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DISCID=500dd918
DTITLE=The Beatles / Help!
DYEAR=2006
DGENRE=Rock
TTITLE0=Help!
TTITLE1=The Night Before 
TTITLE2=From Me to You Fantasy (Instr.) 
TTITLE3=You've Got to Hide Your Love Away 
TTITLE4=I Need You 
TTITLE5=In the Tyrol (Instrumental) 
TTITLE6=Another Girl 
TTITLE7=Another Hard Day's Night (Instrumental) 
TTITLE8=Ticket to Ride 
TTITLE9=The Bitter End/You Can't Do That (Instrumental) 
TTITLE10=You're Gonna Lose That Girl 
TTITLE11=The Chase (Instrumental)
TTITLE12=Help! (Mono)
TTITLE13=The Night Before (Mono)
TTITLE14=From Me to You Fantasy (Instrumental) (Mono)
TTITLE15=You've Got to Hide Your Love Away (Mono)
TTITLE16=I Need You (Mono)
TTITLE17=In the Tyrol (Instrumental) (Mono)
TTITLE18=Another Girl (Mono)
TTITLE19=Another Hard Day's Night (Instrumental) (Mono)
TTITLE20=Ticket to Ride (Mono)
TTITLE21=The Bitter End/You Can't Do That (Instrumental) (Mono)
TTITLE22=You're Gonna Lose That Girl (Mono)
TTITLE23=The Chase (Instrumental) (Mono)
EXTD=The Capitol Albums Vol. 2 - Disc 3 of 4 : Help!\n2006 Capitol Rec
EXTD=ords, Inc.\n\nThis compilation originally released April 11, 2006
EXTD=\n\n''The Early Beatles'' USA-configured LP originally released M
EXTD=arch 22, 1965\n''Beatles VI'' USA-configured LPoriginally release
EXTD=d June 14, 1965\n''Help!'' USA-configured LP originally released 
EXTD=August 13, 1965\n''Rubber Soul'' USA-configured LP originally rel
EXTD=eased December 6, 1965\n\nAMG EXPERT REVIEW: The second installme
EXTD=nt of Capitol's long-awaited, ongoing series of reissues of the B
EXTD=eatles' American albums covers the four Fab Four albums Capitol r
EXTD=eleased in 1965: The Early Beatles, Beatles VI, Help!, and Rubber
EXTD= Soul. The first of these, The Early Beatles, was a quick roundup
EXTD= of all the material from Please Please Me that hadn't been put o
EXTD=n an American LP and it appropriately plays like a truncated and 
EXTD=jumbled version of their debut; it's fun, but lacks the momentum 
EXTD=and punch of their British debut. Beatles VI, whose very title su
EXTD=ggests the ferocity of Beatlemania, since it's their sixth LP in 
EXTD=just over a year, relies heavily on their fourth British LP, Beat
EXTD=les for Sale, pulling six songs from that album ("Kansas City," "
EXTD=Eight Days a Week," "I Don't Want to Spoil the Party," "Words of 
EXTD=Love," "What You're Doing," "Every Little Thing"), adding to the 
EXTD=mix a couple of new songs that would later show up on Help! ("You
EXTD= Like Me Too Much," "Tell Me What You See"), a pair of Larry Will
EXTD=iams covers ("Bad Boy," "Dizzy Miss Lizzie"), and "Yes It Is," or
EXTD=iginally released as the B-side to "Ticket to Ride." Since it's c
EXTD=ulled exclusively from late 1964 and early 1965 material, the alb
EXTD=um winds up holding together better than some of the grab bags fr
EXTD=om 1964, and since the newer material is lighter than the excised
EXTD= material from Beatles for Sale -- "I Don't Want to Spoil the Par
EXTD=ty" may be weary, but without the gloomy opening triptych of "No 
EXTD=Reply," "I'm a Loser," and "Back in Black," the remaining songs f
EXTD=rom this album don't quite feel as dark -- Beatles VI winds up as
EXTD= a pretty fun snapshot of the waning days of the peak of Beatlesm
EXTD=ania.\n\nHelp! and Rubber Soul were the first U.S. LPs to bear th
EXTD=e same titles (along with roughly the same artwork) of their U.K.
EXTD= counterparts, but they still had distinctly different running or
EXTD=ders than the albums released in Britain. The American version of
EXTD= Help! is designed as a soundtrack to the film of the same name, 
EXTD=containing selections from the movie's Ken Thorne-written score i
EXTD=nterspersed between the Beatles songs. Where the U.K. Help! had 1
EXTD=4 tracks, including music not heard in the film, the U.S. Help! i
EXTD=s 12 tracks, with only seven songs from the group -- just the son
EXTD=gs actually heard in the film. The result is a distinctly differe
EXTD=nt listening experience, one that's certainly not as satisfying a
EXTD=s the U.K. LP, yet there is a certain charm to Thorne's exotica-t
EXTD=inged, swinging-'60s score, particularly to the James Bondian fan
EXTD=fare that opens the album, that helps make the U.S. version of He
EXTD=lp! a fun nostalgia trip. The American Rubber Soul is also differ
EXTD=ent than its British cousin, removing four songs from the U.K. ve
EXTD=rsion ("Drive My Car," "Nowhere Man," "What Goes On," "If I Neede
EXTD=d Someone") and replacing them with two tunes from the U.K. Help!
EXTD= ("I've Just Seen a Face" and "It's Only Love"). The new tunes op
EXTD=en up each side of the record, but the sequencing remains roughly
EXTD= the same as it is on the U.K. version, yet the U.S. LP does wind
EXTD= up with a subtly different feel than its British counterpart; by
EXTD= opening with the folky "I've Just Seen a Face" and omitting rock
EXTD=ers and trebly pop songs, Rubber Soul winds up feeling like the B
EXTD=eatles' reaction to America's folk-rock movement of 1965, which i
EXTD=s a feel that some listeners prefer.\n\nAs on the first Capitol A
EXTD=lbums box, each of the four albums contains the original stereo a
EXTD=nd mono mixes for each LP (initial pressings contained incorrect 
EXTD=mono mixes for The Early Beatles and Rubber Soul, which were fold
EXTD=ed down for the stereo mixes instead of the original mono mixes, 
EXTD=but this error was quickly corrected). Where several of the 1964 
EXTD=LPs on the first set were bathed in echo and were in fake stereo,
EXTD= the four 1965 records -- with the exception of The Early Beatles
EXTD=, which has such an extreme hard pan on its fake stereo that it i
EXTD=s a bit difficult to listen to on headphones -- were not dressed 
EXTD=up in as much post-production studio trickery and the stereo soun
EXTD=ds natural, so the mixes aren't as disorienting as they were on, 
EXTD=say, Second Album. There are some subtle differences between mixe
EXTD=s -- and one not-so-subtle difference: the stereo version of "I'm
EXTD= Looking Through You" begins with a false start -- but most of th
EXTD=ese will only be noticeable only to the hardcore fans, who are in
EXTD=deed the target for this set. And like last time out, they should
EXTD= be pleased with this set, despite its flaws, chief among them th
EXTD=e packaging. Like Capitol Albums, Vol. 1, this set has an ugly fr
EXTD=ont cover that makes it seem like a Reader's Digest exclusive, th
EXTD=e cardboard on the slipcase as well as the individual mini-LP rep
EXTD=roductions feels flimsy (and Help!, which was originally a gatefo
EXTD=ld, is not a gatefold here), and the set feels like it could have
EXTD= been put together with more care. That said, there are some impr
EXTD=ovements this time around. The set has been issued as a (roughly)
EXTD= CD-sized box, which is preferable to the longbox of the first se
EXTD=t, and Bruce Spizer's notes do an excellent job detailing the his
EXTD=tories of these American LPs. And, of course, the sound is much, 
EXTD=much better than the sound on the CDs for the regular albums, whi
EXTD=ch are now nearly 20 years out of date. That sound, along with th
EXTD=e nostalgic joy of getting these American incarnations on CD, is 
EXTD=the main reason the hardcore fans will be more than happy to forg
EXTD=ive this set its few flaws and simply enjoy the many pleasures of
EXTD= this collectors-oriented set. -- Stephen Thomas Erlewine \n \n\n
EXTD=AMAZON.COM CUSTOMER REVIEW\n1ST RUN HAS WRONG VI + SOUL MONO MAST
EXTD=ERS!!!!, April 11, 2006\nReviewer: Bertram christmas "bert" (Bost
EXTD=on,MA.USA)\nThere was a production error on this sets 1st run. Th
EXTD=e original Capitol Mono mixes were not used on Beatles VI and Rub
EXTD=ber Soul. In error, Capitol used folded down Monos from the origi
EXTD=nal Capitol stereo mixes. This was discovered by a DJ in Philadel
EXTD=phia, approximately five days before this sets street date of 4-1
EXTD=1-'06. Capitol upon learning of their err, immediately produced a
EXTD= corrected 2nd run, which also hit the stores on 4-11-06'. I writ
EXTD=e this as of the same date. If you go into the stores today, chan
EXTD=ces are 50/50 if you will get the erronous or corrected edition. 
EXTD=It's all a matter of when the stores ordered their copies from th
EXTD=eir wholesaler or EMD directly. Capitol will not be doing a recal
EXTD=l on the incorrectly manufactured copies. Suppoesedly, they will 
EXTD=be making an announcement as to how the faulty discs from the 1st
EXTD= run can be replaced via proof of purchase. What Capitol pretty m
EXTD=uch did on the 1st run, was to create Mono mixes which have never
EXTD= existed previously. So if you are a real die hard, you may just 
EXTD=want to hold on to your 1st run set if you have one. For certain,
EXTD= I'm sure it will become a very scarce collectors item!!!! All tr
EXTD=ansfers, Both Mono and Stereo, and both corrected and uncorrected
EXTD= Monos SOUND GREAT!!!!!! Bertram F. Christmas YEAR: 2006
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