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# Disc length: 2455 seconds
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# Revision: 20
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: audiograbber 1.83.01
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DISCID=54099508
DTITLE=AC-DC / Let There Be Rock
DYEAR=1977
DGENRE=Rock
TTITLE0=Go Down
TTITLE1=Dog Eat Dog
TTITLE2=Let There Be Rock
TTITLE3=Bad Boy Boogie
TTITLE4=Problem Child
TTITLE5=Overdose
TTITLE6=Hell Ain't A Bad Place To Be
TTITLE7=Whole Lotta Rosie
EXTD=Let There Be Rock (Original CD - Barry Diament Mastering)\n\nOriginally Re
EXTD=leased As ATCO #36151 On June 23, 1977\nCD Edition Released 1987 ??\nRemas
EXTD=tered CD Edition Released September 20, 1994\nEpic Remastered CD Edition R
EXTD=eleased April 29, 2003\n\nAMG EXPERT REVIEW: Let There Be Rock kicks up th
EXTD=e energy level a notch from its predecessor, making for a bracing hard roc
EXTD=k record of blasting guitar and basic, aggressive grooves. While slightly 
EXTD=more metallic, AC/DC's sound was still bluesier than it would be by the ti
EXTD=me of their commercial breakthrough. Appealing in spite of himself, Bon Sc
EXTD=ott delivers his leering double entendres and humorous asides with typical
EXTD= panache, while the Young brothers' guitars bite, kick, and scratch behind
EXTD= him. While the music still meanders on occasion, the songwriting is overa
EXTD=ll a bit more memorable; AC/DC classics on hand include "Problem Child," "
EXTD=Whole Lotta Rosie," and "Bad Boy Boogie." -- Steve Huey\n\nAmazon.com esse
EXTD=ntial recording \nAC/DC's second U.S. release took the raw energy from the
EXTD=ir debut, High Voltage, up a notch, producing another huge collection of d
EXTD=riving, intense songs for serious headbanging, but adding a bit more profe
EXTD=ssionalism into the equation. The songwriting and production are tighter a
EXTD=nd more focused, and standouts such as "Whole Lotta Rosie," "Problem Child
EXTD=," "Let There Be Rock," and "Bad Boy Boogie" almost have to fight with "fi
EXTD=ller" like "Go Down" and "Hell Ain't a Bad Place to Be" for the spotlight;
EXTD= but really, there's not a wasted track here. Guitarists Angus and Malcom 
EXTD=Young further define their grooves, and vocalist Bon Scott sounds like he'
EXTD=s on the verge of combusting. Let There Be Rock is big and lean. --Lorry F
EXTD=leming \n\nHalf.com Album Credits\nGeorge Young, Producer\nHarry Vanda, Pr
EXTD=oducer\n\nAlbum Notes\nAll tracks have been digitally remastered.\n\nIf po
EXTD=ssible, AC/DC actually made their sound denser on its sophomore effort, LE
EXTD=T THERE BE ROCK. A darker album than its predecessor, HIGH VOLTAGE, this a
EXTD=lbum leans further towards AC/DC's twisted extension in the blues traditio
EXTD=n. Which is not to say that the band relented from its three-chord power r
EXTD=iffing for one millisecond. The presence of Angus Young's mighty Gibson SG
EXTD= looms over the album like a sheet of lead on a windless day. What has cha
EXTD=nged is the inclusion of longer songs like "Go Down," "Dog Eat Dog," and t
EXTD=he floor rattling "Let There be Rock," all of which feature ripping interp
EXTD=lay between Bon Scott's perverse howl and Young's straight for the throat 
EXTD=guitar lines. \n\nWhere others hint at hormone-driven themes of lust and a
EXTD=dolescent rebellion, AC/DC revel in them with abandon. Thus "Bad Boy Boogi
EXTD=e" and "Problem Child" are songs your parents are sure to hate with heartf
EXTD=elt passion. The album's highlights are "Hell Ain't a Bad Place to Be," a 
EXTD=mighty fist-waver whose references to warmer climates are something that o
EXTD=nly the most uptight will take seriously and the near classic "Whole Lotta
EXTD= Rosie," which would become one of the band's live staples and show-stoppe
EXTD=rs.\n\nQ Magazine (07/01/2001)\nIncluded in Q's 50 Heaviest Albums of All 
EXTD=Time ...This caterwauling collection suggested new levels of lyrical rauco
EXTD=usness for AC/DC....suggesting Chuck Berry jamming with a Boeing 747 prepa
EXTD=ring for take off...\n\nMojo (12/00, p.84) ...Raw, horny and totally teena
EXTD=ge, their blues boogie mix now had a distinctly metal edge...
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