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# Disc length: 4621 seconds
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DISCID=db120b11
DTITLE=Steve Earle / Shut Up And Die Like An Aviator
DYEAR=1991
DGENRE=Rock
TTITLE0=Intro
TTITLE1=Good Ol' Boy (Gettin' Tough)
TTITLE2=Devil's Right Hand
TTITLE3=I Ain't Ever Satisfied
TTITLE4=Someday
TTITLE5=West Nashville Boogie
TTITLE6=Snake Oil
TTITLE7=Blue Yodel #9
TTITLE8=The Other Kind
TTITLE9=Billy Austin
TTITLE10=Copperhead Road
TTITLE11=Fearless Heart
TTITLE12=Guitar Town
TTITLE13=I Love You Too Much
TTITLE14=She's About A Mover
TTITLE15=The Rain Came Down
TTITLE16=Dead Flowers
EXTD=Originally Released September 17, 1991\n\nAMG EXPERT REVIEW: Rele
EXTD=ased on MCA in 1991, Shut Up and Die Like an Aviator was recorded
EXTD= live in Ontario, Canada, in October of 1990. The live hits colle
EXTD=ction was the last for Earle on MCA, as the songwriter was releas
EXTD=ed after his contract with the label ran out despite having issue
EXTD=d a string of critically acclaimed, Grammy-nominated records. Sho
EXTD=rtly afterward, the singer's addictions got the best of him and h
EXTD=e ended up in prison for a while and out of the music scene compl
EXTD=etely for four years. So this live collection could be considered
EXTD= the last of Earle's pre-prison and personally dark years. Culled
EXTD= from the track lists of the songwriter's seminal MCA catalog, wh
EXTD=ich includes monumental releases like Guitar Town and Copperhead 
EXTD=Road, the songs on this live effort are unrepentant, almost effus
EXTD=ive odes to hard-living, blue-collar American life, rich with the
EXTD=ir perfectly drawn characters and tragic narratives. Along with h
EXTD=is band the Dukes, Earle blasts through country-rock (in the grea
EXTD=test sense of the term) anthems and heartbreakers like "Devil's R
EXTD=ight Hand" and "Copperhead Road." A couple upbeat rockabilly numb
EXTD=ers like "Snake Oil," twangy ballads like "Billy Austin," and nic
EXTD=e covers (most notably the Jagger/Richards-penned "Dead Flowers")
EXTD= get tossed in to add to the live show's dynamic, making the whol
EXTD=e thing one big rootsy riot that's just about as good as contempo
EXTD=rary American music can get.  -- Vincent Jeffries\n\nAMAZON.COM C
EXTD=USTOMER REVIEW\nLive album with overdubs, June 17, 2005\nReviewer
EXTD=: kireviewer (Sunnyvale, Ca United States)\n\nThis is a live CD t
EXTD=hat has been overdubbed in parts due to "technical difficulties".
EXTD= It gives the CD a strange sound, like someone playing along to t
EXTD=heir favorite songs. \n\nThis is Steve Earle just before he fell 
EXTD=completely over the deep end. Normally, that might not be a bad t
EXTD=hing. People like Eric Clapton and Stevie Ray Vaughan have actual
EXTD=ly lost thier spark once they cleaned up. Sad to say, but some of
EXTD= the greatest music of all time comes from the drug addicted, inc
EXTD=luding Jerry Garcia, Carlos Santana, Janis Joplin and Jimi Hendri
EXTD=x. \n\nBut, the problem with Earle is that he may have been too f
EXTD=ar gone. The other guys kept it under control and let it out in t
EXTD=heir music. Earle is paranoid and edgy. \n\nBecause of the sound 
EXTD=problems and the performance, this not a great live CD. I think t
EXTD=he studio versions of these songs are much better. \n\nEarle does
EXTD= have a lot to say. But, I'm not sure that I always agree with Ea
EXTD=rle's good ol' boy, loser, paranoic view that the world is out to
EXTD= get you and that there is nothing you can do. I am also not so s
EXTD=ure about his anti-death penalty stance. I don't favor making sym
EXTD=pathetic characters out of murderers. \n\nAMAZON.COM CUSTOMER REV
EXTD=IEW\nInteresting Live CD, March 15, 2002\nReviewer: A music fan\n
EXTD=Recorded during a Canadian tour of the early 90's, this appears t
EXTD=o be a fan's dream: a greatest hits package recorded live with Ea
EXTD=rle and the experienced Dukes performing at their peak-Earle, how
EXTD=ever, was in the depths of his drug addiction during this tour, s
EXTD=o the performances are restless at best. A live reference to an i
EXTD=ncident in Ottawa points to Earle's growing spirit of social cons
EXTD=cienceness. His stellar writing rescues this project, with new to
EXTD=ur staples such as the anti-death penalty anthem "Billy Austin," 
EXTD=the auto-biographical "I'm The Other Kind," and "West Nashville B
EXTD=oogie," (all from "The Hard Way") providing shining moments. A te
EXTD=asing "Guitar Town" is tell-tale: there are only shreds remaining
EXTD= of the exhuberant 27-year-old laureate who took the country and 
EXTD=rock communities by storm only 4 years earlier. Most frightening 
EXTD=is a transcending, gut-level version of Jimmy Rogers' "Blue Yodel
EXTD= #9," showing that Earle remembers from whenst he came, but leavi
EXTD=ng the listener wondering where Earle is going. Or if he'll survi
EXTD=ve the journey.\n\nAMAZON.COM CUSTOMER REVIEW\nTruly great live a
EXTD=lbums are a rarity, and always have been.., July 31, 1999\nReview
EXTD=er: A music fan\nTruly great live albums have always been a rarit
EXTD=y. "Shut Up And Die Like An Aviator" ranks among the best. Having
EXTD= read some of the other (decidedly negative) reviews of this albu
EXTD=m posted on this site, I can't help but wonder WHY the "critic" d
EXTD=idn't like it. What are they...on DOPE? To wit, what's with this 
EXTD=hoo-hah about "poor choice of songs?" I've always thought that th
EXTD=is album was one helluva generous intro to the uninitiated. What 
EXTD=is there to pick nits over? The live version of "Billy Austin" (w
EXTD=ith that unbelievable opening guitar that gives ya the willies...
EXTD=BRRR!) is all by itself worth buying the album for! The version o
EXTD=f "Dead Flowers" will even make you forget it's a Stones song for
EXTD= a while, and brother, that's no easy feat! I haven't even mentio
EXTD=ned the truly rockin' parts 'cause they speak for themselves. As 
EXTD=far as foregoing this beaut in favor of the studio albums, get th
EXTD=ose too! However, if you enjoy your favorite bands' live albums b
EXTD=ecause they aren't a verbatim recital of their studio recordings,
EXTD= then "Shut Up..." is right up your alley. This is a "dangerous" 
EXTD=album; a real, honest-to-pete rock n' roll record. It sounds as i
EXTD=f it could blow apart at any second, and just maybe take you, the
EXTD= listener, right along with it.
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