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DISCID=330dc818
DTITLE=Various / Loud, Fast & Out Of Control (CD1)
DYEAR=1999
DGENRE=Rock
TTITLE0=Eddie Cochran / C'mon Everybody
TTITLE1=Gene Vincent & His Blue Caps / B-I-Bickey-Bi, Bo-Bo-Bo
TTITLE2=Elvis Presley / Jailhouse Rock
TTITLE3=Johnny Burnette / Rock Billy Boogie
TTITLE4=Chuck Berry / Johnny B. Goode
TTITLE5=Jack Scott / Leroy
TTITLE6=Joe Bennett & The Sparkletones / Black Slacks
TTITLE7=Dwight Pullen / Sunglasses After Dark
TTITLE8=Carl Perkins / Put Your Cat Clothes On
TTITLE9=Joe Clay / Duck Tail
TTITLE10=Rock-A-Teens / Woo-Hoo
TTITLE11=Ritchie Valens / Come On, Let's Go
TTITLE12=Fats Domino / I'm Ready
TTITLE13=Joe Turner & His Blues Kings / Shake, Rattle & Roll
TTITLE14=Louis Prima Featuring Kelly Smith With Sam Butera & The Witne
TTITLE14=sses / Jump, Jive An' Wail
TTITLE15=Amos Milburn / Chicken Shack
TTITLE16=Hank Ballard & The Midnighters / Finger Poppin' Time
TTITLE17=Duane Eddy & His 'Twangy' Guitar / Rebel-'Rouser
TTITLE18=Dale Vaughn / How Can You Be So Mean To Me
TTITLE19=Janis Martin / My Boy Elvis
TTITLE20=Elvis Presley / My Baby Left Me
TTITLE21=Jerry Lee Lewis / Whole Lot Of Shakin' Going On
TTITLE22=The Coasters / That Is Rock & Roll
TTITLE23=Gene Vincent & His Blue Caps / Be-Bop-A-Lula
EXTD=Originally Released May 18, 1999\n\nAMG EXPERT REVIEW: If anyonew
EXTD=anted to prove that original '50s rock & roll was a lot more than
EXTD= just white guys trying to sound black, this deluxe box set would
EXTD= be the perfect flag-waver. Loaded up heavy from top to bottom wi
EXTD=th the kind of discs that rockabilly collectors consider their pe
EXTD=rsonal epiphany, along with obvious hits from Elvis Presley, Jerr
EXTD=y Lee Lewis, Little Richard, Bo Diddley and others, this collecti
EXTD=on burrows right into the heart of what made the first edition of
EXTD= rock & roll so upsetting to staid adults back in the '50s. Thisi
EXTD=s loud, noisy, dangerous music, as far away from malt-shop memori
EXTD=es and wedding-reception drivel as you could possibly ask for.Enc
EXTD=ompassing rockabilly, jump R&B, crazed instrumentals, hits andcla
EXTD=ssics that have earned their rep over the intervening decades, th
EXTD=is should be a major cornerstone of anyone building a sensible ro
EXTD=ck & roll collection. -- Cub Koda\n\nAmazon.com Editorial Review\n
EXTD="Communist, Eastern European countries... may have come up with K
EXTD=arl Marx," punk entrepreneur Brett Gurewitz once said, "andthey m
EXTD=ay have come up with Trotsky, but they'll never come up with Chuc
EXTD=k Berry." The 1950s' rock revolution, this four-CD box is designe
EXTD=d to remind us, led to more than just Happy Days and Grease; it w
EXTD=as part and parcel of the movement for social change in racial an
EXTD=d sexual terms that, like the music, was impossible to stop. Of c
EXTD=ourse, it sounded great, too. ("That ain't no freight trainthat y
EXTD=ou hear rollin' down the railroad tracks," the Coasters remind us
EXTD= near the end of disc one. "That's a country-born piano man playi
EXTD=n' in between the cracks.") Loud, Fast & Out of Control offers it
EXTD=s share of the usual oldies-radio fodder, but also tossesin count
EXTD=less little-heard gems, from Gene Vincent's "B-I-Bickey-Bi, Bo-Bo
EXTD=-Go" (with Cliff Gallup serving up several of rockabilly's most i
EXTD=nspired, unhinged guitar solos) and several Johnny Burnette Trio 
EXTD=singles to Little Richard's towering title song for The Girl Can'
EXTD=t Help It, the Johnny Otis Show's "Crazy Country Hop," and Carl P
EXTD=erkins's "Put Your Cat Clothes On." --Rickey Wright \n\nAmazon.co
EXTD=m Customer Review\n"Devil Music" at its best!!!, August 17, 2001 
EXTD=\nReviewer: ron dolce from evanston, illinois United States  \n"H
EXTD=appy Days" never existed, at least not in the '50's. Thatdecade w
EXTD=as in reality the beginning of the "Culture Wars" of social liber
EXTD=ation and the opening salvo was the arrival of the "filthy, degen
EXTD=erate devil music" (not my words but I forget whose) known as roc
EXTD=k and roll. Rhino records brings back this period with this issue
EXTD=; four cd's containing one hundred four of the wildest songs in r
EXTD=ock's history. Most of the classic performers (Buddy Holly, Littl
EXTD=e Richard, Jerry Lee Lewis) are represented, as well assome perio
EXTD=d performers (Wanda Jackson, Vince Taylor) and some one-hit wonde
EXTD=rs (the Viscounts, Warren Smith). The collection mixesclassic son
EXTD=gs with more little known numbers. Bill Haley's version of "Shake
EXTD=, Rattle and Roll" is replaced by the much more satisfying versio
EXTD=n by Joe Turner and several other songs which would becovered mor
EXTD=e famously appear.(I wish somebody would cover Wynonie Harris' "L
EXTD=ovin' Machine". Place and time notwithstanding it's probably the 
EXTD=most subversive song in the set). In addition, about40% of the ma
EXTD=terial is performed by black artists, representing afact that was
EXTD= not lost on the critics of rock and roll at the time. The crysta
EXTD=l clear digital remix seems to give the music evenmore of an edge
EXTD=. My only complaint is that there wasn't enough ofit. This collec
EXTD=tion is further evidence that rock and roll is one of the world's
EXTD= most powerful forces. If you love it and you'renot a serious '50
EXTD='s collector, get this set. \n\nAmazon.com Customer Review\nCould
EXTD= have been titled Loud or Fast or Out Of Control, January 18, 200
EXTD=0 \nReviewer: Brian O'Marra from Little Rock, ARUSA  \nThe intent
EXTD= of the compilers is to give the 50's music thecredibility and re
EXTD=levance it deserves. It is true that 60's and70's music is filed 
EXTD=in stores by artist, and with the excetion ofElvis Presley, Budd
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