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DISCID=980ad40c
DTITLE=Lee Ann Womack / Some Things I Know
DYEAR=1998
DGENRE=Country
TTITLE0=Lee Ann Womack with Vince Gill / Some Things I Know
TTITLE1=Lee Ann Womack with Jason Sellers / A Little Past Little Rock
TTITLE2=Lee Ann Womack / (Now You See Me) Now You Don't
TTITLE3=Lee Ann Womack with Joe Diffie / I'd Rather Have What We Had
TTITLE4=Lee Ann Womack / The Man Who Made My Mama Cry
TTITLE5=Lee Ann Womack / I'll Think Of A Reason Later
TTITLE6=Lee Ann Womack with Buddy and Julie Miller / Don't Tell Me
TTITLE7=Lee Ann Womack with Vince Gill / I Keep Forgetting
TTITLE8=Lee Ann Womack / If You're Ever Down In Dallas
TTITLE9=Lee Ann Womack with Ricky Skaggs and Sharon White / When The Wheels Are
TTITLE9= Coming Off
TTITLE10=Lee Ann Womack / The Preacher Won't Have To Lie
TTITLE11=Lee Ann Womack / Data
EXTD=Originally Released September 22, 1998 \n\nAMG EXPERT REVIEW: On Lee Ann W
EXTD=omack's self-titled debut album, she moved effortlessly from traditional c
EXTD=ountry balladry to honky tonk to country-pop, but on this second effort, h
EXTD=er varied styles have melded into a prosaic Nashville sound for the '90s. 
EXTD=To be sure, Womack's voice, an achingly sweet instrument not unlike Dolly 
EXTD=Parton's, is still one of the best in country music, but stylistically, th
EXTD=ere's little here to hold the listener's interest. "A Little Past Little R
EXTD=ock" is a prime example. Lyrically, the song is predictable: "I'm a little
EXTD= past Little Rock and a long way from over you." The strings from the Nash
EXTD=ville String Machine and the "ooh"s and "ah"s in the background contribute
EXTD= to the blandness of the track, and even such studio stars as Brent Mason 
EXTD=on electric guitar and Jelly Roll Johnson on harmonica only play tastefull
EXTD=y and without inspiration. The album's hilarious highlight, "I'll Think of
EXTD= a Reason Later," sounds like anything else on the radio in the late '90s,
EXTD= but on this album it stands out from the too laid-back sound of the rest 
EXTD=of the songs. It seems that producer Mark Wright has made an effort to sof
EXTD=ten Womack's sound to make it more palatable to country radio, but in the 
EXTD=process he has removed the soul of her music. Hopefully, next time out the
EXTD=y'll return to the style that brought her a CMA Female Vocalist of the Yea
EXTD=r nomination in 1998.  -- Brian Wahlert\n\nAmazon.com Editorial Review\nWh
EXTD=ile much of the material on Womack's sophomore effort treads well within t
EXTD=he unspoken boundaries of Nashville romance (broken hearts, unrequited lov
EXTD=e), there are a few gems that hint of a saucy character behind the sweet v
EXTD=oice. "I'll Think of a Reason Later" is a funny, honest portrayal of a wom
EXTD=an meeting an old lover's new flame. "The Man Who Made My Mama Cry" is an 
EXTD=unflinching dismissal of a prodigal father, and "I'd Rather Have What We H
EXTD=ad" mourns for the steamy affair that led to a now-mundane marriage. Suppo
EXTD=rted by a pair of Vince Gill duets, Some Things I Know effectively balance
EXTD=s country music convention with honest emotion. --Alexandra Russell \n\nUS
EXTD=A Today\nThey simply don't make country albums any finer than Some Things 
EXTD=I Know. \n\nAMAZON.COM CUSTOMER REVIEW\nA true beacon in a sea of mindless
EXTD= mush, November 17, 1998\nReviewer: A music fan\nAlong with that of Patty 
EXTD=Loveless, Lee Ann Womack's music represents a beautiful island in a sea of
EXTD= "Pop goes the country" mush, especially among contemporary female artists
EXTD=. Her pure Texas/country voice combined with excellent, real-country, mate
EXTD=rial is a welcome relief to the crud that is currently coming out of Nashv
EXTD=ille under the guise of country music. Please stay true Lee Ann (Womack), 
EXTD=avoid the commercial track, embarrassing videos, and promoters that will t
EXTD=ake you from us. Your fans, myself included, will stay with you and your m
EXTD=usic will endure. That's a lot more than I can say for most of the unskill
EXTD=ed, bleached-blond, twits that currently flourish in "country music" and c
EXTD=log our airwaves.\n\nHalf.com Details \nContributing artists: Brent Mason,
EXTD= Joe Diffie, Julie Miller, Ricky Skaggs, Vince Gill \nProducer: Mark Wrigh
EXTD=t \nDistributor: Universal Distribution \n\nAlbum Notes\nPersonnel: Lee An
EXTD=n Womack (vocals); Mark Casstevens (acoustic guitar, banjo); Pat Flynn, Bi
EXTD=ff Watson (acoustic guitar); Brent Mason (electric guitar); Paul Franklin 
EXTD=(steel guitar); Larry Franklin (mandolin, fiddle); Jelly Roll Johnson (har
EXTD=monica); Tony Harrell (piano, Wurlitzer piano, Hammond B-3 organ, synthesi
EXTD=zer); Steve Nathan (piano, Hammond B-3 organ); Hargus "Pig" Robbins (piano
EXTD=); Glenn Worf, Mike Brignardello (bass); Lonnie Wilson, Chad Cromwell (dru
EXTD=ms); Tom Roady (percussion); Mark Wright, Scott Emerick, Ricky Skaggs, Sha
EXTD=ron White Skaggs, D. Bergen White, Lisa Silver, Lisa Cochran, Curtis Young
EXTD=, Liana Manis, Buddy Miller, Julie Miller, Joe Diffie, Vince Gill, Jason S
EXTD=ellers (background vocals).\n\nThe Nashville String Machine: Pamela Sixfin
EXTD=, Lee Larrison, David H. Davidson, Mary K. Vanosdale, David Angell, Cather
EXTD=ine Umstead, Cate Myer, Kristin Wilkinson, Angell Monisa, Alan Umstead, Ga
EXTD=ry Vanosdale, Robert Mason, John Catchings.\n\nAll tracks have been digita
EXTD=lly mastered using HDCD technology.\n\n"A Little Past Little Rock" was nom
EXTD=inated for a 1999 Grammy for Best Female Country Vocal Performance.\n\nOn 
EXTD=her sophomore release, Lee Ann Womack continues her commitment to recordin
EXTD=g traditional country music. Featuring material from some of Nashville's b
EXTD=est writers, and harmony vocals from Vince Gill, SOME THINGS I KNOW showca
EXTD=ses Womack's terrific voice, which is reminiscent of a young Dolly Parton.
EXTD= She's delicate and vulnerable on ballads like the title track and "Don't 
EXTD=Tell Me," and smart 'n' sassy on uptempo numbers like "(Now You See Me) No
EXTD=w You Don't" and the absolutely hysterical "I'll Think Of A Reason Later."
EXTD=\n\nA standout is "The Man Who Made My Mama Cry," a song co-written by Wom
EXTD=ack, in which she angrily tells off the absentee father who's trying to re
EXTD=enter her life. But the album's highlight is a collaboration with Joe Diff
EXTD=ie, "I'd Rather Have What We Had," in which two adulterous lovers finally 
EXTD=make it legal, only to find that they're bored beyond belief. Tammy Wynett
EXTD=e could've recorded this song 20 years ago, yet in Womack's hands, it soun
EXTD=ds completely modern. That's her true talent--one which SOME THINGS I KNOW
EXTD= shows off to full effect.\n\nIndustry Reviews\nMarrying the little-girl v
EXTD=ulnerability of Dolly Parton to the wounded style of Patty Loveless, Womac
EXTD=k returns with an exceptional album of sophisticaed honky-tonk. Her gift i
EXTD=s in lending immediacy to familiar themes (empty marriages, absenstee fath
EXTD=ers)... - Rating: A\nEntertainment Weekly (10/02/1998)
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