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# Disc length: 4469 seconds
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# Revision: 7
# Processed by: cddbd v1.5.2PL0 Copyright (c) Steve Scherf et al.
# Submitted via: FreeDB 13.2
#
DISCID=d911731f
DTITLE=Stereophile / Stereophile Test CD 2
DYEAR=1992
DGENRE=Other
TTITLE0=Channel Identification
TTITLE1=Channel Phasing
TTITLE2=Acoustic Drum Solo
TTITLE3=Acoustic Guitar Solo
TTITLE4=Igor Stravinsky: L'Histoire du Soldat (excerpt)
TTITLE5=Sergei Prokofiev: Flute Sonata in D, Op. 94, Allegro con brio
TTITLE6=Franz Schubert: Ave Maria
TTITLE7=Traditional (arr. Charlie Caranicas): St. James Infirmary
TTITLE8=J.S. Bach: Trio Sonata BWV 525, Adagio
TTITLE9=Mapping the Soundstage
TTITLE10=Brahms: Intermezzo, Op. 117, No. 1 in E-flat
TTITLE11=Beethoven: 'Mozart's Minuet in G'
TTITLE12=Edward Elgar: The Dream of Gerontius, Part I (conclusion)
TTITLE13=Corey Greenberg: Eden
TTITLE14=Pink Noise at -20dBFS L+R (uncorrelated from 0:42)
TTITLE15=Bass Decade (200Hz-20Hz) 1/3-octave warble tones at -20dBFS
TTITLE16=Midrange Decade (250Hz-2KHz) 1/3-octave warble tones at -20dBFS
TTITLE17=Treble Decade (2.5KHz-20KHz) 1/3-octave warble tones at -20dBFS
TTITLE18=Music Articulation Test Tone
TTITLE19=The Harmonic Series, 500Hz fundamental, at -10dBFS (L+R)
TTITLE20=Second harmonic histortion A/B Test (L+R)
TTITLE21=Third harmonic distortion A/B Test (L+R)
TTITLE22=Seventh harmonic distortion A/B Test (L+R)
TTITLE23=Typical amplifier distortion signatures (L+R)
TTITLE24=Harmonic & sub-harmonic distortion (L+R)
TTITLE25=Jitter demonstration track (L+R)
TTITLE26=Spot frequency tones at -20dBFS (L+R)
TTITLE27=De-emphasis test tones at -20dBFS (L+R)
TTITLE28=Noise Modulation Test Tones with dither (L+R)
TTITLE29=19 + 20KHZ at 0dBFS (L+R)
TTITLE30=20KHz at 0dBFS & -20dBFS (L+R)
EXTD=Loudspeaker connection tests: Tracks 1-2.\nMusic tracks: Tracks 3-14.\nS
EXTD=ignals for testing loudspeakers and rooms: Tracks 15-19.\nDistortion & 
EXTD=Jitter demonstration tracks: Tracks 20-26.\nCD Player & Tape Recorder t
EXTD=est tracks: Tracks 27-29.\nHigh Level test tracks: Tracks 30-31.\nWarnin
EXTD=g: Because of the high peak:mean ratio of the sound of the\ninstruments
EXTD= in tracks 1-4, you can easily set the playback level too\nhigh for the
EXTD= tracks that follow!\nAlso see warnings on tracks 26, 30, and 31.
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EXTT25=Warning: This track contains high levels of high frequencies and must\n
EXTT25=not be played at high volumes if loudspeaker damage is to be avoided.
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EXTT29=Warning: This track contains high levels of high frequencies and must\n
EXTT29=not be played at high volumes if loudspeaker damage is to be avoided.
EXTT30=Warning: This track contains high levels of high frequencies and must\n
EXTT30=not be played at high volumes if loudspeaker damage is to be avoided.
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