Barbra and Barry on the recording of Guilty - taped June 2005, two live
EXTD= performances, "Guilty" and "What Kind Of Fool" from Barbra's legendary 1
EXTD=986 "One Voice" concert at her Malibu home, an excerpt "Stranger In A Str
EXTD=ange Land," one of the eleven new songs from her upcoming September 20 re
EXTD=lease, titled Guilty Pleasures, a preview of the new album and a Photo Ga
EXTD=llery of the sessions with Gibb. \n\nThe reason for all of this fanfare i
EXTD=s of course to promote the most anticipated album of the upcoming fall mu
EXTD=sic season. Before I jump ahead to her upcoming release, "Guilty Pleasure
EXTD=s," let's go back to where it all began. \n\nBy the late 70's, the Bee Ge
EXTD=es were the hottest act around, coming off of Saturday Night Fever and si
EXTD=x consecutive Number One singles. Meanwhile, Streisand had become the ult
EXTD=imate pop princess-- scoring a dozen Top 40 hits in the decade, including
EXTD= four Number One's which included "The Way We Were," "Love Theme From A S
EXTD=tar Is Born (Evergreen)" (both winning Grammy's and Best Song Oscars), an
EXTD=d two historic duets, "You Don't Bring Me Flowers" with Neil Diamond and 
EXTD="No More Tears (Enough Is Enough)" with Donna Summer. \n\nIn August 1980,
EXTD= the first single, "Woman in Love" written by Barry & Robin Gibb, was rel
EXTD=eased to radio and began a swift rise to the top of the charts. The song 
EXTD=was like nothing that Barbra had ever attempted in her then 18-year recor
EXTD=ding career. The hooks were pure Bee Gees magic and the backup vocals wer
EXTD=e gorgeously ethereal. It was one of the best pop songs of Streisand's ca
EXTD=reer. With the mounting success of the single, the anticipation for the a
EXTD=lbum rapidly increased. Five weeks later, the suspense was terminated. Wi
EXTD=thin three weeks after the release, Streisand owned the top of Billboard 
EXTD=Hot 100 and Album charts with "Woman in Love" and Guilty, respectively. \n
EXTD=\nThe title cut kicked off the album, which was a mid-tempo duet with Gib
EXTD=b. It was an absolute joy to hear Barbra using her voice in such a playfu
EXTD=l way. She and Barry complimented each other beautifully, as they did on 
EXTD=the album's only other duet, the power ballad "What Kind of Fool." \n\nAn
EXTD=other highlight on the album was "The Love Inside," which is a lavish son
EXTD=g of lost love. Barbra's unique brand of quiet longing married to the lus
EXTD=h arrangement makes this one of the finest in her repertoire, and proves 
EXTD=that nobody can break your heart and sell a song like Streisand. \n\n"Pro
EXTD=mises" is the closest that the Gibb Brothers came to delivering a disco s
EXTD=ong when disco was already on its way out. The song smartly used Gibb's d
EXTD=ance element but slowed it down just enough to make it a mid-tempo romp w
EXTD=ith Streisand easily gliding in and out of the melodious hooks. \n\nFor t
EXTD=hose of you who prefer a more traditional ballad, "Run Wild" proved to be
EXTD= right up Streisand's alley for the familiar sound most people associate 
EXTD=her with. \n\n"Life Story" is a song that could have easily been used as 
EXTD=a James Bond theme song. Nobody knows their way around dramatic chord cha
EXTD=nges like Barry Gibb, and this song is no exception. Streisand's flair fo
EXTD=r the dramatic intensified the atmosphere even more. \n\n"Never Give Up" 
EXTD=was also a departure for Streisand. This is the first song where the synt
EXTD=hesizer actually complimented the songbird's voice -- and when you though
EXTD=t it was all studio trickery, the bridge came and Streisand sang it with 
EXTD=all of her Broadway bravado. \n\nThe final track "Make It Like A Memory" 
EXTD=is the most dramatic of the nine-song set. The sonata combines Streisand 
EXTD=the actress with Streisand the singer, and what we get is close to a thre
EXTD=e act play with a jaw-dropping vocal and a wild guitar solo. Streisand co
EXTD=os at one moment and is belting the next with so much raw emotion, she li
EXTD=terally takes you on a seven and a half minute roller coaster ride. \n\nG
EXTD=uilty is the most unique album of Streisand's pop catalogue, and it's eas
EXTD=ily apparent why it was Number One in over a dozen countries and sold ove
EXTD=r twelve million units worldwide. The ingredients that Gibb cooked up for
EXTD= this album are so delicious that even non-Streisand fans ate it up. \n\n
EXTD=For those who haven't heard this historic opus, I highly suggest picking 
EXTD=up a copy of the newly remastered Dual Disc- it is absolutely phenomenal.
EXTD= The album may be titled Guilty, but the pleasure is anything but. \n\nAm
EXTD=azon.com Customer Review\nI Do Have Something, I Do Have Something To Be 
EXTD=Guilty Of! , September 13, 2004\nReviewer: kristin724 "kristin724" (New J
EXTD=ersey USA) \nGuilty was the first Gibb-related record I actually bought. 
EXTD=My mom refused to pay $1.99 for the lp and asked, "Who is that guy on the
EXTD= cover with her, anyway?" I explained it was Barry Gibb producing this on
EXTD=e for Barbra and mom answered, "Oh, now I know why you want it." Oddly en
EXTD=ough, I found the cassette at a thrift store, too! \nBarry won all kinds 
EXTD=of cudos and Grammys for this album, even though audiences in 1980 swore 
EXTD=The Bee Gees were passe and disco was by gone. The lead off duet Guilty w
EXTD=as written by Barry, Robin, and Maurice, the only track here penned by al
EXTD=l three of the boys. Should I even try and count all the hooks, lines, an
EXTD=d sinkers in this one? The song fits Barbra perfectly, and yet Barry is i
EXTD=n tune also. Who hasn't tried to sing along with this one? If it's possib
EXTD=le to get more excellent with this song, listen to the brothers' live sni
EXTD=ppets of Guilty from One Night Only or Live By Request. \n\nThis album is
EXTD=n't quite like anything else Barbra Streisand has done, but Woman In Love
EXTD= comes close to her prior work. It suits her moody dark style yet has a G
EXTD=ibb touch too it. I have some of the demos for this album, but I don't li
EXTD=sten to them often. Barry sounds just a bit too shrill on the demos. Barb
EXTD=ra's version of Love however has that grand epic feel to it. \nRun Wild a
EXTD=nd Promises are the first two songs presented that were written by Barry 
EXTD=and Robin. I'd like to say I can hear something different or a touch of R
EXTD=obin somewhere, but I honestly can't. Run Wild does have some unique lyri
EXTD=cs and just sounds very beautiful. Indeed the boys crafted the songs arou
EXTD=nd Barbra's voice. She really belts on this one. \n\nPromises is to me th
EXTD=e one noticable `depature' track. Okay maybe this one does have a bit of 
EXTD=a Robin feel. It seems off beat compared to everything else, and it almos
EXTD=t sounds as if Barbra is in a bit of a lower voice. It works superbly whe
EXTD=n she shoots back up to herself. Just the word Promises and the way she s
EXTD=ays it will get stuck in your head. \nLast on Side A is The Love Inside, 
EXTD=which might be my favorite track. It's the only song written by just Barr
EXTD=y and his lyrics are on form. Barbra's delivery, however, takes this to t
EXTD=he next level. Sometimes this album she can be tough to understand, but o
EXTD=n The Love Inside, what needs to be understood is so, and what you can't 
EXTD=quite make out, mood, music, and imagination take care off. These few min
EXTD=utes tell us its okay to step back from our busy lives, relax, and yes, s
EXTD=top and think about love! ;0) \n\nWhat Kind of Fool is the second duet on
EXTD= the album and was penned by Barry with Albhy Galuten, as are the last tw
EXTD=o tracks. Fool is not as commercial as Guilty, and isn't even as much of 
EXTD=a duet. It does, however, sound the most like a Bee Gees tune. It's very 
EXTD=dark and balladeering. It's unrepetitive and the interlude kicks it up a 
EXTD=notch. \nThe third Barry and Robin penned tune Life Story is next. It has
EXTD= a lot of booming music and crescendos from Barbra and I can really pictu
EXTD=re her on a rooftop belting this one to somebody who's done her wrong. Is
EXTD= that just me? \nNever Give Up is what I consider the fast track on the a
EXTD=lbum. Barbra almost rapping is definately what no one expected on this tu
EXTD=ne, but the chorus is very Broadway styled. Barry's next project should b
EXTD=e a show based on this album. Parts of this song you can't help but sing 
EXTD=along too. \n\nMake It Like A Memory ends the album in big Broadway produ
EXTD=ction fashion. It starts off slow, then turns it up. Although not saying 
EXTD=the name of a song is annoying when you don't know the title, Barbra's de
EXTD=livery of the long awaited title line in this one is worth it. My one nit
EXTD=pick with the song is the ending. It just drags on and on and fades into 
EXTD=the distance. Maybe there is some sort of parallel to be drawn about reme
EXTD=mbering or the memory fading, I don't know. I would rather have the song 
EXTD=end on some of the big booms and cymbals it's got in there, but did I win
EXTD= a Grammy for this stuff? No. \nGuilty is the perfect album to have in ca
EXTD=se, just maybe, you want to hear a woman's voice and still have that awes
EXTD=ome Gibb quality in lyrics, sound, and production. Hey, hey, I said maybe
EXTD=. \n\nAmazon.com Customer Review\n"Guilty" Pleasure!, July 14, 2004\nRevi
EXTD=ewer: Funky D "FunkyD" (The First Coast) \nAdmittedly I am much more of a
EXTD= Barry Gibb/Bee Gees fan than a Streisand one, so much of the appeal of t
EXTD=his album is based on Barry Gibb's instantly recognizable songwriting and
EXTD= production style. However, this is a rare instance where a truly first-r
EXTD=ate vocalist takes her shot at pure pop music. The results, to put is sim
EXTD=ply, are spectacular, and a once-in-a-lifetime classic.\nStreisand found 
EXTD=Barry Gibb at the absolute top of his game as a writer and producer, and 
EXTD=added a strong and sure voice to the laid-back, butter-smooth melodies an
EXTD=d harmonies of the Brothers Gibb. How he was able to reign in some of Bar
EXTD=bra's occasional vocal excesses remains a mystery, but it is not just Str
EXTD=eisand's best album, it is arguably the best one Barry Gibb ever produced
EXTD=, too.\n\nAlthough "Guilty" and "Woman in Love" are the most-well known t
EXTD=racks on the album (the latter being of the absolute best pop songs of th
EXTD=e late 70s/early 80s), most of the tracks are strong performers. Except f
EXTD=or perhaps "The Love Inside" which drags somewhat and "Run Wild", which i
EXTD=sn't sure where it wants to go, that is.\n\nThe real sleeper here is "Pro
EXTD=mises". It was released as a single, and was little-noticed, but in its o
EXTD=wn way, it is the pinnacle of the album. The easy-going groove is easy to
EXTD= get lost in, and one of the handful of tunes I can play endlessly withou
EXTD=t tiring of it.\n\n"What Kind of Fool" is an exercise in meloncholy, but 
EXTD=is a vocal gem.\n\n"Make It Like a Memory" is the last, and longest track
EXTD=. Starting off slowly and gently, it builds in both drama an momentum unt
EXTD=il it explodes in a classic Bee Gees-style stomp, leaving the listener fe
EXTD=eling like he or she just had a whole pan of double-fudge brownies. A com
EXTD=pletely "Guilty" pleasure!\n\nAmazon.com Customer Review\nMOR FM Pop Glor
EXTD=ia In Excelsis, April 1, 2004\nReviewer: Nosferatu das Vampir (Porto, Por
EXTD=tugal) \nThe late 70s/early 80s white-hot streak of pop heaven the Bee Ge
EXTD=es were associated with was already mentioned by a previous reviewer. I s
EXTD=uppose radio listeners probably grew tired of that fluffy, warm cotton sw
EXTD=ab soundscape, but listening to "Guilty" after all these years is still s
EXTD=o much of a rapture i can't manage to escape the thrill! \nI have no pati
EXTD=ence for Barbra and her "classy popular performer" appeal. I like her whe
EXTD=n she is the vessel to someone else's thoughts and ideas: she is far 2 co
EXTD=nventional 2 be truly appealing on a deep level. But her voice soaring ab
EXTD=ove the celestial lounge-funk of these tracks is like a polished operatic
EXTD= blues singer engraving gold on every word and clearing ambiguities with 
EXTD=her special kind of hypnotic subtlety. \nThere's gorgeous funky pop - "Gu
EXTD=ilty", "Promises" - and amazing slow burners - "Life Story", "Run Wild". 
EXTD="Life Story" is an amazing paranoid accusation of jealousy: everytime i h
EXTD=ear it i immediately long for the bridge - "Deeper than your valleys, lon
EXTD=ger than your memory, I go to your story's end" - and tremble at the reco
EXTD=gnition that it hits the spot everytime! I'd call "Run Wild" cosmic, but 
EXTD=i suppose it translates into something laughable. Yet cosmic is exactly w
EXTD=hat it is. "Make it like a Memory" is simply blues meets opera with a som
EXTD=ewhat complex structure - ok, it's not Stravinsky, but it's way above mos
EXTD=t pop/rock. Her duets with Gibb - "Guilty" and "What kind of Fool" - are 
EXTD=perfect vocal marriages; "Love Inside" is heavenly and nostalgic with alm
EXTD=ost Platonic tinges. \nFinally: the number one single, "Woman in Love", i
EXTD=s like a carousel you get trapped in notwithstanding attempts to avoid ge
EXTD=tting caught in the dizzy giddiness of it. Barbra pushes the song to high
EXTD=er and higher levels and it seems to extend itself beyond the material an
EXTD=d into the metaphysical. \nThis is really a rare album, one i started lis
EXTD=tening to during my childhood thanks to my cousin, and has never exhauste
EXTD=d itself throughout repeated listenings...\n\nAmazon.com Customer Review\n
EXTD=Guilty Pleasures, February 9, 2002\nReviewer: Martin London (London, Engl
EXTD=and, UK) \nJust when you thought, please God no more Bee Gee's, Barbra St
EXTD=riesand gave them the kind of class they never had. If there are five ess
EXTD=ential Streisand albums this has to be one of them: THE WAY WERE WERE bei
EXTD=ng the greatest in her long career. But this time out she's travelling in
EXTD= useful company. Whatever one thinks of them, and I find it easy not thin
EXTD=king about them, the Gibbs can not be ignored here. This was Drama meets 
EXTD=Disco and it never sounded better for Barbra, or us; the comsumers. \nIn 
EXTD=London this album caused a sensation in 1980-2 and it is still much loved
EXTD=. Here is the meeting of two stylists Barbra the Diva and Barry the camp 
EXTD=loverboy to melt the hearts of teendream girls, even my sister fancied hi
EXTD=m. Anyway, rather than competing with Barbra he paid her the greatest com
EXTD=pliment by wrting, arranging and composing this 'glamourpuss' of an album
EXTD= that matched style with content, if not meaning. \n\nClearly Larry Hart 
EXTD=will rest easy, and so will Cole, George and Ira, because Gibb does not h
EXTD=ave their wit, passion or sophistication. What Barry did have was the kno
EXTD=w how! WOMAN IN LOVE is without a doubt as important to Barbra's career, 
EXTD=along with THE WAY WE WERE and PEOPLE as RESPECT, and all the others grea
EXTD=ts, was to Aretha Franklin: the other great voice of the Rock and Soul er
EXTD=a. \n\nThe production sheen on the CD GUILTY sends the vocials through th
EXTD=e stratosphere and Barbra seems to be in such great spirits throughout th
EXTD=e set. RUN WILD, PROMISES, and LOVE LOVE INSIDE shimmer with confidence. 
EXTD=The tempo of the songs also provide Streisand a ricer vocal range because
EXTD= the songs are not theatrical, they are confessional in a pop sensibility
EXTD=.\n\nAs one of her greatest fans I really dislike her choice of material 
EXTD=over the past 10 years but from 1963-1983 she proved herself to be a voca
EXTD=l stylist bar none! And GUILTY was the pinical of her pop aspirations. Th
EXTD=e opening title track combines the kind of pop devotional love song that 
EXTD=Carol King and her hubby wrote for so many girl groups in the 1960s and t
EXTD=hen later turned into her own vocal confession on TAPESTRY. \n\nGUITLY si
EXTD=ts right up there with the best because it's the kind of glamourous roman
EXTD=ticism that is seldom done today. \n\nI WILL NEVER GIVE UP is so ironic I
EXTD= just love it to pieces! Not only is there the sinuous beauty of Barbra's
EXTD= voice overlaying the rhythm, there is a promise fulfilled on the album b
EXTD=ut never continued later on in her career; and I miss that. Which is why 
EXTD=I have never stopped playing this perfect pop album. Buy it and spoil you
EXTD=rself. The finale MAKE IT LIKE A MEMORY will tell the listener just why S
EXTD=treisand is the most enduring famale vocalist of her era. Not only does t
EXTD=his play at night, with a loved one over dinner, it plays in the summer w
EXTD=hen all that techno buzzes through the air. Then you cut the (stuff) with
EXTD= her vocal that's so dazzling it forces people to look in your direction 
EXTD=because through your window, or in your car, the humane voice of Barbra S
EXTD=treisand can stop traffic; and you'll be such a star yourself because you
EXTD= have her voice in your space.\n\nAmazon.com Customer Review\nWearing Wel
EXTD=l After 20 Years, July 3, 2000\nReviewer: A music fan\nCertainly worth re
EXTD=-discovering if this one's been at the back of your CD rack. Yes, it can 
EXTD=be schmaltzy and Gibb-infused drivel, but who better to sing it? 'Make It
EXTD= Like A Memory' is still a phenomenal stand-out (just listen), with obtus
EXTD=e orchestration and an oddly ethereal feel. The test of Barbra as an arti
EXTD=st is her constant ability to push herself into musical styles with which
EXTD= she is uncomfortable and make them her own. She certainly does that here
EXTD=.\nThe commercial success of this album aside (I'm unclear why that is a 
EXTD='bad' thing in many reviews), this album is a knockout.\n\nAmazon.com Cus
EXTD=tomer Review\nShopping Mall Barbra, May 12, 2000\nReviewer: "charon-the-o
EXTD=arsman" (West Hollywood, CA United States) \n"Guilty" is pretty much the 
EXTD=end of Barbra's Jon Peters period, which made her a highly marketable sho
EXTD=pping mall commodity, complete with permed shopping mall hair. For what i
EXTD=t's worth, this is the best album of that part of Barbra's career, as wel
EXTD=l as her all-time biggest selling record. Barbra could sing the Brooklyn 
EXTD=telephone directory and make it sound good, and here she just about does.
EXTD= Typically stupid and mind-boggling Barry Gibb lyrics abound ("we are dev
EXTD=otion"---what the hell does that mean? And check this one out: "No truth 
EXTD=is ever a lie." Duh. And no nose is ever a basketball. Whatever.) The mus
EXTD=ic all has a creepy-eerie Eurotrash sheen; much of it sounds like soundtr
EXTD=ack music for a European "art" film (porno movie). Still, Barbra sounds g
EXTD=reat. I would just rather listen to her sing Harold Arlen songs than Barr
EXTD=y Gibb drivel.\n\nAmazon.com Customer Review\nPure Gold, May 4, 2000\nRev
EXTD=iewer: "belladena" (Ontario, Canada) \nBarry Gibb and Barbra Streisand, t
EXTD=eamed, are an immeasurable source of beauty and harmony. I first heard th
EXTD=is album in 1980, on vinyl - one of the greatest influences passed on fro
EXTD=m my mother. Now, at 22, it remains as my favourite album of all time - W
EXTD=oman in Love still gives me chills. An esoteric and gorgeous teaming of b
EXTD=eauty and brains.\nI'd also like to comment on MarkE's comments on this a
EXTD=lbum: Barry Gibb did a lot more with regards to this album than wear a ti
EXTD=ght pair of pants, though I don't disagree that he did it well.\n\nAmazon
EXTD=.com Customer Review\nperfect, timeless *and* exciting, April 11, 2000\nR
EXTD=eviewer: ILikeAmazon "ilikeamazon" (Arlington, VA USA) \nWhen Rolling Sto
EXTD=ne rated this 5-stars, I had to take a listen. The rating's no exaggerati
EXTD=on. There are so many lovely tracks, wonderfully orchestrated and accompa
EXTD=nied by Barbra, who will never have her vocals so well showcased. Every t
EXTD=rack, including the big hits like "Guilty" and "What Kind of Fool" not on
EXTD=ly sound great, but have genuine emotional content. And there's a bonus: 
EXTD=Superb engineering. Just wait for the SACD version. I own the half-speed 
EXTD=mastered CBS LP and the recording quality ranks with the best I've ever h
EXTD=eard. A triumph of easy-listening non-mush adult contemporary music.\n\nA
EXTD=mazon.com Customer Review\n"Guilty" is Barbra's best Pop Album..., May 4,
EXTD= 1999\nReviewer: Christopher Sullivan (New York, NY USA) \nIn 1980, follo
EXTD=wing her #1 duet with Donna Summer ("No More Tears/Enough Is Enough"), Ba
EXTD=rbra released the first single from her new album... "Woman In Love". It 
EXTD=quickly rose to #1 and was certified gold. Shortly thereafter, the title 
EXTD=track "Guilty", a duet with Barry Gibb, was released and rose to #3. It a
EXTD=lso went gold and won a grammy for best pop vocal duet. Then came the #10
EXTD= follow-up duet with Barry Gibb "What Kind of Fool", and then the #48 sin
EXTD=gle "Promises". \n"Promises" was remixed as a 12" single. It was released
EXTD= again in the late 80's as a part of Columbia Records "Mixed Masters" ser
EXTD=ies and was backed with Barbra's 12" version of "The Main Event". It's a 
EXTD=great track and I only wish Barbra would have it re-mixed for the 90's!\n
EXTD=\nWhat is so special about "Guilty" is not only Barbra's voice being in p
EXTD=eak form, but that these songs are a departure for her. The lyrics break 
EXTD=from her self-stated style of being... "a story - with a beginning, middl
EXTD=e and an end". The lyrics are often vague and esoteric and open to all so
EXTD=rts of interpretations. \n\nOn the plus side: To date, this is Barbra's b
EXTD=est selling album. Barbra is cosidered by many to be the greatest female 
EXTD=vocalist of the the 20th century...this album shows you why.\n\nOn the mi
EXTD=nus side: One reviewer likened Barbra's "Guilty' duet with Barry Gibb as 
EXTD=sounding like a duet between Mae West and Don Knotts. "What Kind of Fool"
EXTD= was originally planned as a solo, and should have been. "Never Give Up" 
EXTD=is pure forgettable bubble-gum. \n\nSadly, "Guilty" was Barbra's last hur
EXTD=rah at main stream Top 40 radio. Aside from her very next single, the #11
EXTD= "Comin' In & Out of Your Life", Barbra has never had another Top 30 solo
EXTD=-single. Maybe her last album of the 90's, the forthcoming "A Love Like O
EXTD=urs" will change that! \n\nBest cuts: Woman In Love, Run Wild, Promises, 
EXTD=The Love Inside, Life Story and Make It Like A Memory.\n\nHalf.com Album 
EXTD=Credits\nBarry Gibb, Contributing Artist\nLee Ritenour, Contributing Arti
EXTD=st\nRichard Tee, Contributing Artist\nSteve Gadd, Contributing Artist\nDo
EXTD=n Gehman, Engineer\nKarl Richardson, Engineer\n\nAlbum Notes\nPersonnel i
EXTD=ncludes: Barbra Streisand (vocals); Barry Gibb (vocals, acoustic guitar);
EXTD= Richard Tee (electric guitar, keyboards); Cornell Dupree, Lee Ritenour (
EXTD=guitar); Whit Snider (baritone saxophone); Ken Faulk (trumpet); Jerry Pee
EXTD=l (French horn); Peter Graves (trombone); George Bitzer (piano, synthesiz
EXTD=er); David Hungate, Harold Cowart (bass); Steve Gadd, Bernard Lupe (drums
EXTD=); Joe Lala (percussion); Denise Maynelli, Myrna Matthews, Marti McCall (
EXTD=background vocals).\n\nProducers include: Barry Gibb, Albhy Galuten, Karl
EXTD= Richardson.\n\nRecorded at Criteria, Middle Ear, Miami, Florida; Sound L
EXTD=abs Inc., Hollywood, California; Mediasound Studios, New York, New York.\n
EXTD=\nReleased in September 1980, GUILTY was Barbra Streisand's best-selling 
EXTD=album to date, moving in excess of 20 million units. It is Streisand's TH
EXTD=RILLER and arguably her best recorded work. This is largely due to produc
EXTD=er Barry Gibb, who developed the songs especially for Barbra, and whose v
EXTD=ocal presence is felt throughout the record. "Guilty" (a duet with Gibb) 
EXTD=is a mid-tempo smash that blends the superstars' vocals to create pop per
EXTD=fection. "Woman In Love" topped the charts for three weeks and features t
EXTD=he trademark "chipmunk-like" Gibb on background vocals.\n\n"Run Wild" is 
EXTD=an uptempo number showing that there's no filler here. "Promises" is a mi
EXTD=d-tempo track that sounds custom-made for radio airplay. "The Love Inside
EXTD=" features excellent keyboard arrangements while "What Kind Of Fool" (ano
EXTD=ther duet with Gibb) is a ballad that proves Barbra and Barry were meant 
EXTD=to sing together. Her vocals on the fast-paced, optimistic "Never Give Up
EXTD=" reveal such a calm demeanor that you can almost picture the relative ea
EXTD=se with which this record was produced. This album is a perfect 10, two t
EXTD=humbs up, and proof of what can be achieved when talent and technology co
EXTD=me together.
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