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DISCID=09128111
DTITLE=Aerosmith / Young Lust: The Aerosmith Anthology - Disc 1 of 2
DYEAR=2001
DGENRE=Rock
TTITLE0=Let The Music Do The Talking
TTITLE1=My Fist Your Face
TTITLE2=Shame On You
TTITLE3=Heart's Done Time
TTITLE4=Rag Doll
TTITLE5=Dude (Looks Like A Lady)
TTITLE6=Angel
TTITLE7=Hangman Jury
TTITLE8=Permanent Vacation
TTITLE9=Young Lust
TTITLE10=The Other Side
TTITLE11=What It Takes
TTITLE12=Monkey On My Back
TTITLE13=Love In An Elevator
TTITLE14=Janie's Got A Gun
TTITLE15=Ain't Enough
TTITLE16=Aerosmith featuring Run DMC / Walk This Way
EXTD=Young Lust: The Aerosmith Anthology - Disc 1 of 2\n2001 Geffen Re
EXTD=cords\n\nOriginally Released November 20, 2001\n\nAMG EXPERT REVI
EXTD=EW: The Geffen hits were already summarized on Big Ones, so the 2
EXTD=001 collection, Young Lust, takes the next step, providing an "an
EXTD=thology," which apparently means that it delves deeper than those
EXTD= hits, providing two discs of latter-day Aerosmith, including alb
EXTD=um tracks, concert favorites, rarities, non-LP B-sides, and cuts 
EXTD=only available on compilations. A better idea in theory than in p
EXTD=ractice, since Young Lust is typical of collections of its times 
EXTD=in that it simultaneously contains too much music and not enough.
EXTD= Too much because these 34 songs simply constitute a lot of mater
EXTD=ial, especially because there are a few album cuts that aren't pa
EXTD=rticularly distinctive, plus live material at the end that feels 
EXTD=extraneous. Not enough because certain hits aren't here in the hi
EXTD=t versions: the acoustic version of "Livin' on the Edge," the orc
EXTD=hestral version of "Amazing," a live "Falling in Love (Is Hard on
EXTD= the Knees)" (not to mention the live performances of Columbia cl
EXTD=assics "Dream On" and "Sweet Emotion"). That said, this still ful
EXTD=fills its goals pretty nicely, offering an in-depth summary of Ae
EXTD=rosmith's comeback which indeed wasn't limited to just the hits; 
EXTD=cuts like "Hangman Jury," "Monkey on My Back," "Blind Man," and e
EXTD=specially the non-LP "Deuces are Wild" are proof that the group w
EXTD=as revitalized during this time, only starting to run out of stea
EXTD=m around 1993's Get a Grip. Much of the best of this time is avai
EXTD=lable here, but the collection feels a little off, probably becau
EXTD=se it is so much material in such a concentrated burst, which is 
EXTD=not only a little tiring, but the density brings the weaknesses t
EXTD=o the forefront in a way such tight albums as Pump couldn't; but 
EXTD=it still does offer a lot, even if it doesn't have all that it sh
EXTD=ould. -- Stephen Thomas Erlewine\n\nAmazon.com Editorial Review\n
EXTD=Aerosmith's reign as America's greatest hard-rock heroes seemed a
EXTD=ll but over at the end of the '70s, the victim of internal squabb
EXTD=les, drug abuse, and a cocooned, decadent environment. Set agains
EXTD=t that backdrop, their '80's label switch and resurgence--and an 
EXTD=eventual iconic, widespread acceptance even more pervasive than d
EXTD=uring their "prime"--was initially as gratifying as it was unlike
EXTD=ly. This double-disc, 34-track compilation of the Geffen years ch
EXTD=ronicles a not-so-young band clawing their way back to the top wi
EXTD=th a hungry frenzy that shamed many upstarts half their age. With
EXTD= all the high points intact (including their groundbreaking rock-
EXTD=rap redux of "Walk this Way" with Run D.M.C., "Rag Doll," "Dude (
EXTD=Looks Like a Lady)," "Love In an Elevator," "Janie's Got a Gun," 
EXTD="The Other Side," Cryin'" et al.), this compilation offers up the
EXTD= expected live extras (a handful of old hits and '90's staples), 
EXTD=soundtrack cuts ("Deuces Are Wild" and the Doors' "Love Me Two Ti
EXTD=mes") and sundry rarities (including the non-album cuts "Don't St
EXTD=op" and "Can't Stop Messin'," B-side "Head First," and Japan-only
EXTD= "Ain't Enough")--though, sadly, no "Theme to Wayne's World." But
EXTD= by its waning tracks, it also documents the encroaching influenc
EXTD=es of hired-gun tunesmiths like Desmond Child and Glen Ballard, a
EXTD=nd the band's troubling tendency to hew ever closer to the middle
EXTD=-of-the-road as its fame burgeoned. Younger listeners may well tr
EXTD=easure this album as a history of Aerosmith's golden years, B.D.-
EXTD=-as in before Diane (Warren). --Jerry McCulley \n\nAMAZON.COM CUS
EXTD=TOMER REVIEW\nYoung Lust, January 29, 2005\nReviewer: Zack H. "Pi
EXTD=nk Floydian"\nParticularly if you don't have any of their other a
EXTD=lbums, or if you have giant gaps in your mid-years Aerosmith coll
EXTD=ection, this is a great anthology. It includes a lot of odds, end
EXTD=s, and B-sides from their other albums, plus the greats, like Ele
EXTD=vator, Ragdoll, Dude Looks Like a Lady, and the Run DMC Walk this
EXTD= Way. There's also a four song live segment, and while the live D
EXTD=ream On and Fallin' in Love are fabulous tracks, I think the live
EXTD= Sweet Emotion is weaker than the studio. Because this is a one-l
EXTD=abel anthology, it's missing most of the comeback hits (Pink, Don
EXTD='t Wanna Miss a Thing, Jaded, etc.) which is a real disappointmen
EXTD=t. Still, a great listen and well worth the money.\n\nAMAZON.COM 
EXTD=CUSTOMER REVIEW\n****1/2 - a really good latter-day overview, Jul
EXTD=y 31, 2004\nReviewer: Docendo Discimus (Vita scholae)\n"Young Lus
EXTD=t - The Aerosmith Anthology" chronicles Aerosmith's Geffen-years 
EXTD=from the mid-eighties onward. \nGathering 34 singles, album track
EXTD=s and live cuts, it offers a fine retrospective, and it manages t
EXTD=o include almost all of the best songs from Aerosmith's last six 
EXTD=studio albums. This is pretty much all that the casual fan will n
EXTD=eed. \n\nHaving said that, I would have preferred a leaner versio
EXTD=n of "Amazing" to the orchestrated one included here, but the aco
EXTD=ustic rendition of the hit "Livin' On The Edge" is really good, a
EXTD=nd Run-DMC's take on the sublime hard rock song "Walk This Way" i
EXTD=s included, too. \nThe live versions of "Dream On" and "Sweet Emo
EXTD=tion" are sort of pointless, though, and those two should have be
EXTD=en left off in favour of two or three more songs from the band's 
EXTD=Geffen years, but the selection is generally very good, and small
EXTD= flaws like those I just mentioned don't really ruin the overall 
EXTD=impression. \n\nThe MTV-staples "Dude (looks like a lady)" and "L
EXTD=ove In An Elevator" are here, as well as power ballads like "Ange
EXTD=l", "Cryin'", and "Crazy", the underrated blues shuffle "Hangman 
EXTD=Jury", the melodic (and disturbing) "Janie's Got A Gun", and seve
EXTD=ral other smashes like "The Other Side", "What It Takes", and the
EXTD= hard rockers "Eat The Rich", "Head First", "Let The Music Do The
EXTD= Talking", "Rag Doll", and "My Fist Your Face". \n"Young Lust" al
EXTD=so includes and excellent version of the Door's "Love Me Two Time
EXTD=s", as well as "Deuces Are Wild", "Blind Man" and "Walk On Water"
EXTD=, the three previously unreleased songs from Aerosmith's earlier 
EXTD=Geffen compilation, "Big Ones". \n\nThis well-annotated double di
EXTD=sc compilation is the best available overview of Aerosmith's latt
EXTD=er-day output. Get this one, and the excellent box set "Pandora's
EXTD= Box" for the 'Smith's seventies classics, and you're set! \n\nAM
EXTD=AZON.COM CUSTOMER REVIEW\nIt's NOT another ?Greatest Hits? CD. It
EXTD='s Better!, June 3, 2004\nReviewer: "tubags61" (Winnipeg, MB Cana
EXTD=da)\nYoung Lust: The Aerosmith Anthology is NOT another "Greatest
EXTD= Hits" CD. It is exactly what it claims to be...an Anthology. Thi
EXTD=s double, 34 track CD covers Aerosmith's rarities and B-side sing
EXTD=les along with some mainstream Aerosmith hits from the 80's up to
EXTD= 2001. Overall a great collection of Aerosmith's work. The rariti
EXTD=es and b-side singles are surprisingly good. My favorites are, Lo
EXTD=ve Me Two Times (Doors Cover), Head First, Don't Stop and Can't S
EXTD=top Messin' to name just a few. In my mind this CD is the compani
EXTD=on to Pandora's Box. Between these two compilations you'd have Ae
EXTD=rosmith's "musical soul" in your hands. I highly recommend these 
EXTD=two works as the mainstay of your Aerosmith collection.\nIf you a
EXTD=re looking for an Aerosmith Greatest Hits CD covering this era ge
EXTD=t "O' Yeah -Ultimate Aerosmith Hits!" in addition to, or on it's 
EXTD=own if you are just a casual Aerosmith fan. If you want to explor
EXTD=e the Aerosmith's musical depth, Young Lust is a great trip!\n\nA
EXTD=MAZON.COM CUSTOMER REVIEW\nUnnecessary, February 17, 2004\nReview
EXTD=er: Mike "Mike" (Maryland)\nThe only songs on this album that are
EXTD=n't on Big Ones or O Yeah! Ultimate Aerosmith Hits are some live 
EXTD=and/or acoustic versions. They only have "Dream On" and "Sweet Em
EXTD=otion" as live, but don't have the original recordings. They also
EXTD= have a dumb acoustic version of "Livin On The Edge." No original
EXTD= for that either. People complain that O Yeah! is missing some es
EXTD=sential songs such as "Train Kept A Rollin'," well this does not 
EXTD=have it either. They have many of their hits, but there is no rea
EXTD=son to get this. If you want a greatest hits collection get O Yea
EXTD=h! or Big Ones. If you are looking for live tracks get Classics L
EXTD=ive or Live Bootleg. Stay away from this unless you are turned on
EXTD= by the jewel case cover.\n\nAMAZON.COM CUSTOMER REVIEW\nGreat Co
EXTD=llection., July 21, 2002\nReviewer: Mr. Fellini "Fellini" (El Pas
EXTD=o, Texas United States)\n..."Young Lust: The Aerosmith Anthology"
EXTD= is a great taste of how far this band has come since the 70s and
EXTD= into a third decade. This is an intricate set, featuring both po
EXTD=pular hits and delicious rarities. The first disc is made-up of p
EXTD=opular favorites like the powerful "Janie's Got A Gun," the fun, 
EXTD=lively, orchestra-powered "Dude Looks Like A Lady." "Hangman Jury
EXTD=" is a great rockin' blues tune where Tyler does some fun, someti
EXTD=mes fascinating vocal work. "Let The Music Do The Talking" is act
EXTD=ive with some early rock nostalgia. "Walk This Way" with Run DMC 
EXTD=has not aged a bit and still sounds fresh and hip, lots of fun an
EXTD=d with style (you kinda wish crap bands like Limp Bizkit would've
EXTD= actually LEARNED from this song how to combine rap with rock). "
EXTD=Love In An Elevator" is an okay song, depends what kind of day yo
EXTD=u're having. "Young Lust" is saucy. Disc 2 has some very interest
EXTD=ing tracks and I suspect it is the disc that makes this set worth
EXTD= getting. The opener, "Eat The Rich" is energetic and lively. The
EXTD= next track is a true Aerosmith gem, a cover of The Doors' "Love 
EXTD=Me Two Times" that really rocks. It's exhilarating, powered by so
EXTD=me great playing (especially guitarist Joe Perry's take on Robby 
EXTD=Krieger's immortal blues riff) and stunning vocals by Tyler who a
EXTD=lso pulls off a great harmonica solo here. It is a fitting tribut
EXTD=e to the spirit of Jim Morrison and the kind of hard rock blues T
EXTD=he Doors helped influence. "Walk On Water" is a crunching Souther
EXTD=n-feeling scorcher. Another great track here is the live version 
EXTD=of "Dream On," like the original it is atmospheric, moving, hypno
EXTD=tic and ultimately a masterpiece in melodic rock virtuosity for A
EXTD=erosmith. There is never anything in modern rock quite like Tyler
EXTD='s vocals and Perry's guitar work. Their influence has not dimini
EXTD=shed and bands like Train, Kid Rock and Metallica have expressed 
EXTD=their fanaticsm for the band. Like The Doors and Led Zeppelin, Ae
EXTD=rosmith has produced rock music that has and will continue to end
EXTD=ure. Indeed, "Young Lust" is a great showcasing of how many emoti
EXTD=ons, moods and exhilarating flavors the band can express. A grea 
EXTD=collection of some great rock n' roll.\n\nAMAZON.COM CUSTOMER REV
EXTD=IEW\nFills In Some Gaps, April 24, 2002\nReviewer: Mad Dog "maddo
EXTD=g6969" (TimbuckThree, Tennessee)\nListening to this disc, my mind
EXTD= drifts back to a Saturday evening at a small bar not far from ho
EXTD=me. As we were getting ready to leave, the bartender talked us in
EXTD=to another pitcher, telling us something big was happening. That 
EXTD=something turned out to be a visit by Aerosmith. This was an albu
EXTD=m or two after Rocks, when the band wasn't getting along so well.
EXTD= We waited, then our jaws hit the floor when Tyler and Perry walk
EXTD=ed in. They were playing as a present to the bar owner, a friend 
EXTD=of theirs. The show started out very well, but degenerated into j
EXTD=ust another drunken bar band that played too loud. We walked out 
EXTD=and I was thinking that Aerosmith was on their way out. I couldn'
EXTD=t have been more wrong. They just needed a break.\nI bought all o
EXTD=f the old Aerosmith albums before their resurgence, but have been
EXTD= selective since then. So this compilation allowed me to fill in 
EXTD=some gaps from the later CDs that I didn't really want to buy. Pl
EXTD=us there are some rare songs in here to help spice up the deal. I
EXTD='d really give it 3.5 stars if I could, because there's more here
EXTD= than I need. Trimming this down to one disc would have made it m
EXTD=uch better.\n\nThe sound quality is very good to excellent and th
EXTD=e liner notes are well done. In summary, a good compilation for u
EXTD=s old 70's dinosaurs that want to fill in the newer tunes from a 
EXTD=very durable band.\n\nAMAZON.COM CUSTOMER REVIEW\nA fun set for j
EXTD=ust about anyone., March 22, 2002\nReviewer: Bill Allison (Boliva
EXTD=r, Missouri United States)\nI've never been what you would call a
EXTD= huge Aerosmith fan, but over the years, I've owned several of th
EXTD=eir albums and I consider "Pump" to be one of my favorite rock-al
EXTD=bums of all time. In my opinion, that was their most consistent a
EXTD=lbum and I can still never get tired of playing the thing. Songs 
EXTD=like "the other side", "what it takes", and "love in an elevator"
EXTD= never wear out their welcome and always manage to bring back mem
EXTD=ories of my child-hood. Permanent Vacation also had some good tun
EXTD=es, as well as Get a Grip and Nine Lives, but I never made the ef
EXTD=fort to buy ALL of them. I guess this set was put together for ca
EXTD=sual fans like me and I'm really glad for having picked it up. On
EXTD= here, are 34 songs culled from their Geffen years and, in all ho
EXTD=nesty, there really isn't a weak track. I liked the double-live s
EXTD=et "A Little South of Sanity" and I find it a little puzzling tha
EXTD=t they would include the live version of "Hole in My Sole". But, 
EXTD=then again, that's just me. Also, we get "Deuces Are Wild" from t
EXTD=he Beavis and Butthead Experience and "Blind Man" from the 1994 g
EXTD=reatest hits "Big Ones". \nThis is a fantastic "hits" package and
EXTD= my only complaint is that there wasn't more stuff from Nine Live
EXTD=s. But oh well, can't have everything. All in all this is a solid
EXTD= buy that even the rabid fans may want to have. It's good times.\n
EXTD=\nAMAZON.COM CUSTOMER REVIEW\nAs Complete As It Gets, January 18,
EXTD= 2002\nReviewer: birddogger5150 (Roseville, MN USA)\n... As I own
EXTD= all of the other Aerosmith CD's on Geffen (except their previous
EXTD= best-of "Big Ones"), I wouldn't pay much more than that for this
EXTD=. The only real advantage is the 11 total tracks on here that I d
EXTD=id not already own, most of which are alternate takes, soundtrack
EXTD= cuts, and "B" sides (and they are "B" sides for a REASON). Also,
EXTD= all tracks are digitally remastered, and since I own non-remaste
EXTD=red versions of "Pump", "Get A Grip", etc., this is a plus for me
EXTD= as well. \n\nAs greatest hits CD's go though, this is maybe the 
EXTD=most complete one I've ever seen, and it's not like "Big Ones" wa
EXTD=s overly lacking either. It compiles all of their Geffen-era sing
EXTD=les and throws in key album tracks like "Hangman Jury", "Young Lu
EXTD=st", and "Shut Up And Dance". It's also refreshing to see a few t
EXTD=racks from the much-maligned "Done With Mirrors" here, including 
EXTD=the excellent "Let The Music Do The Talking". It also throws in f
EXTD=our songs from their live "A Little South of Sanity" album, purel
EXTD=y for the purpose of including live versions of four well-known A
EXTD=erosmith songs for which Geffen does not own the rights to the or
EXTD=iginal recordings ("Dream On", "Sweet Emotion", "Hole In My Soul"
EXTD=, "Falling In Love"). \n\nRegarding the otherwise-hard-to-find-st
EXTD=uff, you get a by-the-numbers remake of the Door's "Love Me Two T
EXTD=imes", a somewhat interesting acoustic version of "Living On The 
EXTD=Edge", an orchestral (re: OVERPRODUCED) version of "Amazing", the
EXTD= great ballad "Deuces Are Wild" (from an otherwise lame Beavis & 
EXTD=Butt-Head compilation), two decent (but non-essential) tracks fro
EXTD=m "Big Ones", and ho-hum interchangable B-sides and import-onlys 
EXTD=like "Head First", "Don't Stop", 'Can't Stop Messin'", and "Ain't
EXTD= Enough". You also get the version of "Walk This Way" that Joe Pe
EXTD=rry & Steven Tyler recorded with Run-D.M.C. Say what you will abo
EXTD=ut that song, but it did accomplish two major milestones for bett
EXTD=er or worse - it revived Aerosmith's long-dormant career (for bet
EXTD=ter) while simultaneously ushering rap into the mainstream (for w
EXTD=orse). \n\nIf you're an Aerosmith completist, you will want this 
EXTD=for any songs you don't already have. If you're a casual fan of t
EXTD=heir 80's and 90's work and don't already own many of their album
EXTD=s from "Done With Mirrors" onward, you can look at the track list
EXTD=ings from this and "Big Ones" and decide for yourself which suits
EXTD= you better. Either way, this is a great CD.\n\nAMAZON.COM CUSTOM
EXTD=ER REVIEW\nNOT a best of, but pretty good, January 5, 2002\nRevie
EXTD=wer: Jeffrey Allan Shelden (Chicago, IL United States)\nClearly t
EXTD=his album is Geffen trying to get as much money out of their Aero
EXTD=smith catalog as possible. The only reason to get this collection
EXTD= is to get the old b-sides on a few cd's instead of a bunch of si
EXTD=ngles. It is unfortunate that Aerosmith didn't have anything to d
EXTD=o with the collection because I'm sure they would have given Geff
EXTD=en some rarities to put on here. Instead we are stuck with a few 
EXTD=tracks from the 5 albums and some good filler. Can't go wrong wit
EXTD=h Aerosmith though and this may give fans a good way to consolida
EXTD=te their collection if you're not too addicted to "St. John."\n\n
EXTD=AMAZON.COM CUSTOMER REVIEW\nGood summary for the budget-minded., 
EXTD=December 17, 2001\nReviewer: A music fan\nThis is not a bad colle
EXTD=ction by any means. The remastering is excellent as both discs so
EXTD=und terrific, even better than I remember them sounding on the or
EXTD=iginal albums. One reviewer questioned as to whom this collection
EXTD= was intended for? I have to agree. Die-hard fans will likely hav
EXTD=e most of this material already. The bulk of the collection is ta
EXTD=ken from the albums, "Permanent Vacation, Pump, Get A Grip, Big o
EXTD=nes" and "A Little South of Sanity." If you already have these al
EXTD=bums, then you really don't need this collection. There's a coupl
EXTD=e of B-sides, rarities and the Run-DMC version of Walk this Way, 
EXTD=but not enough to warrant getting this set if you have the above-
EXTD=mentioned albums. If you are new to Aerosmith, or on a budget, th
EXTD=en you can't go wrong with this collection. For myself, it was pe
EXTD=rfect as I did not want to spend the money on all the albums that
EXTD= the tracks in this collection come from. So, if economics are a 
EXTD=concern for you, this is the best Aerosmith album to get as it's 
EXTD=a nice summary of the band's work from the 80's through the 90's.
EXTD=\n\nAMAZON.COM CUSTOMER REVIEW\nWho is this for?, November 27, 20
EXTD=01\nReviewer: A music fan\nFor whom exactly is this double-disc s
EXTD=et intended? Is it a hits compilation for casual fans who don't w
EXTD=ant to delve into the albums? Well, seeing as Geffen only owned t
EXTD=he band during the second stage of their career, it couldn't be d
EXTD=efinitive, and the single-disc best-of "Big Ones" covered the Gef
EXTD=fen years quite nicely already. Is it a rarities collection? Ther
EXTD=e are quite a few b-sides and previously unreleased tunes here, b
EXTD=ut it's mostly re-packaged material from their Geffen albums. Eve
EXTD=n the live tunes are straight from their recent live record, A Li
EXTD=ttle South of Sanity. So the hardcore fans will have to have it, 
EXTD=even if their paying mostly for material they already own - and a
EXTD= few casual fans might pick it up confusing it for a greatest hit
EXTD=s collection. Still, it's little more than another contractual ob
EXTD=ligation of marginal value.\n\nAMAZON.COM CUSTOMER REVIEW\nGood f
EXTD=or the hardcore Aerosmith fans . . ., November 20, 2001\nReviewer
EXTD=: S. Baker "sdbaker70" (Phoenix, Arizona United States)\nbecause 
EXTD=of the b-sides collected, but this is not a great compilation for
EXTD= those who don't have all the Geffen releases ('Done with Mirrors
EXTD=' (1985), 'Permanent Vacation' (1987), 'Pump' (1989), 'Get a Grip
EXTD=' (1993), and 'A Little South of Sanity' (1998)). From the perspe
EXTD=ctive of a diehard fan, the song choice from 'Permanent Vacation'
EXTD= and 'Pump' is excellent, but the same can not be said of the muc
EXTD=h underrated 'Done with Mirrors' and the much overrated 'Get a Gr
EXTD=ip'. The tracks from the 1998 live record should be viewed in the
EXTD= same context as the record itself - a lackluster fulfillment of 
EXTD=the band's contractual obligation to Geffen.\nThe real gems here 
EXTD=are the collection of b-sides, of which all but a couple are incl
EXTD=uded here. Particularly good is the reworking of The Doors' "Love
EXTD= Me Two Times" (from the 'Pump' era). (NOTE: I wish Geffen had ju
EXTD=st put these as bonus cuts on the remastered original records, as
EXTD= has been done with many other bands.) For this reason alone, I w
EXTD=ould recommend this record for the serious Aero-fans. For those j
EXTD=ust getting started, I recommend purchasing the remastered versio
EXTD=ns of 'Permanent Vacation' and 'Pump' (which are being released s
EXTD=imultaneously).\n\nHalf.com Details \nContributing artists: Run-D
EXTD=MC \n\nAlbum Notes\nYOUNG LUST: THE AEROSMITH ANTHOLOGY contains 
EXTD=tracks recorded for Geffen between 1985 and 1998.\n\nAerosmith: S
EXTD=teven Tyler (vocals, mandolin, harmonica, keyboards); Joe Perry (
EXTD=guitar, dulcimer, background vocals); Brad Whitford (guitar); Tom
EXTD= Hamilton (bass); Joey Kramer (drums, percussion).\n\nProducers i
EXTD=ncludes: Ted Templeman, Bruce Fairbairn, Michael Beinhorn, Aerosm
EXTD=ith, Jack Douglas.\n\nCompilation producer: Mike Ragogna.\nInclud
EXTD=es liner notes by Gerri Miller.\nDigitally remastered by Erick La
EXTD=bson (Universal Mastering Studios-West, Hollywood, California).\n
EXTD=\nFew bands in rock & roll history have enjoyed the kind of over-
EXTD=the-top successful second act Aerosmith has that makes Behind-The
EXTD=-Music producers salivate and reinforces the legend moniker gener
EXTD=ally associated with these New England hard rockers. The 2-CD YOU
EXTD=NG LUST is a handy anthology of the band's Geffen years that chro
EXTD=nicles this Boston quintet's climb back from the depths of drug a
EXTD=buse, personal turmoil and dramatic excess.\nMTV-friendly hits li
EXTD=ke "Rag Doll," "(Dude) Looks Like A Lady" and "Cryin'" are featur
EXTD=ed alongside the band's breakthrough Run-D.M.C. rap-rock summit (
EXTD="Walk This Way") and a clutch of live favorites ("Sweet Emotion,"
EXTD= "Dream On"). Along the way, Aerosmith found success infusing the
EXTD=ir writing with cheeky double-entendres ("Love In An Elevator"), 
EXTD=serious topics like child abuse ("Janie's Got A Gun") and flat-ou
EXTD=t displays of guitar-soaked manna (the resurrected Joe Perry Proj
EXTD=ect nugget "Let The Music Do The Talking"). Also included are the
EXTD= chugging, blues-driven, Japan-only "Ain't Enough," defiant non-a
EXTD=lbum rocker "Don't Stop" and a soaring orchestral version of "Ama
EXTD=zing." Even Aerosmith's contributions from the soundtracks to Air
EXTD= America (a stomping cover of "Love Me Two Times") and The Beavis
EXTD= & Butthead Experience (an infinitely catchy "Deuces Are Wild") g
EXTD=et the nod on this far-reaching anthology.
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