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# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
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DISCID=54099508
DTITLE=AC DC / Let There Be Rock (Original CD - Barry Diament Masterin
DTITLE=g)
DYEAR=1977
DGENRE=Rock
TTITLE0=Go Down
TTITLE1=Dog Eat Dog
TTITLE2=Let There Be Rock
TTITLE3=Bad Boy Boogie
TTITLE4=Problem Child
TTITLE5=Overdose
TTITLE6=Hell Ain't A Bad Place To Be
TTITLE7=Whole Lotta Rosie
EXTD=Let There Be Rock (Original CD - Barry Diament Mastering)\n\nOrig
EXTD=inally Released As ATCO #36151 On June 23, 1977\nCD Edition Relea
EXTD=sed 1987 ??\nRemastered CD Edition Released September 20, 1994\nE
EXTD=pic Remastered CD Edition Released April 29, 2003\n\nAMG EXPERT R
EXTD=EVIEW: Let There Be Rock kicks up the energy level a notch from i
EXTD=ts predecessor, making for a bracing hard rock record of blasting
EXTD= guitar and basic, aggressive grooves. While slightly more metall
EXTD=ic, AC/DC's sound was still bluesier than it would be by the time
EXTD= of their commercial breakthrough. Appealing in spite of himself,
EXTD= Bon Scott delivers his leering double entendres and humorous asi
EXTD=des with typical panache, while the Young brothers' guitars bite,
EXTD= kick, and scratch behind him. While the music still meanders on 
EXTD=occasion, the songwriting is overall a bit more memorable; AC/DC 
EXTD=classics on hand include "Problem Child," "Whole Lotta Rosie," an
EXTD=d "Bad Boy Boogie." -- Steve Huey\n\nAmazon.com essential recordi
EXTD=ng \nAC/DC's second U.S. release took the raw energy from their d
EXTD=ebut, High Voltage, up a notch, producing another huge collection
EXTD= of driving, intense songs for serious headbanging, but adding a 
EXTD=bit more professionalism into the equation. The songwriting and p
EXTD=roduction are tighter and more focused, and standouts such as "Wh
EXTD=ole Lotta Rosie," "Problem Child," "Let There Be Rock," and "Bad 
EXTD=Boy Boogie" almost have to fight with "filler" like "Go Down" and
EXTD= "Hell Ain't a Bad Place to Be" for the spotlight; but really, th
EXTD=ere's not a wasted track here. Guitarists Angus and Malcom Young 
EXTD=further define their grooves, and vocalist Bon Scott sounds like 
EXTD=he's on the verge of combusting. Let There Be Rock is big and lea
EXTD=n. --Lorry Fleming \n\nHalf.com Album Credits\nGeorge Young, Prod
EXTD=ucer\nHarry Vanda, Producer\n\nAlbum Notes\nAll tracks have been 
EXTD=digitally remastered.\n\nIf possible, AC/DC actually made their s
EXTD=ound denser on its sophomore effort, LET THERE BE ROCK. A darker 
EXTD=album than its predecessor, HIGH VOLTAGE, this album leans furthe
EXTD=r towards AC/DC's twisted extension in the blues tradition. Which
EXTD= is not to say that the band relented from its three-chord power 
EXTD=riffing for one millisecond. The presence of Angus Young's mighty
EXTD= Gibson SG looms over the album like a sheet of lead on a windles
EXTD=s day. What has changed is the inclusion of longer songs like "Go
EXTD= Down," "Dog Eat Dog," and the floor rattling "Let There be Rock,
EXTD=" all of which feature ripping interplay between Bon Scott's perv
EXTD=erse howl and Young's straight for the throat guitar lines. \n\nW
EXTD=here others hint at hormone-driven themes of lust and adolescent 
EXTD=rebellion, AC/DC revel in them with abandon. Thus "Bad Boy Boogie
EXTD=" and "Problem Child" are songs your parents are sure to hate wit
EXTD=h heartfelt passion. The album's highlights are "Hell Ain't a Bad
EXTD= Place to Be," a mighty fist-waver whose references to warmer cli
EXTD=mates are something that only the most uptight will take seriousl
EXTD=y and the near classic "Whole Lotta Rosie," which would become on
EXTD=e of the band's live staples and show-stoppers.\n\nQ Magazine (07
EXTD=/01/2001)\nIncluded in Q's 50 Heaviest Albums of All Time ...This
EXTD= caterwauling collection suggested new levels of lyrical raucousn
EXTD=ess for AC/DC....suggesting Chuck Berry jamming with a Boeing 747
EXTD= preparing for take off...\n\nMojo (12/00, p.84) ...Raw, horny an
EXTD=d totally teenage, their blues boogie mix now had a distinctly me
EXTD=tal edge...
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