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DISCID=6a0b0c0a
DTITLE=Sheena Easton / Do You
DYEAR=1985
DGENRE=Pop
TTITLE0=Do It For Love
TTITLE1=Don't Break My Heart
TTITLE2=Magic Of Love
TTITLE3=Don't Turn Your Back
TTITLE4=Jimmy Mack
TTITLE5=Can't Wait Till Tomorrow
TTITLE6=Young Lions
TTITLE7=Kisses
TTITLE8=Money Back Guarantee
TTITLE9=When The Lightning Strikes Again
EXTD=Do You (British Pressing)\n\nOriginally Released 1985\n\nAMG EXPE
EXTD=RT REVIEW: Coming hot off the heels of the largely successful A P
EXTD=rivate Heaven, the response to this follow-up set was surprisingl
EXTD=y numb. Though producer Nile Rodgers had also had much success sh
EXTD=ortly before via his work with Madonna on Like a Virgin, the soul
EXTD=-tinged club arrangements he instilled Do You with were perhaps t
EXTD=oo retro-sounding for radio. But the strongest entries never saw 
EXTD=life as singles: the vibrant pop/soul concoction "Don't Break My 
EXTD=Heart" combines a savvy '60s flair in its horn arrangement with a
EXTD= contemporary rhythm structure, while the mellow Dan Hartman-Char
EXTD=lie Midnight composition "When the Lightning Strikes Again" and c
EXTD=atchy lyrics and vocal arrangement of "Money Back Guarantee" take
EXTD= life as solid dance floor numbers. Easton consistently delivers 
EXTD=driven, top-of-the-line performances, and the chemistry between R
EXTD=odgers and her is apparent, resulting in her sounding much more c
EXTD=omfortable with dance material than previous efforts. A worthy in
EXTD=vestment for any Easton fan. -- Justin M. Kantor\n\nAMAZON.COM CU
EXTD=STOMER REVIEW\nDo You?, February 9, 2006\nReviewer: SS2inform "St
EXTD=acey" (IL)\nThis relaese by Sheena Easton came hot off the heels 
EXTD=of her successful A PRIVATE HEAVEN album in the late fall of 1985
EXTD=. The project was produced by Nile Rogers who was the hot produce
EXTD=r of the day given his monster success with Madonna's LIKE A VIRG
EXTD=IN album. Some of the music on this CD has a retro-60's feel to i
EXTD=t (Jimmy Mack, Don't Break My Heart) that is similar to the sound
EXTD= Nile Rogers employed on Madonna's LIKE A VIRGIN album. It is obv
EXTD=ious to the listener that LIKE A VIRGIN was on everybody's mind g
EXTD=oing into the making of this project. Sheena is a first-rate pop 
EXTD=singer and it is evident on tracks like "Do It For Love", "Can't 
EXTD=Wait Till Tomorrow", and the subtle scorcher "Kisses". Those trac
EXTD=ks along with her cover of Martha & The Vandella's "Jimmy Mack" a
EXTD=re among the best tracks on the album. The track "Magic of Love" 
EXTD=is about 3 minutes too long and the very-80's sounding ballad "Wh
EXTD=en The Lightening Strikes Again" are some of the albums weakest m
EXTD=oments. The bonus tracks consist of extended versions of the trac
EXTD=k "Do It For Love" which actually sounds better in it's "single e
EXTD=dit" form and not the ponderous extended versions offered here. O
EXTD=verall it is a strong set of songs for anyone who likes Sheena Ea
EXTD=ston. \n\nAMAZON.COM CUSTOMER REVIEW\nthe eighties sound at its f
EXTD=inest, June 26, 2005\nReviewer: soylatte (Florida, USA)\nThis alb
EXTD=um deserved to be a smash. I can't believe I didn't even know it 
EXTD=existed until recently. I've always loved Sheena's voice and had 
EXTD=the pleasure of seeing her perform in Vegas (she is just as beaut
EXTD=iful in person). I have a lot of her cds, but this one really sta
EXTD=nds out because of Nile Rodgers' superb production. It has a simi
EXTD=lar sound to another Nile Rodgers project, Madonna's Like a Virgi
EXTD=n. "Can't Wait Till Tomorrow" has a relentless pop melody and fre
EXTD=nzied guitars reminiscent of Madonna's "Dress You Up." But this i
EXTD=sn't all derivative of Like a Virgin. Do You has its own unique s
EXTD=ound, silky and sophisticated. The title track is irresistible an
EXTD=d Sheena's vocals are solid as a rock. "Magic of Love" and "Kisse
EXTD=s" add a sensual, down-tempo vibe to an otherwise energetic album
EXTD=. There isn't a weak track here. Do You has inspired me to explor
EXTD=e more of Sheena's lesser-known catalog. \n\nAMAZON.COM CUSTOMER 
EXTD=REVIEW\nDeparture for the Diva, March 20, 2004\nReviewer: K. Magi
EXTD=nnis (Upstate NY)\nI really enjoy this album. The music is upbeat
EXTD= and very well done. Unlike what some other reviewers thought, I 
EXTD=think this is a great display of Sheena's incredible vocals. Her 
EXTD=previous albums tended to be a bit intense in their content. Here
EXTD=, the music is light and breezy. One reason may be that Sheena ha
EXTD=d just gotten married, so her wedded bliss, albeit temporary, may
EXTD= very well have influenced her musical choices.\nI love the songs
EXTD= that give her voice a bit of a challenge. "Don't Turn Your Back"
EXTD= is one. "Jimmy Mack", a re-make was very well done; I love "Youn
EXTD=g Lions" and "When The Lightning Strikes", co-written by Dan Hart
EXTD=man, who brought us the '80's hit, "I Can Dream About You". "Mone
EXTD=y Back Guarantee" takes the romance out of love and reminds us of
EXTD= Pre-nups. Overall, I enjoyed this album.\n\nAMAZON.COM CUSTOMER 
EXTD=REVIEW\nSheena's worst by far, February 17, 2003\nReviewer: patsy
EXTD= b "patsybdog"\nDated production and an appalling selection of so
EXTD=ngs makes for very dull listening. Chic and Nile may have been mu
EXTD=sic greats but their style does not suit Sheena at all and she so
EXTD=unds bored singing every one of these songs. Not impressive!\n\nA
EXTD=MAZON.COM CUSTOMER REVIEW\nSuperior Sheena, October 1, 2001\nRevi
EXTD=ewer: Fred Gruppi (USA)\n"Do You" stands as Sheena Easton's fines
EXTD=t album of her career, thanks mainly to three remarkable songs. "
EXTD=Do You", the song, is quite danceable, and flat-out enjoyable. "W
EXTD=hen the Lightening Strikes...", by Dan Hartman, is a standout tra
EXTD=ck and quite unique in Ms. Easton's repertoire. "Kisses", by Larr
EXTD=y Nacht, is reason alone to buy the album (it should have been a 
EXTD=single!)- a sensual, mysterious song that cries out to be covered
EXTD= again by another great artist.\n\nAMAZON.COM CUSTOMER REVIEW\nPr
EXTD=etty Decent, August 17, 2001\nReviewer: Chris S. "cscotts" (atlan
EXTD=ta, ga United States)\nAfter the success of her previous album A 
EXTD=PRIVATE HEAVEN, Sheena Easton apparently felt the need to follow 
EXTD=it up with like-minded material. Enlisting Madonna's LIKE A VIRGI
EXTD=N producer and Chic mastermind Nile Rodgers, DO YOU is awash in w
EXTD=hat typified music of that era--alot of drum machines and synths.
EXTD= Unfortunately, like most of Easton's albums around that time, th
EXTD=e music found within hasn't held up terribly well. The album buil
EXTD=ds alot on the sounds of the previous album, though it's a bit mo
EXTD=re upbeat, so it's somewhat surprising that it was a commercial f
EXTD=ailure. The set's first single, 'Do It For Love', may come off at
EXTD= first listen like a Madonna cast-off, but it remains not only on
EXTD=e of Easton's most underrated singles, but the best track on the 
EXTD=album. Among the other tracks, 'Don't Turn Your Back', Money Back
EXTD= Guarantee', and 'When The Lightning Strikes' leave the most last
EXTD=ing impression, but again, the slightly dated production detracts
EXTD= somewhat from the overall feel of the album. On a positive note,
EXTD= Easton's vocal work is first-rate,some of her best in fact. Over
EXTD=all, a pretty decent effort.\n\nAMAZON.COM CUSTOMER REVIEW\nThe G
EXTD=reat Lost Chic Album, November 19, 2000\nReviewer: James A. Allio
EXTD= "aheyheynow" (Oakland, CA USA)\n"Do You" is hands down my favori
EXTD=te Sheena Easton album to date, and the title song one of my favo
EXTD=rite dance-pop tracks of all time, but they were both relative co
EXTD=mmercial disappointments (if you can call gold status disappointi
EXTD=ng) compared to her previous outings at the time of release in 19
EXTD=85. Therefore, I held little hope out that this pumpin' LP would 
EXTD=see digital reissue, but EMI has seen fit to reissue the entire E
EXTD=aston catalog, including this Nile Rodgers helmed masterwork. Eve
EXTD=ry song here is red hot and smokin', with bright, indelible melod
EXTD=ies and sharp uptown arrangements, anchored by Sheena's most joyo
EXTD=us wailing ever. The cover of Martha Reeves and the Vandella's "J
EXTD=immy Mack" is, for once, not superfluous; it holds its own with t
EXTD=he state-of-the-art songs it is surrounded by. The Rodgers influe
EXTD=nce is heavily felt here; in fact, you could call this The Great 
EXTD=Lost Chic Album, but with Sheena Easton on lead vocals. There is 
EXTD=not one cut that falls below excellent on the entire album. Parti
EXTD=cular favorites are the ecstatic "Don't Break My Heart," smoky "K
EXTD=isses" and sensual "Magic of Love;" the four dance remixes that m
EXTD=ake up the bonus cuts here are all highly listenable even away fr
EXTD=om the dance floor. This is the one Sheena Easton album that was 
EXTD=truly ahead of its time.\n\nAMAZON.COM CUSTOMER REVIEW\nSHEENA EA
EXTD=STON'S BEST ALBUM, August 24, 2000\nReviewer: CHUCK WEST (ATLANTA
EXTD=, GA, USA)\nThe opinions of Sheena Easton fans are pretty much di
EXTD=vided 50/50 when it comes to the album "DO YOU." The fans either 
EXTD=LOVE IT or DISAPPROVE of it, yet it is too good a work for anyone
EXTD= to hate. I think the problem with this division is not the work,
EXTD= but the mindset of the listener. Too often fans of an artist get
EXTD= "stuck" in one perception of an artist, and wind up reacting ins
EXTD=tead of receiving. Just like the actor/actress who gets "typecast
EXTD=," musical artists have to fight to break through the limitations
EXTD= set by fans' and record companies' expectations of who the artis
EXTD=t is. In turn, the fans and record companies should be listening 
EXTD=to the artist tell THEM who the artist is. The artist is, if we a
EXTD=re lucky, a growing, evolving human being, and their work should 
EXTD=be viewed in the same light. That temporary exploration and perio
EXTD=dic return to the "expected" is what keeps an artist and their wo
EXTD=rk from stagnating. \n"DO YOU" is Sheena Easton's best work, not 
EXTD=only vocally but also technically. Nile Rodgers' choice of instru
EXTD=ments, arrangements, and other production elements, along with Sh
EXTD=eena Easton's exquisite vocal abilities make this a superior 80's
EXTD= POP/ROCK/R&B album, NOT a superior ADULT CONTEMPORARY album like
EXTD= Sheena's 1987 album "No Sound But A Heart," or 1993's "No String
EXTD=s." If fans only want that kind of material, that's what they sho
EXTD=uld play on their stereo, and stop complaining about the certain 
EXTD=works that don't "meet their expectations." It would stand to rea
EXTD=son that a fan of an artist would, at least, support the works of
EXTD= said artist which might not exactly be his or her favorite. I li
EXTD=ke the music so much that I would like it even if it were just an
EXTD= instrumental Nile Rodgers album. \n\nMy favorite tracks are the 
EXTD=xylophone-laden "Do It For Love," the frenetic "Don't Break My He
EXTD=art," the intense rocker "Don't Turn Your Back," the perky cover 
EXTD=of the Motown classic, "Jimmy Mack," the smooth-funk "Can't Wait 
EXTD=Til Tomorrow," and the best track, "When The Lightning Strikes Ag
EXTD=ain." On the original release, "When The Lightning Strikes Again,
EXTD=" written by Dan Hartman, was the last track on the album/CD. It 
EXTD=builds with each prominent instrument added, layer upon layer, in
EXTD= the first minute or so, before Sheena Easton's vocal track begin
EXTD=s. It should have been released as a single, and could have been 
EXTD=the big crossover single that radio would have eaten up. It's a G
EXTD=REAT MELODY, and would have played well on POP/ROCK, R&B, and ADU
EXTD=LT CONTEMPORARY radio stations alike. Over time, it has become my
EXTD= favorite individual track from Sheena Easton's entire span of wo
EXTD=rk. \n\nCheck it out. If it's not your style, that's fine---just 
EXTD=switch to another Sheena CD that is more "up your alley" (see the
EXTD= back cover graphics).\n\nAMAZON.COM CUSTOMER REVIEW\nNot bad, ju
EXTD=st not great, August 8, 2000\nReviewer: A music fan\nThe 1 star r
EXTD=eview was a little harsh. While she does not sing in her natural 
EXTD=soprano and some of the songs are repetitive, it's not an unenjoy
EXTD=able experience. For some time before this album was released, Sh
EXTD=eena had expressed an interest in doing more dance music and in s
EXTD=inging in a lower register. While some may miss the high notes an
EXTD=d vocal acrobatics, Sheena's voice is at times laid back and comp
EXTD=elling because she didn't sing each of these songs all out. Inste
EXTD=ad of intense and emotional, she sounds seductive and smooth on M
EXTD=agic of Love and Kisses. That's not to say she doesn't ever push 
EXTD=herself to a stronger vocal level (Jimmy Mack, Do You). Some of i
EXTD=t is formulaic and repetitive, and while Nile Rodgers brought a d
EXTD=ance sound to the record, he brought too much of his stamp and di
EXTD=dn't give Sheena quite enough room a singer of her ability deserv
EXTD=es to express herself. If you are a Sheena fan, it's worth having
EXTD=. If you're not, go for Madness, Money and Music, which is stunni
EXTD=ng much of the time.\n\nAMAZON.COM CUSTOMER REVIEW\n...Easily the
EXTD= low point in her career, August 2, 2000\nReviewer: A music fan\n
EXTD=Sheena Easton is such a wonderful singer, but this album is the w
EXTD=orst thing she's ever done. Coming after 1984's superb (and huge-
EXTD=selling) "A Private Heaven," Easton switched producers to Nile Ro
EXTD=dgers, who was then known for his work with Madonna. The end resu
EXTD=lt, instead of reflecting any of Sheena's personality, sounds lik
EXTD=e a third-rate clone of the Material Girl. There are none of the 
EXTD=trademark ballads that Sheena is known for -- the sole slow numbe
EXTD=r, "Magic of Love," is positively inane, with meaningless lyrics 
EXTD=and an army of background singers covering up Sheena's lead vocal
EXTD= -- what is the point of that? And the uptempo songs are all vapi
EXTD=d and empty. Songs such as "Strut" and "Sugar Walls" were intrigu
EXTD=ing and clever, but these tunes -- particularly "Don't Turn Your 
EXTD=Back" and "Money Back Guarantee" -- contain empty verses that sim
EXTD=ply chug along until the choruses chime in. And on this disc, She
EXTD=ena began singing in her lower register instead of her natural so
EXTD=prano, which results in a forced, unconvincing sound. \nI love Sh
EXTD=eena, and bought this because I buy everything she does, but list
EXTD=ening to it again reminded me how disappointing a disc (and caree
EXTD=r move) this was.\n\nAMAZON.COM CUSTOMER REVIEW\nFinally it is re
EXTD=release., July 28, 2000\nReviewer: Mian Sukiman "M Suk" (Jakarta 
EXTD=Indonesia)\nHave been looking for the Do You (12" version) on cd 
EXTD=for 15 years and finally it is here. The entire album is not Shee
EXTD=na's best work but "Do you" is one of her best single. This album
EXTD= didn't perform well back in 1985 but now it is rerelease, it des
EXTD=erves a second chance. Buy it.\n\nHalf.com N/A
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